Snakehead - I boss di Chinatown

The movie disappointed me a little bit. I expected it to be a lot better, because it really has a good and solid plot. For me the movie seems fast-paced and not at all polished. It seems that the director and the production team didn't have the patience, the budget, or both, to make something really good and interesting.

I expected it to have a lot more action and be less predictable. The main plot is interesting, but it also depends how do you make use of it, how you put into the light the events that are linked to that plot and "Snakehead" didn't really manage that. Even If the plot is interesting, the movie is nothing but basic, fast-paced and predictable. It had potential.

I don't know if I watched a botched edited version, but there were many scenes that felt pieces were missing, and/or came out of nowhere. This is writer and director Evan Jackson Leong's feature film debut - previously known for documentaries and short films. Overall he did a great job for a newb filmmaker; most of the cinematography and camera work was excellent, but the slow-mo scenes were annoying. It was a visually stylish story, but the cliched gangster narrative fell short on its own heavy ambitions. The short 89 min runtime felt much longer and dragged out with the slow pacing and dragged out and/or unnecessary scenes. Casting was decent, with the stand-out performances by Sung Kang and Jade Wu, but I wasn't impressed with Shuya Chang; her character was unconvincing and it felt like she didn't want to be there with her constant straight-faced look and demeanor. Overall not a bad film, watchable to the end, so it's a 6/10 from me.

While the main plot was initially interesting, the script and acting was mediocre. The scenes felt rushed, not well thought out. How the film moved from one scene to the next felt choppy. The only actor I like was the older woman who played Dai Mah. Her acting was decent. But the main protagonist turned my stomach. She delivers her lines like a spoiled bratty sulking teenager. When you don't feel anything for the main character, the film is doomed. The rest of the supporting actors were just as bad. This production needed better writers and casting.

Sister Tse is a survivor. After leaving China in a container ship she is arrested the moment she steps into New York. Her baby girl is taken from her there. Returning years later to try to find her daughter, Sister Tse first has a debt to pay to the snakeheads (smugglers). They push her to sell her body, she rebels, and is brutally punished. However, her survivor instincts and courageous spirit gain her the favor of Dai Mah, a crime boss and snakehead in Chinatown. Competition is fierce for Dai Mah's attention and Sister Tse is just an errand rat, but with Dai Mah's encouragement she begins to rise. There is a big difference between fear and respect, and unlike Dai Mah, Sister Tse is the respectful type. Her power lies in what she gives rather than what she takes, and herein is the path to redemption and a true home.

Snakehead is exhilarating and authentic. Narrated by the character of Sister Tse the film illuminates some of the true reasons that people immigrate. These reasons do not usually include money. The film is thrilling because it pulls back the curtain on the criminal underworld of smugglers and is based on real crime stories including that of Cheng Chui Ping (aka Sister Ping), who ran a long-standing snakehead operation in New York.

From law school I know that the great majority of people are convicted of crimes based on their own statements. People MUST talk about what they did, and this bites them in the butt. This is why the first words out of a lawyer's mouth are usually some version of "shut up and let me do the talking." Snakehead reveals this truth.

Seen at the Toronto international film festival.

As the when film is shot in "dramatic" slow motion, at home one can just play at high speed and get this whole whatever you call this mumbo jumbo over in 20 minutes! And all the "plot" even starts to make sense! Try it.