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The Deliverance - La redenzione

Titolo originale: The Deliverance
  • 2024
  • R
  • 1h 52min
VALUTAZIONE IMDb
5,1/10
23.415
LA TUA VALUTAZIONE
POPOLARITÀ
2439
624
Glenn Close, Aunjanue Ellis-Taylor, Mo'Nique, and Andra Day in The Deliverance - La redenzione (2024)
A family living in a home in Indiana discover strange, demonic occurrences that convince them and the community that the house is a portal to hell.
Riproduci trailer1:21
2 video
13 foto
DrammaHorror soprannaturaleMisteroOrroreThriller

Una famiglia che vive in una casa nell'Indiana scopre strani avvenimenti demoniaci che convincono loro e la comunità che la casa è un portale per l'inferno.Una famiglia che vive in una casa nell'Indiana scopre strani avvenimenti demoniaci che convincono loro e la comunità che la casa è un portale per l'inferno.Una famiglia che vive in una casa nell'Indiana scopre strani avvenimenti demoniaci che convincono loro e la comunità che la casa è un portale per l'inferno.

  • Regia
    • Lee Daniels
  • Sceneggiatura
    • David Coggeshall
    • Elijah Bynum
  • Star
    • Andra Day
    • Glenn Close
    • Anthony B. Jenkins
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,1/10
    23.415
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2439
    624
    • Regia
      • Lee Daniels
    • Sceneggiatura
      • David Coggeshall
      • Elijah Bynum
    • Star
      • Andra Day
      • Glenn Close
      • Anthony B. Jenkins
    • 308Recensioni degli utenti
    • 74Recensioni della critica
    • 39Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 4 candidature totali

    Video2

    Official Trailer
    Trailer 1:21
    Official Trailer
    Deliverance
    Trailer 1:27
    Deliverance
    Deliverance
    Trailer 1:27
    Deliverance

    Foto13

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 7
    Visualizza poster

    Interpreti principali91

    Modifica
    Andra Day
    Andra Day
    • Ebony
    Glenn Close
    Glenn Close
    • Alberta
    Anthony B. Jenkins
    Anthony B. Jenkins
    • Andre
    Caleb McLaughlin
    Caleb McLaughlin
    • Nate
    Demi Singleton
    Demi Singleton
    • Shante
    Aunjanue Ellis-Taylor
    Aunjanue Ellis-Taylor
    • Rev Bernice James
    Mo'Nique
    Mo'Nique
    • Cynthia Henry
    Omar Epps
    Omar Epps
    • Melvin
    Miss Lawrence
    Miss Lawrence
    • Asia
    Javion Allen
    • Neighborhood Kid #1
    Todd Anthony
    • Ahman
    Bryant Bentley
    Bryant Bentley
    • Usher
    Jonathan Berry
    Jonathan Berry
    • Man
    Loryn Bonner
    • Shante's Friend #3…
    Colleen Camp
    Colleen Camp
    • Doctor Hoffsteder
    Guy Collins
    • Captian Watson
    Cynthia Dallas
    Cynthia Dallas
    • Nurse
    Girly Daniels
    • Girly
    • Regia
      • Lee Daniels
    • Sceneggiatura
      • David Coggeshall
      • Elijah Bynum
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti308

    5,123.4K
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    10

    Recensioni in evidenza

    6Oracle-of-Delphi

    Pray for good writers, deliver us from bad SFX

    Who would've thought demon removal could be done without a priest? That's why I like this film. It's an original spin on the tried and true demonic possession narrative. This is slow burn horror which plays out fairly well. A fierce, single mother battling debt, alcoholism, her own volatile emotions, the world....and little does she know, an actual demonic presence too. Lee Daniels and the other writers did a phenomenal job writing a metaphorical, horror screenplay. This one has a heavy kind of fear. Psychologically and paranormally. Everyone in the house is afraid of each other, the outside world, and whatever is happening to all of them. My husband wondered if I was in a trance while watching this. That's how compelling this story was. But then...

