Estate, New York City. Una studentessa si innamora di un ragazzo che ha appena incontrato. Dopo che una notte di festa è andata male, lei va agli estremi per riaverlo.Estate, New York City. Una studentessa si innamora di un ragazzo che ha appena incontrato. Dopo che una notte di festa è andata male, lei va agli estremi per riaverlo.Estate, New York City. Una studentessa si innamora di un ragazzo che ha appena incontrato. Dopo che una notte di festa è andata male, lei va agli estremi per riaverlo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
- Katie
- (as India Menuez)
- Carlos
- (as Charles Baboza)
- Correction's Officer
- (as Brendan Burke)
- Le Baron Bouncer
- (as Anthony Quarles)
- Pregnant Girl
- (as Kyanna Simone Simpson)
Recensioni in evidenza
The characters are flat. The stories are flat. Sex? Sure. Boring. Sex is just a way to add viewership. Only to dump the moralist story: this is what happens when girls want to have fun. No. The vagina was meant to take babies out. Naughty girls get in trouble and than are raped. See? Girls should be pure. Find a middle class home in a middle class neighborhood and raise healthy children through the most recent parenting fads.
Morgan Saylor plays Wood's alter ego Leah. Moving into a cheap apartment in a bad (i.e. predominately Latino) neighbourhood with her friend Katie, Leah is immediately attracted to some young Latino men she sees hanging around her street corner. One night, bored and out of weed she introduces herself to them. When they refuse to sell to her she later meets one of them, named Blue, and invites him up to her apartment. They quickly fall in love and Leah helps him upsell his cocaine at exorbitant prices to her wealthy white friends. Of course this all predictably goes bad and Leah lands in a dangerous situation where she feels compelled to save Blue, who has landed in prison.
The strange thing is how boring and formulaic this all feels. I watched a scene with Morgan Saylor bouncing around in a rave with her top off and all I wondered was when the movie would be over. We watch Leah make manic decision after ridiculous decision always protected by the fact that she is young, middle class and white. But it's hard to feel for a character when she's her own worst enemy and you can see her mistakes coming a million miles away. Another thing is, if Wood was so hell bent on showing how white people have the privilege of getting away with things that their black and brown peers can't telling the story from the perspective of the white girlfriend was a huge mistake.
It's too bad, I really had high hopes for this, but it fell short. A more interesting take on millennial hedonism and race and class in America is Spring Breakers which is over the top and ridiculous in a way that packs more punch than White Girl.
This film is gritty and down right depressing but entertaining at the same time. Try and catch this one but be warned (or notified) that there are a few explicit scenes.
Lo sapevi?
- QuizElizabeth Wood based this film on journal entries about her own life experiences during her adolescence.
- BlooperLeah puts a cigarette in her mouth, tobacco end first, then tamps the same end down in a small pile of cocaine (to get some in the cigarette?) then puts it back into her mouth, again tobacco end first. When she removes her hand, the cigarette has reversed so that the filter end is now magically in her mouth.
This occurs at about 54 mins.
However, the cigarette is not seen to be put in her mouth. It could be flicked the right way around off screen.
- Citazioni
Leah: Yo. I was wondering if you guys know where I can get some weed or anything?
[Blue whistles]
Blue: You think we're some drug dealers or something man?
Leah: Uh... no? I just thought you guys maybe know were the hook is...
Blue: Nah, for real shorty... You can't be coming straight and ask strangers like that. Aright?
Leah: Are you serious?
Blue: Do I look serious?
[Leah walks away, Blue lights up a joint]
Blue: Hey shorty!
[Leah turns]
Blue: Don't do drugs, aright?
- Colonne sonoreCristo Redentor
Performed by Harvey Mandel
Written by Duke Pearson
Published by Gailantcy Music
Courtesy of The Estate of Duke Pearson
Courtesy of Virgin Records, Ltd., under license from Universal Music Enterprises
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 200.242 USD
- Fine settimana di apertura Stati Uniti e Canada
- 34.058 USD
- 4 set 2016
- Lordo in tutto il mondo
- 200.242 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Proporzioni
- 2.35 : 1