Aggiungi una trama nella tua linguaA girl is welcomed in a cabin along with her friend. Things don't turn out so pleasant.A girl is welcomed in a cabin along with her friend. Things don't turn out so pleasant.A girl is welcomed in a cabin along with her friend. Things don't turn out so pleasant.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 1 candidatura in totale
Recensioni in evidenza
Two family tragedies merging into one haunting tale! I loved this movie. I had a feeling it was going somewhere, but I couldn't see how deep the plot went until the final scene when the entire story came together for me. I literally caught myself gasping at the end. I haven't seen a movie in a long time where I sat and pondered each scene and the entire plot for a good while after it had ended. I very much enjoyed this movie!
The Passing is an excellent feature that belies its low budget production. Beautifully shot and well- acted, with an intriguing script and embellished by a wonderful score, it's a real shame this film has not found a wider audience. I wonder of the fact that it is a Welsh-language feature (the first ever, I think) has put people off? That would be a shame because the film bears comparison with any European film of a similar ilk. It's well worth seeking out. So far, The Passing is only available via the BFI website (which is how I came across it), but hopefully it will make its way onto a more mainstream platform before too long. Highly recommended.
The opening scene sets the tone for the entire film, i.e. dark, brooding, virtually no dialog and painfully slow moving. The positive reviews and award nominations convinced me this would be worth watching, however, I found the actions of the characters to be implausible throughout the film making it difficult for me to become immersed in the story.
Still, the cinematography was somewhat captivating, so I hung in there for the big reveal at the end, but once again was disappointed to find nothing particularly clever about the troubling past of the three characters as it was gradually revealed to the audience. I suppose, learning the back story of each character will be interesting for some viewers, but anything less than 5 stars from my perspective suggests my time could have been spent watching something more worthwhile.
Still, the cinematography was somewhat captivating, so I hung in there for the big reveal at the end, but once again was disappointed to find nothing particularly clever about the troubling past of the three characters as it was gradually revealed to the audience. I suppose, learning the back story of each character will be interesting for some viewers, but anything less than 5 stars from my perspective suggests my time could have been spent watching something more worthwhile.
I did not get that much out of the movie, but I would not have rated it because it seemed pretty clear there was a lot that just blew by me that was over my head.
After reading the spoiler reviews I now understand it quite a bit better.
Still not sure who the kid in front of the fireplace was at the end, though.
Sorry to have to have everything explained to me but it is what it is.
After reading the spoiler reviews I now understand it quite a bit better.
Still not sure who the kid in front of the fireplace was at the end, though.
Sorry to have to have everything explained to me but it is what it is.
I tend to go down these cultural rabbit holes. After watching Severn Screen's second season of the excellent Hidden (Craith, in Welsh), I was drawn to this feature length 'horror' written a few years earlier by Ed Talfan, producer of Hinterland and Hidden, and a particularly gruesome historical horror film The Apostle from 2018.
The trailer suggested it was going to be a horror film, I think. The premise being that it starts with a lonely man tending to a run down farm, building a well. He's played by Mark Lewis Jones, a Welsh actor of some stature, who brought real presence recently to both his part as Steve Baldini in Keeping Faith and as Prince Charles' Welsh language tutor, Edward Millward in The Crown. There is a sense of foreboding and a tragic, hidden menace, but as the story goes on you're sure the gentle giant Lewis Jones' Stanley is just that, but that the young man and the woman he's pulled from a crashed car have something they're running from.
All of the spoken dialogue is in Welsh, but it's also sparse and packed full of non-verbal tension, with just the three actors, the couple played by Annes Elwy from Hidden, and Dyfan Dwyfor who stars in S4C's Bang, which is now on my list. Yet for all of the uncertain undercurrents of tragedy and loss, The Passing is a remarkably tender and reflective story. There are a couple of dark twists that I can't even begin to hint at, but by the end of it (and I'd worked it out), you realise it's a work of quiet allegorical genius. Like many of the other projects that Talfan and his cohort are creating, it's a body of work that not only tells the stories of the people of Wales, that lets the landscape play an important central part, but does so in knowing and critical solidarity. It's far more ambitious in that regard than just Scandi Noir, Welsh style, unless of course I'm missing something cultural there too.
Should I pay any attention to reviews on IMDb? I was surprised it wasn't higher rated, but those who just didn't get it seemed to really hate it. Yes, there are things that happen that are improbable, impossible, inexplicable. That's the point. All I'll say is this: Cofiwch Drywern. So if you know what that means, fine, if you don't, that's not fine and you probably ought to read more.
The trailer suggested it was going to be a horror film, I think. The premise being that it starts with a lonely man tending to a run down farm, building a well. He's played by Mark Lewis Jones, a Welsh actor of some stature, who brought real presence recently to both his part as Steve Baldini in Keeping Faith and as Prince Charles' Welsh language tutor, Edward Millward in The Crown. There is a sense of foreboding and a tragic, hidden menace, but as the story goes on you're sure the gentle giant Lewis Jones' Stanley is just that, but that the young man and the woman he's pulled from a crashed car have something they're running from.
All of the spoken dialogue is in Welsh, but it's also sparse and packed full of non-verbal tension, with just the three actors, the couple played by Annes Elwy from Hidden, and Dyfan Dwyfor who stars in S4C's Bang, which is now on my list. Yet for all of the uncertain undercurrents of tragedy and loss, The Passing is a remarkably tender and reflective story. There are a couple of dark twists that I can't even begin to hint at, but by the end of it (and I'd worked it out), you realise it's a work of quiet allegorical genius. Like many of the other projects that Talfan and his cohort are creating, it's a body of work that not only tells the stories of the people of Wales, that lets the landscape play an important central part, but does so in knowing and critical solidarity. It's far more ambitious in that regard than just Scandi Noir, Welsh style, unless of course I'm missing something cultural there too.
Should I pay any attention to reviews on IMDb? I was surprised it wasn't higher rated, but those who just didn't get it seemed to really hate it. Yes, there are things that happen that are improbable, impossible, inexplicable. That's the point. All I'll say is this: Cofiwch Drywern. So if you know what that means, fine, if you don't, that's not fine and you probably ought to read more.
Lo sapevi?
- QuizAnnes Elwy's debut.
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Dettagli
Botteghino
- Budget
- 540.000 £ (previsto)
- Lordo in tutto il mondo
- 4449 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Proporzioni
- 2.35 : 1
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