    Here's where Lee Daniel drove his film off the road and into the cornfields. The SFX scenes which occur more towards the end. Less is more. Our imaginations will conjure up far more frightening scenes than you could ever create with SFX. Sound effects are very effective and could've been utilized more instead of the graphic visuals. There aren't many of these scenes. My advice, close your eyes and listen to the sound effects. You're not missing anything vital.

    The film was brilliantly casted. And the performances were on par, with what the actors were given. In my opinion, the characters could've been developed a bit more. There was enough of a connection for me to like them and fear for them, but I really wanted to know this family.

    Overall, it's a unique horror film that's fairly well written with a very talented cast. I'm glad we're starting to see more smart, metaphorical horror, films, (but please, lose the bad SFX). This one's worth a watch. Enjoy.
    4Otkon

    Glenn Close is the only redeeming quality.

    Otherwise, it lacks everything else. I understand the interest in black horror right now. And everyone wants to cash in on the Jordan Peele effect. But Lee Daniels needs to stick to Oprah's coattails and make fluffy biopics for her OWN network.

    First of all, Andra Day is entirely terrible and her character Ebony is played in such a way that she deserves and earns no sympathy from the audience. I felt bad for the kids. But then I realized that they were just awful as well but in the opposite (under-developed) way.

    There is your standard denial of all the weirdness happening. There is an overload of social commentary with all the doubters, "ambiguity" and disbelief over the family's plight . There is the stock Van Helsing. There is Mo'Nique ruining every scene she touches, trying and failing to undo her post-Oscar diva status.

    Everything is just so overwrought with Insidiously Get Outie-ness with zero nuance. Other than Glenn Close and her ripped grandma jeans, the movie is both bland and annoying.
    4skniazi-56181

    We have seen this 100s of time before!

    Was really looking forward to this one and I must say what a let down it is. Nothing original. A rehash of all the demonic possession films we have seen before.

    The story has a promising start in the first 15 minutes, establishing characters and their struggles. After that you just wait for something dramatic to build up and set this film apart from other entries of the genre. It never happens. The film wastes the talented cast it had to narrate its story through.

    I actually felt sorry for Glenn Close, doing such absurd films. She was the only good thing about thus film.

    Avoid and save precious time.
    2zzfqvr

    From utterly boring to completely ridiculous

    The only reason this gets two stars is because the actors are really trying to do some thing with this material. I'm all for a slow burn in a horror movie, but it takes far too long for them to get to the point. They could have taken less time setting up the family trauma and you would still understand that it's this fracture in the family that opens them up to evil. And then comes the "deliverance" and the sorry attempt at ripping off of the brilliant and classic "The Exorcist". It's laughable. The dialogue is poorly written the special FX look terrible, and not in a good way, and it fails on every level to deliver (yes I used that word deliberately) any impact, fear or semblance of a satisfying movie experience.
    3laimesi

    Started OK, turned to boring nonsense

    Descent into Mediocrity

    In an age where streaming platforms have ushered in an abundance of content, the challenge is no longer finding something to watch, but finding something worth watching. The movie, which initially promised an intriguing narrative, quickly devolves into a tiresome and incoherent mess. The movie starts with a spark of potential but gradually loses its way, leaving viewers frustrated and disengaged.

    An Intriguing Beginning

    The film's opening act shows a lot of promise. It sets up an interesting premise that immediately grabs the audience's attention. The characters are introduced with enough depth to pique curiosity, and the story seems to be heading in a compelling direction. The director successfully establishes a sense of mystery, with subtle hints and foreshadowing that suggest the film is building towards something substantial.

    The cinematography in the first third of the movie is also notable. The visuals are crisp and creative, utilizing lighting and camera angles to convey the mood and themes effectively. The use of color and shadow, in particular, adds to the atmosphere, drawing viewers into the world of the film. The soundtrack, though not groundbreaking, complements the visuals well, setting the tone for what initially appears to be a thought-provoking piece of cinema.

    The performances by the lead actors are commendable at this stage. They bring a level of authenticity to their roles, creating characters that feel real and relatable. There's a sense of anticipation as the narrative unfolds, with viewers eager to see where the story will take them.

