VALUTAZIONE IMDb
6,3/10
52.557
LA TUA VALUTAZIONE
Boston, 1978. Un incontro tra due gang in un deposito abbandonato degenera in una sparatoria e in un gioco di sopravvivenza.Boston, 1978. Un incontro tra due gang in un deposito abbandonato degenera in una sparatoria e in un gioco di sopravvivenza.Boston, 1978. Un incontro tra due gang in un deposito abbandonato degenera in una sparatoria e in un gioco di sopravvivenza.
- Premi
- 3 vittorie e 9 candidature totali
Recensioni in evidenza
This is a rather light but exciting mix of action and comedy. There are a few very believable characters and a couple that get a bit too one dimensional and that's where it lets viewers down. The ending is a little predictable, but some of the scenes extremely memorable. This isn't going to make the top films every made, but if you have a couple hours this movie is well worth watching. Warning this IS a movie that is pretty much an hour and a half long shootout. So if you are squeamish about gunfights this is probably not the movie for you.
Free Fire is unfortunately Ben Wheatley's first misfire. Whilst the film isn't terrible by any stretch of the imagination, it does have a-lot of issues. Firstly the overall concept is an interesting idea. A 90 minute shoot-out in a single location sounds like a great idea. And for the first 30-40 minutes the film was highly entertaining. But when a character asks another "how long has it been" you know the film is starting to wear thin.
The film is loaded with an extremely talented cast featuring Cillian Murphy, Brie Larson, Sharlto Copley, Michael Smiley. They all give boisterous, lively performances but their characters are paper thin. For the type of film this is I didn't need any character background, but a little bit of development and growth would've given the film a little more direction.
One of the biggest issues I had with the film was that it meandered for the majority of the second half. This caused me to lose interest in the film as the overall intensity dropped. Another issue I had was the tone of the film, whilst it does have some good moments of levity, the film played itself far too straight. Going in I has expecting and action film with plenty of moments of dark humour, but that was few and far between. And a-lot of the jokes didn't land for me.
Free Fire was an over-all disappointment made even more-so by the fact I'm a huge fan of Ben Wheatley. In the end Free Fire was an interesting experiment that seemed better in concept rather than in its execution.
The film is loaded with an extremely talented cast featuring Cillian Murphy, Brie Larson, Sharlto Copley, Michael Smiley. They all give boisterous, lively performances but their characters are paper thin. For the type of film this is I didn't need any character background, but a little bit of development and growth would've given the film a little more direction.
One of the biggest issues I had with the film was that it meandered for the majority of the second half. This caused me to lose interest in the film as the overall intensity dropped. Another issue I had was the tone of the film, whilst it does have some good moments of levity, the film played itself far too straight. Going in I has expecting and action film with plenty of moments of dark humour, but that was few and far between. And a-lot of the jokes didn't land for me.
Free Fire was an over-all disappointment made even more-so by the fact I'm a huge fan of Ben Wheatley. In the end Free Fire was an interesting experiment that seemed better in concept rather than in its execution.
As I write this, I'm really struggling to evaluate whether the latest film of Ben Wheatley ("High Rise") is a masterpiece or just pulp trash. It's certainly a brave and highly distinctive venture, with that you can't argue.
Set in Boston in 1978, an arms deal is going down in a deserted warehouse. Brokered by Justine (Brie Larson, "Room") an IRA team headed by Frank (Michael Smiley, "The World's End") with his business guy Chris (Cillian Murphy, "Inception", "Batman Begins") are on the buying side. As 'roadies' they've brought with them a couple of crack- head friends Stevo (Sam Riley, "Brighton Rock", "Maleficent") and Bernie (Enzo Cilenti, "The Martian") who are far from stable.
On the selling side is South African dealer and "international a-hole" Vern (Sharlto Copley, "Elysium"), his suave and wisecracking protector Ord (Arnie Hammer, "The Man From Uncle") and Vern's right hand man Martin (Babou Ceesay, "Eye in the Sky"). What connects all of these individuals is that no-one likes or trusts anyone else.
Unfortunately, one of Vern's van drivers is John Denver-lover Harry (the excellent Jack Treynor, "Sing Street") who has very recent personal history with Stevo. The fuse is lit, and when the two meet chaos ensues: in the words of Anchorman's Ron Burgundy, "That escalated quickly"!
And, for a 90 minute film, that's basically it. If you think after viewing the trailer "there must be more to the film than this".... you're wrong!
