Frankenstein

Modern update of the famous story, here set in LA. Instead of a nuts and bolts style monster, such as Karloff, we have a pretty boy who is fond of saying the word "Mum". We get the young girl thrown into the lake, plus the befriending by a blind guy (well played by Tony Tod, who generously pays for Adam - I mean the monster - to have his wicked way with a hooker!). Plenty of gore. And production values are all good enough too. Now I'm all in favour of reimagening classic stories but I felt that this one didn't quite work and if I want to see a Frankenstein movie then give me Universal or Hammer instead.

The plot was decent. It didn't always make sense but mostly worked. The problem with this film is only a string of bad things happen. So while the movie manages to be moving at times, it's a miserable experience overall. I was expecting a happy ending since the monster narrates the film and he sounds highly intelligent and sophisticated which turned out to be misleading... Bottomline, I recommend this to anyone who enjoys sad, tragic films.

I'm going to be honest, this is the not the movie I thought I had selected. I confess I wanted to watch the big blockbuster Aaron Eckhart I Frankenstein (2014)and it was only about 20 minutes in of the eccentric scientists treating their 'monster' like a baby I decided to check what I had selected. There is no gentle way around it, Frankenstein is violent! It's quiet almost tranquil moments are shattered by outburst of mutilation and gruesome beatings. The narrative creates a disturbance within your opinions of the monster; you sympathise with him being in a new world alone and scared without the mental capacity to comprehend his existence, but then you fear him and despise the pain he inflicts on others (even when they deserve it). The writers playing on the age old theory that the scariest monsters are those that closely resemble humans. The acting is beyond good, the story an interesting take on the Mary Shelley classic but there was something that didn't sit right with me watching this film. Maybe it was because I was expecting an over-budget under-story movie with Frankenstein Vs Gargoyles, or the psychological battle the lead character creates for the viewer. Either way if you can stomach the violence then worth a watch, but would not be the top of my list.

Bernard Rose has successfully translated Mary Shelley's original novel by turning it into a Cronenbergian body horror tragedy.

The performances are stellar with Xavier Samuel making a heartbreaking Monster and Tony Todd stealing the show as a blind musician.

The direction is superb and horror fans will be pleased by the gruesome practical effects. If there are any weak points here, it would be the extremely brisk pacing and a few odd editing decision.

The ending is also frustratingly abrupt. Beyond that, it is nothing less than a triumph of genre filmmaking and the sort of thing I wish to see more of from the horror world.

I skipped this small release (although it does feature recognizable actors Carrie-Anne Moss, Danny Huston and Tony Todd in supporting roles) in my survey of Frankenstein films back in 2018 during the 200th anniversary of Mary Shelley's novel, apparently, as I now know from seeing it, with good reason given that it's largely a retread of the same episodes we've seen in prior cinematic adaptations of the popular story--mainly, the 1931 Universal classic. There's the "It's Alive!" reiteration, the little girl being tossed in a lake, the mob attack and the monster threatening Frankenstein's white-clothed bride in her bedroom--none of which is actually from the book, but rather from the 1931 film. That's not to say these filmmakers didn't read the source, though, as they evidently did from some of the additions here: the blind man, the narrated philosophical musings and a fiery end closer to the original text than to James Whale's pictures.

The most readily apparent distinction of this version is, of course, how grotesque the monster is, but there are also a couple other oddities here--one of which makes me happy I saw the movie. First, the part I'm not keen on is the picture's biblical allusions. Besides the creature being named "Adam," when the Frankensteins go about trying to murder him, they strap him down in a crucifixion pose, although they employ supposedly-more-civilized means to execute him with lethal injection. Little wonder, then, whether this Christ figure will be resurrected. Come to think of it, though, the 1935 sequel "Bride of Frankenstein" also included some Christ allegory with Boris Karloff being tied up by a mob--so this part isn't even that unusual.

Yet, the dreams are something else. My ranking of Frankenstein films is now over 50 entries, and I've never seen one movie that attempted to depict in any way the disturbing and intriguing nightmare from Shelley's story. This one comes closest. In the book, Victor Frankenstein's dream of kissing Elizabeth turns into one of his embracing his dead mother. The dream here, while it plays out seemingly for more bittersweet intent and from the creature's dreaming, still manages to incorporate similar suggestions of incest and necrophilia. The Elizabeth Frankenstein in this movie, after all, is both the mother figure to the creature and the focal point of his romantic and sexual desires. Each time the monster attacks Victor Frankenstein, then, to get to the mother, it becomes an Oedipus complex. That seems more frightening to me than a guy made up to appear covered in boils.