[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
  • Domande frequenti
IMDbPro

Le cose che verranno

Titolo originale: L'avenir
  • 2016
  • T
  • 1h 42min
VALUTAZIONE IMDb
6,9/10
15.211
LA TUA VALUTAZIONE
Isabelle Huppert and Roman Kolinka in Le cose che verranno (2016)
A philosophy teacher soldiers through the death of her mother, getting fired from her job, and dealing with a husband who is cheating on her.
Riproduci trailer2:03
1 video
77 foto
Dramma

Un'insegnante di filosofia deve affrontare la morte di sua madre, il licenziamento e suo marito che la tradisce.Un'insegnante di filosofia deve affrontare la morte di sua madre, il licenziamento e suo marito che la tradisce.Un'insegnante di filosofia deve affrontare la morte di sua madre, il licenziamento e suo marito che la tradisce.

  • Regia
    • Mia Hansen-Løve
  • Sceneggiatura
    • Mia Hansen-Løve
  • Star
    • Isabelle Huppert
    • André Marcon
    • Roman Kolinka
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    15.211
    LA TUA VALUTAZIONE
    • Regia
      • Mia Hansen-Løve
    • Sceneggiatura
      • Mia Hansen-Løve
    • Star
      • Isabelle Huppert
      • André Marcon
      • Roman Kolinka
    • 56Recensioni degli utenti
    • 191Recensioni della critica
    • 88Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 9 vittorie e 25 candidature totali

    Video1

    Official Trailer
    Trailer 2:03
    Official Trailer

    Foto77

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 70
    Visualizza poster

    Interpreti principali48

    Modifica
    Isabelle Huppert
    Isabelle Huppert
    • Nathalie Chazeaux
    André Marcon
    André Marcon
    • Heinz
    Roman Kolinka
    Roman Kolinka
    • Fabien
    Edith Scob
    Edith Scob
    • Yvette Lavastre
    • (as Édith Scob)
    Sarah Le Picard
    Sarah Le Picard
    • Chloé
    Solal Forte
    Solal Forte
    • Johann
    Guy-Patrick Sainderichin
    • L'éditeur
    Yves Heck
    Yves Heck
    • Daniel
    Rachel Arditi
    • Amélie
    Charline Bourgeois-Tacquet
    • La chef de rayon aux Editions Cartet
    Elise Lhomeau
    Elise Lhomeau
    • Elsa
    Lionel Dray
    • Hugo
    • (as Lionel Dray-Rabotnik)
    Larissa Guist
    • Ruth
    Linus Westheuser
    • Linus
    Clemens Melzer
    • Clemens
    Grégoire Montana
    • Simon (élève lycée)
    • (as Grégoire Montana-Haroche)
    Lina Benzerti
    Lina Benzerti
    • Antonia
    Joachim Cohen
    • Félix (élève lycée)
    • Regia
      • Mia Hansen-Løve
    • Sceneggiatura
      • Mia Hansen-Løve
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti56

    6,915.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    8ferguson-6

    Huppert just keeps getting better

    Greetings again from the darkness. What was once a rarity is now becoming more commonplace … movies made by women about women. This latest from writer/director Mia Hansen-Love (Eden, 2014) features one of the most interesting lead characters from any film this year.

    Nathalie (Isabelle Huppert) is a philosophy professor, writer, longtime wife to Heinz (Andre Marcon), mother of two grown children, and care-taker to a depressed, slightly-dementia-stricken mother (Edith Scob) who is prone to calling for emergency workers when Nathalie doesn't answer her phone calls. The film offers no murder mystery, alien invasion or other earth-rattling event. Instead it guides us through Nathalie's process in dealing with life things that occur on a daily basis.

    The genius of the film, script and character stems from the fact that Nathalie never creates drama where none exists … a rare personality trait these days. Rather than plead for mercy from the universe, she simply plows forward during what would be three personal-world-crumbling events in a lesser movie: her husband cheats and leaves her, her mother dies, and she is fired (or at least forced to move off her method) from the job she loves.

    Ms. Huppert delivers yet another stellar performance (see her in this year's Elle) as Nathalie. She is an intellectual and thoughtful woman, but not necessarily the warm and cuddly type. Sure she cares for her family and inspires her students, and rather than lash out at her confessing husband, she only shows frustration when he takes a couple of her beloved books in his move out (or stuffing his flowers in the trash can). Disappointment is more obvious when her prized former-pupil Fabien (Roman Kolinka) is unable to competently debate his radical views with her … choosing instead a condescending, brusque approach designed to shut her down.