However, what there is of it is enormously entertaining. Played ostensibly for laughs, with very very black humour and an F-word and a gunshot in every other sentence, some of the characters – notably those played by Sharlto Copley, Armie Hammer and Brie Larson – have some hilarious dialogue. The star turn for me though was Jack Treynor who was just so impressive as the 'lost at sea' brother in the delightful "Sing Street" and here delivers a stand-out performance as another brother on a mission... this time a mission of vengeance. You are waiting throughout the film for the inevitable showdown between Harry and Stevo - - and when it comes it is both bloody and memorable.
A cracking 70' soundtrack, put together by the Portishead duo of Geoff Barrow and Ben Salisbury, involves 70's classics by Credence Clearwater Revival, John Denver and The Real Kids and it's hammered out at top volume over the action. The downside of this effect is that - for my old ears at least - it sometimes make some of the dialogue hard to follow.
As a policing exercise, the film clearly has merit. In the same manner as Schwarzenegger's "Running Man" put criminals in an arena to cull them, so this must have reduced the crime rates in both Boston and Belfast no end! While some may not approve of the levels of violence on show, it is all done in a highly cartoonish way: like a "Tom and Jerry" cartoon, or "Home Alone", everyone seems to get shot multiple times and yet (in the main) is still active and mobile. All of this makes criticism of the performances something of a waste of time, but I would comment that some of the acting is of the "over the top" variety: surprisingly, I found some of Oscar winner Brie Larson's scenes falling into this category and snapping me out of the narrative at times.
But overall, my evaluation is now done and I am rooting on the side of it being a brash and exhilarating minor masterpiece. Yes, it's one- dimensional. Yes, it is virtually impossible to feel any empathy with any of the characters, as they are all universally loathsome. But it's a movie whose flaws are forgivable based on the characterisation and the cracking good script by long-term collaborators Ben Wheatley and Amy Jump.
Tight as it is within its 90 minute running time, I doubt you will be bored.
(For the graphical version of this review, please visit bob-the-movie- man.com. Thanks).
Set in Boston in 1978, an arms deal is going down in a deserted warehouse. Brokered by Justine (Brie Larson, "Room") an IRA team headed by Frank (Michael Smiley, "The World's End") with his business guy Chris (Cillian Murphy, "Inception", "Batman Begins") are on the buying side. As 'roadies' they've brought with them a couple of crack- head friends Stevo (Sam Riley, "Brighton Rock", "Maleficent") and Bernie (Enzo Cilenti, "The Martian") who are far from stable.
On the selling side is South African dealer and "international a-hole" Vern (Sharlto Copley, "Elysium"), his suave and wisecracking protector Ord (Arnie Hammer, "The Man From Uncle") and Vern's right hand man Martin (Babou Ceesay, "Eye in the Sky"). What connects all of these individuals is that no-one likes or trusts anyone else.
Unfortunately, one of Vern's van drivers is John Denver-lover Harry (the excellent Jack Treynor, "Sing Street") who has very recent personal history with Stevo. The fuse is lit, and when the two meet chaos ensues: in the words of Anchorman's Ron Burgundy, "That escalated quickly"!
And, for a 90 minute film, that's basically it. If you think after viewing the trailer "there must be more to the film than this".... you're wrong!
However, what there is of it is enormously entertaining. Played ostensibly for laughs, with very very black humour and an F-word and a gunshot in every other sentence, some of the characters – notably those played by Sharlto Copley, Armie Hammer and Brie Larson – have some hilarious dialogue. The star turn for me though was Jack Treynor who was just so impressive as the 'lost at sea' brother in the delightful "Sing Street" and here delivers a stand-out performance as another brother on a mission... this time a mission of vengeance. You are waiting throughout the film for the inevitable showdown between Harry and Stevo - - and when it comes it is both bloody and memorable.
A cracking 70' soundtrack, put together by the Portishead duo of Geoff Barrow and Ben Salisbury, involves 70's classics by Credence Clearwater Revival, John Denver and The Real Kids and it's hammered out at top volume over the action. The downside of this effect is that - for my old ears at least - it sometimes make some of the dialogue hard to follow.
As a policing exercise, the film clearly has merit. In the same manner as Schwarzenegger's "Running Man" put criminals in an arena to cull them, so this must have reduced the crime rates in both Boston and Belfast no end! While some may not approve of the levels of violence on show, it is all done in a highly cartoonish way: like a "Tom and Jerry" cartoon, or "Home Alone", everyone seems to get shot multiple times and yet (in the main) is still active and mobile. All of this makes criticism of the performances something of a waste of time, but I would comment that some of the acting is of the "over the top" variety: surprisingly, I found some of Oscar winner Brie Larson's scenes falling into this category and snapping me out of the narrative at times.
But overall, my evaluation is now done and I am rooting on the side of it being a brash and exhilarating minor masterpiece. Yes, it's one- dimensional. Yes, it is virtually impossible to feel any empathy with any of the characters, as they are all universally loathsome. But it's a movie whose flaws are forgivable based on the characterisation and the cracking good script by long-term collaborators Ben Wheatley and Amy Jump.
