Regali da uno sconosciuto - The Gift

A psychological thriller that builds gradually, with an impressive ending! Exceeds my expectations, I tend to think of Jason Bateman as a comedy actor, but all characters we're enjoyed, as the plot thickens!

Yeah, this was a lot of fun. I mean, the story reminds me of many others (most noticeably, Gone Girl and Side Effects) in that it's able to turn its story in more ways than one. As a very straight- forward thriller (the first half of the film) it works marvelously. Edgerton really has such a confident control of the pacing and the tone he wants the film to have, and when it switched direction, he's still able to keep the audience in their toes. What's most impressive is that this really is such a B-plot in many ways, but Edgerton goes further and really develops a thoughtful morality tale. Just when the film seems like it's going to go down the rabbit hole and not come back, he reveals another aspect of the story that puts it al in perspective. There are a few implausibilities (like someone else said, not sure if I can buy that she would be unaware of how he was for such a long time) but there are enough answers to such questions that are satisfactory and don't damage the film as a whole.

The three leads are also so fantastic. Edgerton is perfect, and Bateman also really surprising. Who knew the lead from Arrested Development (although in retrospect his character never really stayed in caricature mode really) had this in him? He has some really dramatic scenes that blew me away. Rebecca Hall is such a great screen presence so her I'm not surprised about at all. She's just great.

I think what's also really impressive about the film is that nothing comes out of nowhere. Every turn you sort of have an inkling, and you see all of the clues planted early. This may seem like a problem for many ("i totally saw that coming") but for storytelling, it's what works best in retrospect. The film at its core is really about the way our past can have consequences not just for us but for others, and the way it can also shape other people in ways you wouldn't expect. Simple, but effective.

Billed as a mystery and a thriller, Joel Edgerton's The Gift is indeed both of those and more. The sub genre might be "home invasion" of a figurative and a real kind, reminiscent of The Hand That Rocks the Cradle. Equally so it's a home horror film, for some of the traditional tropes of that genre are in place (e.g., missing dog, running faucet) waiting around the corner of any room so to speak.

Super security salesman Simon (Jason Bateman) is happily married to interior designer Robyn (Rebecca Hall). Their new LA home is wall to wall windows, all the better for bad forces to look in and to ironically comment on the lack of transparency inside the home as well as a security expert's vulnerability. Then Simon's old high school friend, weirdo Gordo (Joel Edgerton), visits with gifts and memories of a troubled past.

Their home is indeed invaded, not just by nerdy, strange Gordo, who has a bad habit of showing up at odd times and gaining access at even odder ones, but by the past, which is creeping up on the couple despite Simon's will to leave it all behind and Gordo's to "let bygones be bygones." The film bears its tensions well, distributing its exposition of the past in the present slowly.

The Gift doesn't just give the present a chance to come to terms with the past; it also comments on privacy, security, and bullying while serving up a fine stew of ironies and suspense. As for bullying, not the first time in a thriller, it plays out from high school days to adult days in a surprisingly subtle way, forcing us over the long haul of the film's 108 minutes to see it lurking like a clichéd ghost or murderer.

Marriage is also a subject in this taut film, namely how much do we really know about our partners or anyone close to us? This film could make anyone a skeptic about the goodness of your fellow travelers. Speaking of which, Gordo is the outsider, whom writer Flannery O'Connor liked to write about because "he changes things." Gordo is an agent of change, an avenging angel of the past and a messenger for the future.

Smart thriller for late summer.

It's good to see Jason Bateman not be the perfect gentleman in a film for once

Simon Callum (Jason Bateman) and Robyn (Rebecca Hall) are married with a new house. They've moved from Chicago back to his home town. He has a new high-powered job. One day, they run into Simon's high school classmate Gordo Moseley (Joel Edgerton). Gordo starts insinuating into their lives making Simon very uncomfortable and leading to a secret from the past.

This has great creepiness right from the start. In the beginning, it seems to be coming from Edgerton and the desolated nature of the film. Then it morphs and spreads beautifully. Edgerton has some great weird vibes. Jason Bateman has this douche side to his roles sometimes. Surprisingly, he brings physicality and is believable in his strength over Edgerton. This is a terrific twist on a story that could have easily been little more than a Lifetime movie.