    Nathalie is more shocked by her publisher's intention to "modernize" her book than by finding "The Unabomber Manifesto" on the shelf at Fabien's commune for intelligent anarchists. The politics of a particular situation has influence on nearly every scene, and Ms. Hansen-Love's script emphasizes the importance of seasoning/experience in handling life … and does a remarkable job contrasting those who have it from those who don't. Few movie soundtracks include both Woody Guthrie and Schubert, but then both fit well when the story avoids a mid-life self-discovery, and instead focuses on the realization of freedom. These are two very different things, and you'd have a difficult time finding a better look than this film offers.
    8quinimdb

    Things to Come

    "Things to Come" is centered around Nathalie, a philosophy teacher, and while the film does touch on philosophical elements, the focus is on Nathalie's personal life and her own fears and thoughts about her slowly disintegrating personal relationships.

    She has her husband Heinz, two children, a mother on the verge of death who constantly needs her attention, and a previous student that she now has a sort of mother-son relationship with. The film starts with Nathalie, Heinz, and their children visiting a grave of a French author, and then cuts to several years later when Nathalie is called by her dying mother because she is "having a panic attack", although it seems she's done this before and simply wants to force her daughter to give her company. Soon after she is confronted by young protesters on the way to work. They are angry about something having to do with their future retirement. From the start, this film shows that it is about a fear of the future: fear of death, fear of loneliness, fear of old age.

    Soon it is revealed that Heinz is having an affair, and he is told by his children that he must choose between her and his wife. He tells his wife that he chose the other woman. She desperately addressed the news with "I thought you would love me forever".

    From here, she begins to realize her aging is happening faster than she has realized as her personal relationships and desires begin to fade away slowly and subtly until she is left with nothing but a cat, until she finally accepts her aging and lets go of that as well. The character becomes conflicted, and Isabelle Huppert conveys this repressed regret and fear perfectly. She doesn't want to care about her husband's affair, and she wants to be satisfied with what she has accomplished, but her dreams of the future seem to be destroyed, as each of those she loves begins to let her down. She even tries to fill the whole left by her husband through another relationship, but she no longer has the will or desire. In a great shot, the screen fades to black as she opens the blinds, showing the reality of her loneliness. She begins to lose hope.

    Her mother's death marks the disappearance of the one person in her life who still needed her. Her mother's life was revealed to be full of suffering and lost love, but Nathalie was the one thing in her life that she could be proud of, and now Nathalie has taken her place.

    As extreme as this sounds in my description, the film itself is very subtle, and relies heavily on Huppert's performance, to great effect.

    While "Things to Come" is a solemn, emotional film with themes that are upsetting and relatable for everyone, there is hope in the end. Through the newborn baby, there is hope, potential, and desire, and that is what is important. That is what we need to continue in life, even if the reality doesn't live up to the desire.
    7yris2002

    A realistic and affecting slice of a woman's life

    I read some reviews wondering about the point of the movie: I think asking for the point is simply insignificant when watching a movie like this. It depicts a portion of a mature woman's life, a philosophy teacher and an intellectually brilliant editor, having to come to terms with loss, abandonment and conscious aging. One would say: nothing new, nothing original, or interesting. On the contrary, I found the picture deeply affecting, in the apparently placid but still very focused and deep way it portray this normal life. It reflects so realistically the natural and typical feminine facing of things as they come, that it gets intrinsically authentic and involving. As usual, Isabelle Huppert does not only interpret but lives her character and is the real pillar of strength of the picture. If you love unpretentious but simply authentic women's stories you'll like this movie, and you won't have to ask where the point is.
    8axapvov

    Oh la la french cinema

    As Claude Chabrol said, "Isabelle Huppert makes her own films, the director and everybody else are just there to help". This one is perfectly suited for her restrained style. A woman´s life is changing considerably and she carries on. Simple enough but oh there´s so much more to it. This realistic story-telling makes a short scene of her tearing up in the car more effective than a full house melodrama. A serious, intelligent film with poignant reflections on maturity, idealism and more. The realism holds its logic all the way until the ending.