Tight as it is within its 90 minute running time, I doubt you will be bored.
(For the graphical version of this review, please visit bob-the-movie- man.com. Thanks).
I have never written a review on IMDb, but I decided to because I was so annoyed while watching this movie last night after reading the featured glowing user review.
I don't need a fantastic action movie to make me happy. I just need a good movie. Drama, thriller, comedy, action, you name it: so long as it's good.
This movie is only slightly above average. It failed to make me care about any of the characters, and I'd probably need two hands to count the number of times I sat in the theater thinking to myself "pick up the pace!", "Hurry up!", "oh, they missed AGAIN?", and "WHEN is something going to HAPPEN?"
I honestly went in quite excited for a quirky, norm-defying flick based around the interactions of several characters. You have a star- studded cast: Cilian Murphy, Brie Larson, Sharlto Copley; it will be DECENT at least, right?
No. The characters have no depth. The actors play their characters well, but it doesn't feel like these are people that could actually exist. It just feels like you're looking at a drawing an artist put together of imaginary characters, who only exist on that paper. Most of the time the characters simply yell at each other from different positions in the room and then fire shots that fail to hit anything from their seemingly endless reserves of ammo. If they're gun dealers/criminals, why can't they shoot? Why do they fire with wild abandon instead of aiming?
Even the setup for the situation is illogical, which is another thing that irritated me. No one can accomplish anything unless it serves the plot. Everyone can fire bullets everywhere BUT their target, until it serves the plot. It's exasperating.
If you're a fan of movies which are paced far too slow, leave obvious logical holes in order to advance the plot, have exasperatingly stupid and drawn-out gunfights, and leave you feeling unfulfilled, irritated, and wondering why you wasted 90 minutes of your time when you could have been watching something better, this is the movie for you. If not, then avoid it.
I don't need a fantastic action movie to make me happy. I just need a good movie. Drama, thriller, comedy, action, you name it: so long as it's good.
This movie is only slightly above average. It failed to make me care about any of the characters, and I'd probably need two hands to count the number of times I sat in the theater thinking to myself "pick up the pace!", "Hurry up!", "oh, they missed AGAIN?", and "WHEN is something going to HAPPEN?"
I honestly went in quite excited for a quirky, norm-defying flick based around the interactions of several characters. You have a star- studded cast: Cilian Murphy, Brie Larson, Sharlto Copley; it will be DECENT at least, right?
No. The characters have no depth. The actors play their characters well, but it doesn't feel like these are people that could actually exist. It just feels like you're looking at a drawing an artist put together of imaginary characters, who only exist on that paper. Most of the time the characters simply yell at each other from different positions in the room and then fire shots that fail to hit anything from their seemingly endless reserves of ammo. If they're gun dealers/criminals, why can't they shoot? Why do they fire with wild abandon instead of aiming?
Even the setup for the situation is illogical, which is another thing that irritated me. No one can accomplish anything unless it serves the plot. Everyone can fire bullets everywhere BUT their target, until it serves the plot. It's exasperating.
If you're a fan of movies which are paced far too slow, leave obvious logical holes in order to advance the plot, have exasperatingly stupid and drawn-out gunfights, and leave you feeling unfulfilled, irritated, and wondering why you wasted 90 minutes of your time when you could have been watching something better, this is the movie for you. If not, then avoid it.
I watched this at a Cineworld Unlimited showing. Before it played, there was a little intro from Ben Wheatley the director. He described the movie as a fun action film, with lots of violence and lots of swearing, and that it was mercifully short. I'm not sure I can characterise it much better than that. So I'm not going to try.
When I saw the trailers for this film, I turned to my wife and said "I really hope this whole film is contained in the one room, if they do that, then it will have to stand and fall on the script, the characters and the acting, rather than just rely on some special effects and the action". I am pleased to report, I got my wish.
The setup is simple. We're in 1978, a group of Irish men (presumably IRA) are trying to buy guns in American, Boston to be precise, so they ship them back to Ireland, and use them to shoot the British. The 'brains' of the outfit are Chris and Frank played by Cillian Murphy and Michael Smiley respectively. The (and I'm using this next word in the loosest possible way) 'muscle' (but in all fairness, they certainly don't seem to have any brains) are Stevo and Bernie.
On the other side, we have the sellers, headed up by Vern, played by Sharlto Copley, and Ord played by Armie Hammer.
Both parties seem to have been brought together by the only woman in the film, Justine played by Brie Larson.
So, we have a briefcase full of cash, and a van full of guns, all we have to do is swap one for the other. What could go wrong?