    A Rapid Decline

    Unfortunately, after this promising start, the film begins to unravel. The pacing, which was initially measured and deliberate, suddenly becomes erratic. Scenes that should be building tension or developing characters instead feel drawn out and aimless. The story loses its focus, meandering through subplots that add little to the overall narrative. The intriguing mystery that was set up so well in the beginning dissipates into a series of increasingly absurd and disconnected events.

    The script, which initially seemed sharp and engaging, quickly deteriorates. Dialogue becomes clunky and unnatural, with characters making decisions that feel contrived and out of character. The attempts at humor fall flat, and the emotional beats lack the impact they need to resonate with the audience. It's as if the writers couldn't decide what kind of movie they wanted to make, resulting in a jarring tonal shift that leaves viewers confused and dissatisfied.

    As the film progresses, it becomes clear that the plot is not going to deliver on the promise of its opening. The narrative threads that were carefully woven in the beginning are either abandoned or resolved in a way that feels rushed and unsatisfying. The film's climax, which should be the culmination of everything that has come before, is instead a convoluted mess that raises more questions than it answers. Any sense of coherence or logic is thrown out the window in favor of a spectacle that is more confusing than thrilling.

    A Disappointing Payoff

    By the time the credits roll, the initial excitement and intrigue have long since faded, replaced by frustration and disappointment. The movie's potential is squandered by poor execution, leaving the audience with a sense of wasted time and unfulfilled promise. The film's final act, in particular, is a confusing jumble of clichés and contrived plot twists that fail to deliver any real payoff. What could have been a smart, engaging story instead collapses under the weight of its own ambitions.

    Even the technical aspects of the film, which were a highlight in the beginning, suffer as the movie goes on. The cinematography becomes less inspired, with scenes that feel visually dull and repetitive. The soundtrack, which once enhanced the mood, becomes overbearing and mismatched with the action on screen. It's as if the film's creative team lost interest halfway through production, leading to a noticeable decline in quality.

    The performances, too, falter as the story drags on. The actors, who initially brought nuance and depth to their roles, seem to struggle with the increasingly nonsensical material they are given. Their performances become stilted, with even the most talented cast members unable to salvage the clunky dialogue and baffling plot twists.

    "Started OK, Turned to Boring Nonsense" is an apt description for this film. It begins with promise but quickly devolves into a chaotic, uninspired mess that squanders its potential. Despite a strong start, the film ultimately fails to deliver a satisfying or coherent story, leaving viewers bored and disappointed. In a market saturated with content, this movie unfortunately falls into the category of forgettable, failing to make a lasting impression beyond its initial scenes. For those seeking an engaging and well-crafted film, this one is better left unwatched.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This film is based on the Latoya Ammons family possession.
    • Blooper
      When the demon Tre is manifesting through Dre in the form of a demonic version of Alberta, you can clearly see the portions of Glenn Close's teeth that have been painted black to make it look like she has a mouth full of pointed fangs.
    • Citazioni

      Doctor: Let's not push the panic button yet, Miss Henry. I'm sure there's a logical explanation for all of this.

      Cynthia Henry: I just saw a little boy break his restraints, crawl out of that bed, crawl backwards on the floor, and climb up the fucking wall! What button should I push, Doctor?

      ["Based on Actual Events"]

    • Connessioni
      Features La valle delle bambole (1967)
    • Colonne sonore
      I Know Who Holds Tomorrow
      Written by Ira F. Stanphill

      Performed by Andra Day

      Produced by Warryn Campbell

      Andra Day appears courtesy of Warner Records Inc.

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    Dettagli

    Modifica
    • Data di uscita
      • 30 agosto 2024 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official Netflix
    • Lingua
      • Inglese
    • Celebre anche come
      • La liberación
    • Luoghi delle riprese
      • Pittsburgh, Pennsylvania, Stati Uniti
    • Aziende produttrici
      • Tucker Tooley Entertainment
      • Jereco Studios Inc.
      • Lee Daniels Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 52min(112 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.39:1

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