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7,0/10
52.345
LA TUA VALUTAZIONE
Adolf Hitler si risveglia nel ventunesimo secolo. Guadagna rapidamente l'attenzione dei media, ma mentre la Germania lo trova divertente e affascinante, Hitler fa alcune serie osservazioni s... Leggi tuttoAdolf Hitler si risveglia nel ventunesimo secolo. Guadagna rapidamente l'attenzione dei media, ma mentre la Germania lo trova divertente e affascinante, Hitler fa alcune serie osservazioni sulla società.Adolf Hitler si risveglia nel ventunesimo secolo. Guadagna rapidamente l'attenzione dei media, ma mentre la Germania lo trova divertente e affascinante, Hitler fa alcune serie osservazioni sulla società.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 7 candidature totali
Recensioni in evidenza
I was traveling in Berlin a year ago when I first saw someone reading the eponymous book on which this movie is based. It stuck in a corner of my mind, so as my travels brought me back to Berlin and posters were advertising "Er ist wieder da", I had to give it a go.
The challenge, as with previous comedic movies themed around Hitler or the Nazi regime, is treading the line of reasonable taste and still being challenging enough to gain some relevance. One of the best known spoofs of the times, The Producers, uses it as a pivot to tell an engaging story about several memorable characters, so that works well. But here, there's little to pivot from, as Hitler, in realistic attire and demeanor, narrates his experience of present day Germany. So the twist, in part, is to make it a mockumentary in the spirit of Borat, see how people react to Hitler walking the streets and delivering his calculated critiques of the political system, the media - life in general. When it's not doing this, the film provides a decent dose of slapstick and irony to its more obviously scripted parts. Distinguishing one from the other is not really the key to enjoyment; the key lies in accepting this faithful representation of Hitler as a grotesquely humorous caricature of the symbolic power he holds over modern history in its most extreme moments. It was a bit harder than I thought it would be at the beginning, but one settles in well, after a while.
Narratively, not much really happens, other than the fact that the protagonist pops up in Berlin and gets acquainted to what the world is like nowadays. To help him in this, a few support characters act as guides; none believe him to be "the real thing", but rather a comedian or a satirist. So, in a sense, it's not really a very ambitious film, because the degree to which it engages with the moral dimension of the situation is limited. But it is ambitious in that it tries to keep a straight face even through the more ghastly, touch-and-go moments one would relate to a Hitler movie. It is at its best when it does this, but then the occasional piece of slapstick hits you in the face are you're back into the reality of a mildly amusing film that people have only heard of because it is polemic.
An important part in the whole thing coming together reasonably well is thanks to Oliver Masucci, who offers a strong performance to keep the "pots" in balance. Perhaps one could critique this in particular: the implication is that any piece of fiction told in the first person will make the viewer empathize with the character, hence humanizing the historical figure. But the historical figure itself is merely a representation of the man and "Er ist wieder da" tries to contextualize this - make away with what you know and imagine this were pre-1933. As mentioned, it doesn't go very deep with it and it would be quite problematic to do so. It's just a thought experiment which concludes in a slightly open and ambiguous fashion.
To address the real question though: did I laugh? Yes, I did. Did I enjoy it? Yes, I did. The film managed to create an amusing environment which plays off the character of Hitler, without making it the other way around (all the time). As for the big picture, I might not agree that the world is, collectively, where it was seventy years ago, in spite of the troubles we are currently facing, especially in Europe. Or that we would make the same mistakes all over again. But that's another story of me visiting Berlin.
The challenge, as with previous comedic movies themed around Hitler or the Nazi regime, is treading the line of reasonable taste and still being challenging enough to gain some relevance. One of the best known spoofs of the times, The Producers, uses it as a pivot to tell an engaging story about several memorable characters, so that works well. But here, there's little to pivot from, as Hitler, in realistic attire and demeanor, narrates his experience of present day Germany. So the twist, in part, is to make it a mockumentary in the spirit of Borat, see how people react to Hitler walking the streets and delivering his calculated critiques of the political system, the media - life in general. When it's not doing this, the film provides a decent dose of slapstick and irony to its more obviously scripted parts. Distinguishing one from the other is not really the key to enjoyment; the key lies in accepting this faithful representation of Hitler as a grotesquely humorous caricature of the symbolic power he holds over modern history in its most extreme moments. It was a bit harder than I thought it would be at the beginning, but one settles in well, after a while.
Narratively, not much really happens, other than the fact that the protagonist pops up in Berlin and gets acquainted to what the world is like nowadays. To help him in this, a few support characters act as guides; none believe him to be "the real thing", but rather a comedian or a satirist. So, in a sense, it's not really a very ambitious film, because the degree to which it engages with the moral dimension of the situation is limited. But it is ambitious in that it tries to keep a straight face even through the more ghastly, touch-and-go moments one would relate to a Hitler movie. It is at its best when it does this, but then the occasional piece of slapstick hits you in the face are you're back into the reality of a mildly amusing film that people have only heard of because it is polemic.