Let's just say that there is a disagreement over someone's actions, and things quickly spiral out of control.
I'm not going to get into details, because to be honest, there aren't very many, and if you've read any of my other reviews I don't like to spoil. We can just say that bullets start flying, left, right and centre, and we have a film.
The films hangs on the humour of the situation. The one liners, the insanely inappropriate comments, the wonderful character interactions.
The exchanges between Frank and Ord are wonderful.
Vern is hilarious, and his reactions to Chris chatting up Justine are a great running joke. It really will make you giggle, often at things you'd wish didn't make you laugh. Watching people get shot shouldn't be funny, but in this context, it just is.
This is the ultimate Mexican standoff. Luckily none of the characters have a particularly good aim, so the ridiculousness lasts exactly 90 minutes, and that feels just about right. There is only so much chaos, bursts of gunfire interlinked with witty banter that an audience can take.
This isn't a great film by any stretch of the imagination, but it is a wonderful example of a guilty pleasure movie. Lots of action, lots of jokes, and a little more intrigue then you originally expect. Oh, didn't I say it doesn't play out quite as simply as you'd assume? No? Well it doesn't, it actually keeps you on your toes, that is when you're not rolling around on the floor.
Remember to listen carefully, because some of the best jokes come in the middle of gunshots, or are said in a ridiculously over the top South African accent.
Well worth 90 minutes of anyone's time.
When I saw the trailers for this film, I turned to my wife and said "I really hope this whole film is contained in the one room, if they do that, then it will have to stand and fall on the script, the characters and the acting, rather than just rely on some special effects and the action". I am pleased to report, I got my wish.
The setup is simple. We're in 1978, a group of Irish men (presumably IRA) are trying to buy guns in American, Boston to be precise, so they ship them back to Ireland, and use them to shoot the British. The 'brains' of the outfit are Chris and Frank played by Cillian Murphy and Michael Smiley respectively. The (and I'm using this next word in the loosest possible way) 'muscle' (but in all fairness, they certainly don't seem to have any brains) are Stevo and Bernie.
On the other side, we have the sellers, headed up by Vern, played by Sharlto Copley, and Ord played by Armie Hammer.
Both parties seem to have been brought together by the only woman in the film, Justine played by Brie Larson.
So, we have a briefcase full of cash, and a van full of guns, all we have to do is swap one for the other. What could go wrong?
Let's just say that there is a disagreement over someone's actions, and things quickly spiral out of control.
I'm not going to get into details, because to be honest, there aren't very many, and if you've read any of my other reviews I don't like to spoil. We can just say that bullets start flying, left, right and centre, and we have a film.
The films hangs on the humour of the situation. The one liners, the insanely inappropriate comments, the wonderful character interactions.
The exchanges between Frank and Ord are wonderful.
Vern is hilarious, and his reactions to Chris chatting up Justine are a great running joke. It really will make you giggle, often at things you'd wish didn't make you laugh. Watching people get shot shouldn't be funny, but in this context, it just is.
This is the ultimate Mexican standoff. Luckily none of the characters have a particularly good aim, so the ridiculousness lasts exactly 90 minutes, and that feels just about right. There is only so much chaos, bursts of gunfire interlinked with witty banter that an audience can take.
This isn't a great film by any stretch of the imagination, but it is a wonderful example of a guilty pleasure movie. Lots of action, lots of jokes, and a little more intrigue then you originally expect. Oh, didn't I say it doesn't play out quite as simply as you'd assume? No? Well it doesn't, it actually keeps you on your toes, that is when you're not rolling around on the floor.
Remember to listen carefully, because some of the best jokes come in the middle of gunshots, or are said in a ridiculously over the top South African accent.
Well worth 90 minutes of anyone's time.
Lo sapevi?
- QuizBen Wheatley has stated a big reason he set the film in the 70s is so there would be no mobile phones.
- BlooperThe idea that Chris' own ammo, which he brought to use trying out the M-16's he ordered, wouldn't work in the SC-70's that Vernon delivered is false. Both rifles are chambered in the same 5.56x45mm NATO round, and also fire .223 Remington, so any such ammo Chris might have brought would work in either rifle.
- ConnessioniFeatured in Film '72: Episodio #45.8 (2016)
- Colonne sonoreDo the Boob
Written by John Felice
Published by Bug Music Ltd (GB), a BMG Company (c) 1977
Used with permission. All rights reserved.
Performed by The Real Kids
Licensed courtesy of Norton Records
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Trò Chơi Sống Còn
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.500.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 1.799.312 USD
- Fine settimana di apertura Stati Uniti e Canada
- 994.431 USD
- 23 apr 2017
- Lordo in tutto il mondo
- 3.719.383 USD
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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