VALUTAZIONE IMDb
6,0/10
7208
LA TUA VALUTAZIONE
Dopo che Ray decide di passare dalla femmina al maschio, la madre di Ray, Maggie, deve accettare questa decisione mentre rintraccia il padre biologico di Ray per ottenere il suo consenso leg... Leggi tuttoDopo che Ray decide di passare dalla femmina al maschio, la madre di Ray, Maggie, deve accettare questa decisione mentre rintraccia il padre biologico di Ray per ottenere il suo consenso legale.Dopo che Ray decide di passare dalla femmina al maschio, la madre di Ray, Maggie, deve accettare questa decisione mentre rintraccia il padre biologico di Ray per ottenere il suo consenso legale.
- Premi
- 1 candidatura in totale
Recensioni in evidenza
A twisted complicated situation with moments of pure comedy. Elle Fanning is good!
Ray (Elle Fanning) wants to transition to being a boy. He's 16 and needs parental consent. His mother Maggie (Naomi Watts) has to track down his biological father. They live in NYC with Maggie's gay mother Dolly (Susan Sarandon) and her girlfriend Frances. Dolly would rather Ray be a lesbian.
This is tackling an advanced edgy issue. It needs some better writing. The actors are top notch. The story needs to move but it's stuck in molasses. The dream girl probably needs more screen time and played by someone more charismatic. Quite frankly, she needs to be played by somebody like Elle. Ray's flailing attempts at romance is the most compelling story opportunity. There could be love triangles and unrequited love. The bio dad is not that compelling. Despite any weakness in writing, the actors carry the heavy load well especially Elle.
This is tackling an advanced edgy issue. It needs some better writing. The actors are top notch. The story needs to move but it's stuck in molasses. The dream girl probably needs more screen time and played by someone more charismatic. Quite frankly, she needs to be played by somebody like Elle. Ray's flailing attempts at romance is the most compelling story opportunity. There could be love triangles and unrequited love. The bio dad is not that compelling. Despite any weakness in writing, the actors carry the heavy load well especially Elle.
This film's generational awareness is a welcome change from the mainstream media's usual treatment of LGBTQ issues as different than other, traditional sexual concerns.
Ray (Elle Fanning) is a 16-year-old who was born as Ramona but has felt for years that he's a male inside a female body. As he tries to begin the medical transgender process, it will open up much family angst and discord. Additionally, because of his age, Ray will require the parental consent of his absentee father which will lead to more emotional upheaval and the uncovering of some hidden family secrets.
Although the film's heart may be in the right place, I thought the dialogue often came across as contrived, strident, and melodramatic, which made it a difficult watch for me. The movie does have a poignant and uplifting ending though.
All in all, although I felt for Ray, who seemed the only one who was not conflicted about what he wanted to do, the movie itself did not seem like the best of vehicles to bring transgender issues to the forefront.
Although the film's heart may be in the right place, I thought the dialogue often came across as contrived, strident, and melodramatic, which made it a difficult watch for me. The movie does have a poignant and uplifting ending though.
All in all, although I felt for Ray, who seemed the only one who was not conflicted about what he wanted to do, the movie itself did not seem like the best of vehicles to bring transgender issues to the forefront.
About Ray (3 Generations) had the potential to be something great. Im a trans teen myself and I have been waiting for this movie for a long time. unfortunately it missed the opportunity to address the struggles trans teens face. instead focusing on more traditional family drama and ray happened to be trans.... the writers missed a huge opportunity
Lo sapevi?
- QuizIn April 2016, director Gaby Dellal revealed on Instagram that she was re-editing the film. The new cut of the film, released in international markets since late 2016, runs 92 minutes, as opposed to 87 minutes of the initial version that screened at the Toronto premiere in September 2015.
- Citazioni
Dr. Brillstein: Periods have never been easy on young men.
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Dettagli
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 155.936 USD
- Fine settimana di apertura Stati Uniti e Canada
- 105.215 USD
- 7 mag 2017
- Lordo in tutto il mondo
- 680.351 USD
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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