An important part in the whole thing coming together reasonably well is thanks to Oliver Masucci, who offers a strong performance to keep the "pots" in balance. Perhaps one could critique this in particular: the implication is that any piece of fiction told in the first person will make the viewer empathize with the character, hence humanizing the historical figure. But the historical figure itself is merely a representation of the man and "Er ist wieder da" tries to contextualize this - make away with what you know and imagine this were pre-1933. As mentioned, it doesn't go very deep with it and it would be quite problematic to do so. It's just a thought experiment which concludes in a slightly open and ambiguous fashion.
To address the real question though: did I laugh? Yes, I did. Did I enjoy it? Yes, I did. The film managed to create an amusing environment which plays off the character of Hitler, without making it the other way around (all the time). As for the big picture, I might not agree that the world is, collectively, where it was seventy years ago, in spite of the troubles we are currently facing, especially in Europe. Or that we would make the same mistakes all over again. But that's another story of me visiting Berlin.
The movie shows Hitler in a current day setting. Which at first is very humorous, but during the movie it turns from just funny into awkward and beyond. There are great scenes in which the movie refers to other movies about Hitler, like "Der Untergang", but also hilarious scenes in which the absurdity of a present day Hitler are just fun. The turn of the movie is subtle and fascinating. You only notice it after it has already happened, which to me reflects the real way this would occur. It even happens that at some point the audience questions its own laughter. This movie is fun to experience, but also confronting in the upcoming changes in political landscape.
So watch out, it is not just a comedy!
So watch out, it is not just a comedy!
This film is intended to be about the way modern German society deals with important issues facing them, and they way they can quickly come under the spell of a "strong leader" ETC. Unintended by the film makers I suspect, was the way the modern left exposed themselves in the way they see those who dare to disagree with their positive views on globalisation and internationalism.
The main message of the film seems to be that those Germans (or Europeans in any European nation) who believe that Germany isn't some giant refugee centre for the rest of the planet, and that Germans have a right to their own indigenous land, not the rest of humanity, are just like Der Fuhrer.
An example of this can be seen in real time news footage of a Swede making the suggestion that asylum seekers, heaven forbid, should actually accept the cultural and societal norms of Sweden. Oh how "Evil" of that "intolerant" man! The film is well made and funny (who'd a thought Germans had a sense of humour?) in places. But take the leftist political message with a grain of salt. Europeans have EVERY RIGHT to be concerned about their demographic integrity and migration from the developing world that never seems to cease. They have the right to be concerned about these things without being demonised as Nazis or anything else.
The main message of the film seems to be that those Germans (or Europeans in any European nation) who believe that Germany isn't some giant refugee centre for the rest of the planet, and that Germans have a right to their own indigenous land, not the rest of humanity, are just like Der Fuhrer.
An example of this can be seen in real time news footage of a Swede making the suggestion that asylum seekers, heaven forbid, should actually accept the cultural and societal norms of Sweden. Oh how "Evil" of that "intolerant" man! The film is well made and funny (who'd a thought Germans had a sense of humour?) in places. But take the leftist political message with a grain of salt. Europeans have EVERY RIGHT to be concerned about their demographic integrity and migration from the developing world that never seems to cease. They have the right to be concerned about these things without being demonised as Nazis or anything else.
Imagine a film made guerilla-style like "Borat"....but with a guy dressed up like Hitler walking about modern day Germany! Well, you don't really need to imagine too much as some crazy filmmakers have done that with the film "Look Who's Back"!! Yes, a film crew follows Oliver Masucci as he impersonates Hitler and plays it 100% straight!
Unlike "Borat" where you know that it's just Sasha Baron Cohen pretending to be from Kazakstan, in this film Masucci plays it as if he really is Hitler and never breaks character. When the film begins, he is inexplicably transported from Germany in 1945 to the present day. At first, he's very confused. Then, he develops a plan...to return to politics and take Germany into the future! To do this, he enlists the help of an unemployed filmmaker, Sawatski...and together they travel throughout the country...meeting people, talking politics and becoming an internet phenomenon! Where does all this lead to? See this very insightful film.
The idea of this film is thoroughly distasteful and I actually thought might be illegal in light of German laws about the portrayal of Nazis and Hitler. However, the film manages to somehow be funny, great political commentary and not as distasteful and awful as you might imagine. This is because some of the folks in this film are not actors...and their reactions to Hitler are incredibly telling. Many of them seem to like Hitler and his message...especially regarding the negative influence immigrants have made on Germany. Again and again, folks agree with 'Hitler' and his crazy ideas while others just think it's a funny or incredibly unfunny joke...and these reactions are indeed fascinating. In addition, the way that television takes to him and his crass message is a real indictment of the moral bankruptcy of many in the media...and one that is highly reminiscent of the great 70s parody, Network.
Before you start sending me hate mail, I suggest you try seeing this odd and incredibly offensive film for yourself. While it clearly is wrong on one level...it manages to actually have some incredible political and social commentary...making it clever and a sad indictment of the culture and the media. The film's contention, amazingly, is that he'd probably fit in just fine if such a thing actually did happen! What an unusual and compelling movie...and one that just debuted on Netflix this month. Clearly, you ain't seen nothing' until you've seen this one!
