Una famiglia che vive in una casa nell'Indiana scopre strani avvenimenti demoniaci che convincono loro e la comunità che la casa è un portale per l'inferno.Una famiglia che vive in una casa nell'Indiana scopre strani avvenimenti demoniaci che convincono loro e la comunità che la casa è un portale per l'inferno.Una famiglia che vive in una casa nell'Indiana scopre strani avvenimenti demoniaci che convincono loro e la comunità che la casa è un portale per l'inferno.
- Premi
- 2 vittorie e 4 candidature totali
Recensioni in evidenza
Here's where Lee Daniel drove his film off the road and into the cornfields. The SFX scenes which occur more towards the end. Less is more. Our imaginations will conjure up far more frightening scenes than you could ever create with SFX. Sound effects are very effective and could've been utilized more instead of the graphic visuals. There aren't many of these scenes. My advice, close your eyes and listen to the sound effects. You're not missing anything vital.
The film was brilliantly casted. And the performances were on par, with what the actors were given. In my opinion, the characters could've been developed a bit more. There was enough of a connection for me to like them and fear for them, but I really wanted to know this family.
Overall, it's a unique horror film that's fairly well written with a very talented cast. I'm glad we're starting to see more smart, metaphorical horror, films, (but please, lose the bad SFX). This one's worth a watch. Enjoy.
But all of the sudden, there is a weird switch and it becomes standard exorcism stuff, with all the classic effects we've seen so many times before. There is also these annoying errors, for the love of all that is holy - why cannot exorcists tie a decent knot!
Bottom line, decent Sunday movie where the first part of the movie is good, second part is slightly disappointing and unimaginative.
The way this initially gripping film drifted off into laughable horror territory breaks my heart. No matter how often they tell us "based on a true story", it doesn't redeem what the director did. In the end it became its own parody. Close, Day and Mo'nique deserve better. And shame on Lee Daniel's. I expected so much more of you.
Now let's get into the dialog. This movie said to Hereditary, "Hold my beer." The dialog at points is hilariously awful. I laughed multiple times so hard my gut hurt. Glenn Close was the cherry on top in the chaos. Chefs kiss.
Outside of story issues. Poors cgi. Some rough edits don't really improve the quality. The cinematography was well done with excitement color palette.
In all seriousness, Mo'Nique was the best part of the movie. Her scenes brought the movie back from it's satirical fridges to something with heart. I really hope to see her in more films. I think the horror genre fits Mo'Nique.
Lo sapevi?
- QuizThis film is based on the Latoya Ammons family possession.
- BlooperWhen the demon Tre is manifesting through Dre in the form of a demonic version of Alberta, you can clearly see the portions of Glenn Close's teeth that have been painted black to make it look like she has a mouth full of pointed fangs.
- Citazioni
Doctor: Let's not push the panic button yet, Miss Henry. I'm sure there's a logical explanation for all of this.
Cynthia Henry: I just saw a little boy break his restraints, crawl out of that bed, crawl backwards on the floor, and climb up the fucking wall! What button should I push, Doctor?
["Based on Actual Events"]
- ConnessioniFeatures La valle delle bambole (1967)
- Colonne sonoreI Know Who Holds Tomorrow
Written by Ira F. Stanphill
Performed by Andra Day
Produced by Warryn Campbell
Andra Day appears courtesy of Warner Records Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La liberación
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 52min(112 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1