    For someone used to french cinema it isn´t that outstanding but it´s such a serious piece of film-making it stands out among the rest. In my opinion the last section could have been trimmed and I have a couple of petty complaints but overall it´s still a compelling film. A pleasant drama that should easily satisfy anyone who knows what they´re getting into.
    8paul-allaer

    "The future is compromised"

    "Things to Come" (2016 release from France; original title "L'Avenir" (The Future); 100 min.) brings the story of Nathalie, As the movie opens, we see Nathalie and her family visiting the burial site of Chateaubriand at St. Malo in Brittany. We then go to "Some Years Later", and Nathalie and her husband Heinz, both lyceum teachers, are dealing with various student protests against "the reform", much to their irritation. In a parallel story, Nathalie needs to deal with her aging mother, who seemingly calls her every 5 minutes regarding an ailment (real or perceived). At this point we are 10 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Couple of comments: this is the latest movie from French writer-director Mia Hansen-Løve, best known for the excellent "Father of My Children" some years ago. Here she brings to the big screen a seemingly ordinary slice of life about a women in her late fifties, dealing with changes around her: her aging mom, issues at school, issues with her husband, issues with her schoolbook publishing company, etc. etc. No bomb explosions, no special effects, no car chases, just people interacting and living their lives. The first hour of the movie plays out in Paris, and makes day-to-day life in Paris look fantastic: mostly sunny weather, people playing in the park, people enjoying a coffee on a sidewalk terrace, etc. (Having grown up in nearby Belgium, I can assure you that in reality the weather is rarely that nice...) The rests of the movie plays out at the family's summer house in Brittany, and also in the Rhone mountains. But the very best part of the movie is of course to watch Isabelle Huppert in action. In my mind, Huppert is the European Meryl Streeo (they are about the same age), and Huppert seemingly is only getting better as she's getting older (just like Streep). Here Huppert brings the Nathalie character with a vulnerability yet an equal amount of determination. In one of her classes, she asks the students "can the established truth be debated?" Later on, she concludes that "the future is compromised".

    "Things to Come" won major acclaim when it premiered at the Berlin film festival last year, and rightfully so. As it happens, Huppert released another film last year, "Elle", that won her even greater acclaim. It's tough when you're competing against yourself. "Things to Come" opened this weekend at my local art-house theater here in Cincinnati (the same theater where "Elle" is still showing, coincidentally). The Sunday matinée screening where I saw this at was packed, to my surprise. I guess the word is out that basically any film starring Isabelle Huppert is almost certainly a must-see, and that certainly is the case here. "Things to Come" is HIGHLY RECOMMENDED!

    Altri elementi simili

    Un bel mattino
    6,9
    Un bel mattino
    Il padre dei miei figli
    6,8
    Il padre dei miei figli
    Sull'isola di Bergman
    6,6
    Sull'isola di Bergman
    Un amore di gioventù
    6,7
    Un amore di gioventù
    Elle
    7,1
    Elle
    Tout est pardonné
    6,7
    Tout est pardonné
    Maya
    6,2
    Maya
    Il buio nella mente
    7,5
    Il buio nella mente
    Happy End
    6,6
    Happy End
    Violette Nozière
    7,1
    Violette Nozière
    White Material
    6,9
    White Material
    La vita futura
    6,6
    La vita futura

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Nathalie Chazeaux is based on writer/director Mia Hansen-Løve's mother, Laurence Hansen-Løve who is a philosophy professor, and has written a book called Philosophy A to Z.
    • Blooper
      Nathalie is shown walking through the mud flats exposed along the beach at low tide. As she walks, she is clearly following footprints. Since the mud was previously underwater, the footprints must be from a previous take of Isabelle Huppert walking along the same path.
    • Citazioni

      Nathalie Chazeaux: All of humanity's problems stem from man's inability to sit quietly in a room alone.

    • Connessioni
      Featured in Women Make Film: A New Road Movie Through Cinema (2018)
    • Colonne sonore
      Auf dem Wasser zu singen, D. 774
      Music by Franz Schubert

      Performed by Dietrich Fischer-Dieskau, Baritone and Gerald Moore, Piano

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Domande frequenti18

    • How long is Things to Come?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 20 aprile 2017 (Italia)
    • Paesi di origine
      • Francia
      • Germania
    • Siti ufficiali
      • Les Films du Losange (France)
      • Official Facebook (United Kingdom)
    • Lingue
      • Francese
      • Inglese
      • Tedesco
    • Celebre anche come
      • Things to Come
    • Luoghi delle riprese
      • Lyon, Rhône, Rhône-Alpes, Francia
    • Aziende produttrici
      • CG Cinéma
      • Detailfilm
      • Arte France Cinéma
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 3.200.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 388.140 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 31.936 USD
      • 4 dic 2016
    • Lordo in tutto il mondo
      • 5.638.693 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 42min(102 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.