Unlike "Borat" where you know that it's just Sasha Baron Cohen pretending to be from Kazakstan, in this film Masucci plays it as if he really is Hitler and never breaks character. When the film begins, he is inexplicably transported from Germany in 1945 to the present day. At first, he's very confused. Then, he develops a plan...to return to politics and take Germany into the future! To do this, he enlists the help of an unemployed filmmaker, Sawatski...and together they travel throughout the country...meeting people, talking politics and becoming an internet phenomenon! Where does all this lead to? See this very insightful film.
The idea of this film is thoroughly distasteful and I actually thought might be illegal in light of German laws about the portrayal of Nazis and Hitler. However, the film manages to somehow be funny, great political commentary and not as distasteful and awful as you might imagine. This is because some of the folks in this film are not actors...and their reactions to Hitler are incredibly telling. Many of them seem to like Hitler and his message...especially regarding the negative influence immigrants have made on Germany. Again and again, folks agree with 'Hitler' and his crazy ideas while others just think it's a funny or incredibly unfunny joke...and these reactions are indeed fascinating. In addition, the way that television takes to him and his crass message is a real indictment of the moral bankruptcy of many in the media...and one that is highly reminiscent of the great 70s parody, Network.
Before you start sending me hate mail, I suggest you try seeing this odd and incredibly offensive film for yourself. While it clearly is wrong on one level...it manages to actually have some incredible political and social commentary...making it clever and a sad indictment of the culture and the media. The film's contention, amazingly, is that he'd probably fit in just fine if such a thing actually did happen! What an unusual and compelling movie...and one that just debuted on Netflix this month. Clearly, you ain't seen nothing' until you've seen this one!
...And that's why it was so scary.
This is a thriller. The premise is Hitler has some how come through time and believes fate has brought him here to clean house (again). However, the film was actually using this metaphor to describe the coming of the next Führer if we're not careful. If we let down our guard we absolutely WILL see the rise of the next Adolf Hitler.
The character of Hitler spoke the truth, mostly. His rhetoric cut to the heart of today's problems. It was a German production so, obviously, he spoke directly to German issues but again, Germany was just the stage and Hitler the puppet. The puppeteers were revealing a global truth wrapped in a local narrative.
Recall the time Angela Merkel, today's German Chancellor, called G.W. Bush on 9/11 and the subsequent "War on Terror" saying something to the effect of, "We've seen this before...!" THIS is what the movie is getting at.
This film is filled with amazing though often chilling street interviews featuring Hitler interrogating work-a-day people. Many of the younger of these people so open to the apparent humor or irony were embracing him, taking "Hitler selfies" - other older spectators and interviewees apparently LONGED for someone to take the reins and whip (Germany) into shape, getting rid of "suspicious-looking, bearded Salafists", etc. And these were not actors. The film was illustrating for you how Hitler rose to power the first time and how easily and quickly it could happen again.
This was a beautifully done movie. I have the book as well and I prefer the movie.
This is a thriller. The premise is Hitler has some how come through time and believes fate has brought him here to clean house (again). However, the film was actually using this metaphor to describe the coming of the next Führer if we're not careful. If we let down our guard we absolutely WILL see the rise of the next Adolf Hitler.
The character of Hitler spoke the truth, mostly. His rhetoric cut to the heart of today's problems. It was a German production so, obviously, he spoke directly to German issues but again, Germany was just the stage and Hitler the puppet. The puppeteers were revealing a global truth wrapped in a local narrative.
Recall the time Angela Merkel, today's German Chancellor, called G.W. Bush on 9/11 and the subsequent "War on Terror" saying something to the effect of, "We've seen this before...!" THIS is what the movie is getting at.
This film is filled with amazing though often chilling street interviews featuring Hitler interrogating work-a-day people. Many of the younger of these people so open to the apparent humor or irony were embracing him, taking "Hitler selfies" - other older spectators and interviewees apparently LONGED for someone to take the reins and whip (Germany) into shape, getting rid of "suspicious-looking, bearded Salafists", etc. And these were not actors. The film was illustrating for you how Hitler rose to power the first time and how easily and quickly it could happen again.
This was a beautifully done movie. I have the book as well and I prefer the movie.
Lo sapevi?
- QuizOliver Masucci went out as Adolf Hitler in public as part of the film's guerilla-style scenes. All reactions from the civilians were real, and Masucci improvised his dialogue.
- BlooperHitler is portrayed by 6'1 1/2 inch actor with brown eyes, Oliver Masucci. Adolf Hitler was only 5'8 and had intense blue eyes.
- Citazioni
Adolf Hitler: Do I look like a criminal?
Kioskbesitzer: You look like Adolf Hitler.
Adolf Hitler: Exactly.
- Curiosità sui creditiDuring the first closing credits news reports about racism in Europe are showed.
- ConnessioniEdited from Münchner Runde (1996)
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Dettagli
Botteghino
- Budget
- 2.956.960 € (previsto)
- Lordo in tutto il mondo
- 25.513.752 USD
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Proporzioni
- 1.85 : 1
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