Un detective di New York subisce la morte di sua figlia che è stata assassinata durante la sua luna di miele a Londra e cerca risposte con l'aiuto di un giornalista scandinavo quando altre c... Leggi tuttoUn detective di New York subisce la morte di sua figlia che è stata assassinata durante la sua luna di miele a Londra e cerca risposte con l'aiuto di un giornalista scandinavo quando altre coppie subiscono un destino simile in Europa.Un detective di New York subisce la morte di sua figlia che è stata assassinata durante la sua luna di miele a Londra e cerca risposte con l'aiuto di un giornalista scandinavo quando altre coppie subiscono un destino simile in Europa.
- Regia
- Sceneggiatura
- Star
- Detective Sergeant Agneta Hoglund
- (as Eva Rose)
- Pieter Holl
- (as Dylan Devonald-Smith)
- Male Detective
- (as Daniel Sjoberg)
Recensioni in evidenza
The film is not bad. Don't get me wrong. It has a good base premise: murders that imitate famous works of art all over Europe, with the father of one of the victims desperately trying to catch the culprit. But it's not at all original, it does the same things that we're tired of seeing in established films, and it doesn't manage to go beyond the usual recipe to offer us something that makes it stand out. And there is a huge problem that partially ruins the film: we discover the identity of those who are killing people too soon and, from there, it is only worth watching the film to see how the police will hunt down their target.
Jeffrey Dean Morgan is a very solid and competent protagonist, able to commit himself and give the character the consistency and anguish that it demands. Undoubtedly, the actor's performance is a bonus in the film. Despite being heavily criticized, I think Famke Janssen wasn't that bad. She does have depressing moments and sometimes goes overboard, but she gives us a relatively satisfying job, and doesn't have many opportunities to really fail. Joachim Krol seems to be out of place and lost. Naomi Battrick is quite good, taking into account that she is not a frontline actress and has handled a character who demands a certain charisma and attitude; Ruairi O'Connor, honestly, cannot say he is happy, he erases himself even in scenes where he is more visible.
Technically, it's a regular film without great merits, but it doesn't fail too much either: the European settings and landscapes, always pleasant no matter how commonplace they may be, are joined by standard cinematography and ordinary work on the costumes. Some well-crafted effects and a lukewarm soundtrack make for a cohesive and functional, if forgettable, whole.
The main issue was the amateur screenplay put together by the novel's author, Liza Marklund, and newb writer Andrew Stern. Had a seasoned screenwriter proofread and edited the script, this film would've been impressive.
The 104 min runtime dragged on with terribly slow pacing. This film should've had the pacing sped up and/or the writing cut down to about 85-90 mins max.
Directing by Danis Tanovic was adequate, except for the annoying fade-ins to out-of-focus dizzying shots. The cinematography was decent however, and the score quite fitting. Casting and performances were on point, particularly from Morgan.
This film isn't much of a who-done-it, as we find out underwhelmingly half way through, but more of an international chase, of which also ended as underwhelming, with a silly final scene.
Still, not as bad as the critics say it is. I still enjoyed it, and it's a generous 7/10 from me.
When his daughter is killed whilst on honeymoon in London, Jacob Kanon (Jeffrey Dean Morgan), a veteran detective from New York, pushes his way into the investigation. He discovers that their murder is one of a string across Europe's capital cities, with each pair of victims mutilated and staged like a classical artwork. The murderer is also sending a postcard to a local journalist ahead of each killing to announce their arrival. In Stockholm, Kanon manages to get to the reporter, Dessie Lombard (Cush Jumbo), before the murder takes place.
Adapted from the James Patterson novel, the film has a decent enough storyline to build around. You'll probably be ahead of who is committing the murders before the film reveals it, but that's OK as it's not really a whodunnit, more a why and will they be captured-unnit. Performances are OK. Morgan does well enough as the lead, nobody else is particularly asked to do that much heavy lifting. Famke Janssen has to do some of the investigation back in the States opposite Denis O'Hare, who shows up in a typical Denis O'Hare type role.
The trouble is, it's all been done before and better in other films, even TV series have the capacity now to be as gory and country hopping as this is. It just doesn't have any particular elements that elevate it beyond the passable stage. Also, as a European myself, it's got some pretty laughable ideas about how policing works over here, bear in mind we're in major capital cities here, not small towns. Kanon seems staggeringly unable to comprehend why the other officers won't let the father of one of the victims into the crime scenes and allow him to handle evidence. He then sticks a map of Europe to his bedroom wall and circles London and Madrid and draws a straight line between them, that'll tell him loads.
I didn't think it was as terrible as some other seem to have, but it's certain derivative and mundane and I doubt I'll remember it at all in a couple of weeks.
Lo sapevi?
- QuizConnie Nielsen was the first choice for the role of Valerie Kanon and actually shot part of her scenes, but due to problems of conflict with another set she had to give up finishing the film, she was replaced in the course of work by Famke Janssen.
- BlooperThe address shown on the envelope in Belgium includes the postal code 78605 for Brussels. Belgian postcodes have only 4 digits, not 5, and the codes for the 19 Brussels municipalities are all situated between 1000 and 1210. The "Rue de Lessines" exists, but it is situated in Molenbeek, postal code 1080.
- Citazioni
Inspector Klau Bublitz: It seems Simon Haysmith was impotent in more ways than one; he specifically selected them both.
Jacob Kanon: Early genetic engineering at work.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El asesino de las postales
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 181.415 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 2.39 : 1