Diablo

I only watched this film as I was interested to see what Clint Eastwoods son would be like in a western type film. I am a big Clint Eastwood fan and his son is nothing like him. I understand he shouldn't try and copy his dad but at the same time the acting was poor. Not one I would watch again.

Because of the poor reviews I didn't have many expectations for this western, but, having watched it, I wonder if others saw a different movie. I watched a smart thrilling movie that gave a fresh twist to the typical western genre and stereotypical hero - akin to Bone Tomahawk (another fantastic western with a modern edge of violence). Scott Eastwood is a bit boring at the beginning but once his character evolves, he is brilliant and believable. I had no trouble following the story line and I applaud Lawrence Roeck for using dialogue and action to reveal the twist instead of dragging out a boring detailed explanation.This is not your formulaic Clint Eastwood Western but rather a next generation western in both actor and plot. Well done.

I was mainly interested in seeing how much Scott Eastwood reminded me of his Father in those highly entertaining "spaghetti westerns". To be certain there are similarities and mannerisms that are spot on. Perhaps a bit more squinting might nail it? As for the film itself, "Diablo" is a confusing entity. This might have worked better as a simple revenge western without the gimmicky good/evil flip flop. I was impressed however with the cinematography, which is outstanding, however pictures alone cannot make up for the scattered story line, and an ending that screams "out of money". The movie is watchable, especially for those who are curious about how "Clint-like" Scott Eastwood appears to be. - MERK

Diablo(2015) is a sub-par western starring Clint Eastwood's son, Scott. I'll explain the Good, the Bad, and the Ugly. The good: the cinematography is gorgeous. Beautiful landscape shots of the American Frontier. Scott Eastwood looks and acts exactly like his dad (especially the mannerisms). I didn't expect the plot twist. It was a tad surprising. And now for the bad. The film is too short, and doesn't go into enough detail about the actions unfolding. Walter Goggins is wasted in this film. The ugly: The plot. Cliché, underwhelming and, at times, extremely boring. It tries to be an homage to Spaghetti Westerns, but ultimately falls flat.

Lawrence Roeck's second feature has the skeleton of an interesting symbolic western -- at times even a western psychological thriller -- but the screenplay never provides flesh or a beating heart. The attempt feels like a rough draft. Despite its short running time and dislike for extra details, it locks into a loose rhythm in the early going. Walton Goggins' character, played with a wicked spirit, brings a great deal of life to the film in his brief scenes. Goggins' presence begs for comparisons to The Hateful Eight, which wouldn't be in Diablo's favor. Eastwood, upstaged by Goggins and Glover, takes a bold move in his willingness to so directly invoke his father. The two look uncannily alike. His primary acting strengths lie elsewhere, but the flimsiness of his character here can be chalked up to poor writing. Technical credits are strong, and despite a somewhat foreboding score, the film looks excellent for its budget.