VALUTAZIONE IMDb
5,5/10
3485
LA TUA VALUTAZIONE
La violenta discesa di una ragazza sola nella follia.La violenta discesa di una ragazza sola nella follia.La violenta discesa di una ragazza sola nella follia.
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- 1 candidatura in totale
Recensioni in evidenza
"Darling" follows an out-of-touch young woman who gets a job house sitting in a large New York mansion that is reputed to be haunted—that's about all I can say without ruining the rest of the film, as it really is that paper-thinly plotted.
Writer/director Mickey Keating seems to be a serious film student, as the movie is entirely based on Polanski's "Repulsion," and has shades of "The Shining" and "Diabolique" worn on its shoulder at all times. This is perhaps the most frustrating thing about it—the fact that it lacks its own identity.
The film is nicely shot and has some great closeups which are accentuated by the black-and-white cinematography, and the setting has an off-kilter, claustrophobic vibe that is more or less effective; I did, however, find the flashy jump-cuts and strobe effects to be overwrought. Lauren Ashley Carter plays the lead of the picture, and even looks like Catherine Deneuve; her performance is solid, while Brian Morvant plays a male counterpart who takes on a vital role in the proceedings. The film has a downbeat ending at its 76 minute running time, but it's a conclusion that seems apparent from the opening scene.
Overall, "Darling," though a technically well-made film, lacks bite because it seems too preoccupied with paying homage. A meatier film could have gotten away with this, but the narrative here is far too basic and skeletal to offset a cache of cross-references. The result is stylistically effective, but unfortunately rather dull in all other areas. 4/10.
Writer/director Mickey Keating seems to be a serious film student, as the movie is entirely based on Polanski's "Repulsion," and has shades of "The Shining" and "Diabolique" worn on its shoulder at all times. This is perhaps the most frustrating thing about it—the fact that it lacks its own identity.
The film is nicely shot and has some great closeups which are accentuated by the black-and-white cinematography, and the setting has an off-kilter, claustrophobic vibe that is more or less effective; I did, however, find the flashy jump-cuts and strobe effects to be overwrought. Lauren Ashley Carter plays the lead of the picture, and even looks like Catherine Deneuve; her performance is solid, while Brian Morvant plays a male counterpart who takes on a vital role in the proceedings. The film has a downbeat ending at its 76 minute running time, but it's a conclusion that seems apparent from the opening scene.
Overall, "Darling," though a technically well-made film, lacks bite because it seems too preoccupied with paying homage. A meatier film could have gotten away with this, but the narrative here is far too basic and skeletal to offset a cache of cross-references. The result is stylistically effective, but unfortunately rather dull in all other areas. 4/10.
Be careful reading the reviews on this one, I watched this with the advantage of having never seen 'repulsion' and it must be said I seldom if ever watch a movie in black and white especially if modern.
Having said that I'm an avid Horror fan and taken at face value the movie delivers quite well. It is slow, (ie: at times bludgeoningly so) but is very atmospheric. The wife and I both watched it all the way thru which says much as we often will gong movies before the halfway point (mutually.
Desperately striving to match movies of a bygone era it does not always fall short, a good watch, probably more-so alone at night and during a distant storm...
There is an additional scene midway thru end credits don't forget to stay that long if you make it to the end.
Having said that I'm an avid Horror fan and taken at face value the movie delivers quite well. It is slow, (ie: at times bludgeoningly so) but is very atmospheric. The wife and I both watched it all the way thru which says much as we often will gong movies before the halfway point (mutually.
Desperately striving to match movies of a bygone era it does not always fall short, a good watch, probably more-so alone at night and during a distant storm...
There is an additional scene midway thru end credits don't forget to stay that long if you make it to the end.
I just saw this and liked it very much. The film starts slowly by design, and misdirects you into thinking this will be innocent young girl vs. ghost of devil worshipping former owner, but takes an unexpected turn i doubt anyone will see coming.
The camera is always on the lead actress, often in serious closeup, which must have been a challenge for her but she eats up the camera. Lovely black and white photography, sharp direction, great creepy old mansion location.
Like the best low or micro budget films puts bloated un-scary Hollywood products to shame. Two severed thumbs up!
The camera is always on the lead actress, often in serious closeup, which must have been a challenge for her but she eats up the camera. Lovely black and white photography, sharp direction, great creepy old mansion location.
Like the best low or micro budget films puts bloated un-scary Hollywood products to shame. Two severed thumbs up!
I did enjoy this movie but after watching and remembering the original that i truly loved ,i was looking in the credits but i could not find a mention of Roman Polansky's 1965 movie ''Repulsion'' with Catherine Deneuve of which this is obviously a remake, there are even a few french songs (one with Edith Piaf) in the sound track not to mention that is was shot in black and white (as was the original). I enjoy a revisit of great movies, it sometimes give a new twist to a good plot or treatment but do not pretend that this work is original! Intellectual integrity where are you?
Just my 2 grains of salt
Just my 2 grains of salt
Um, well I guess as a sufficiently elegant,black and white two hander it was effective.Like a studied, gothic chamber piece with frenzied horror type cross-cutting, yes, it borrowed from perhaps at least 10 other properties you could think of but if you can ignore that and just immerse yourself in its mere running time of 78 minutes, it does comes across as fairly assured and comfortable in its own skin.Short on sense, long on style - this is one of those films where the plot mechanics are just thrown in as a secondary device....simply, she's losing her mind. Crackers. Mad as a snake. Hell, let's all just go along with her for the ride, it's not all that far from being an E Ticket....
Lo sapevi?
- QuizAfter watching 1960s horror films while writing, Director Mickey Keating said it felt "right and necessary" to shoot in black and white.
- BlooperDuring the many flashes and scenes featuring the locked door at the end of the hall you can see the shoes marks in the bottom right and marks around the door handle appear and disappear. These marks are made when she uses a knife to unlock the door toward the end of the film.
- Curiosità sui creditiHalfway in the ending credits there is a scene with a new girl arriving at the mansion.
- Colonne sonoreLook Away Love
Written by Jay Ramsey (as Gerald H Ramsey)
Performed by Jay Ramsey & The Contempos
Courtesy of Fervor Records
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Dettagli
- Tempo di esecuzione1 ora 18 minuti
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- 1.66 : 1
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