Un uomo giunge in aiuto di una donna, tornata nella sua città natale nel nord-ovest del Pacifico e che si ritrova molestata e perseguitata da un ex poliziotto diventato signore del crimine.Un uomo giunge in aiuto di una donna, tornata nella sua città natale nel nord-ovest del Pacifico e che si ritrova molestata e perseguitata da un ex poliziotto diventato signore del crimine.Un uomo giunge in aiuto di una donna, tornata nella sua città natale nel nord-ovest del Pacifico e che si ritrova molestata e perseguitata da un ex poliziotto diventato signore del crimine.
- Regia
- Sceneggiatura
- Star
- Chris
- (as Christopher Gauthier)
Recensioni in evidenza
Julia Stiles plays Lillian, a stoic young woman living in a Pacific Northwest logging community, who's being bullied by local gangster Richard Blackway (Ray Liotta). When she goes to the sheriff she's fobbed off and told to leave town. Instead, she enlists the help of old-timer Lester (Anthony Hopkins) and young bruiser Nate (Alexander Ludwig). Together the trio head into the hills to track down Blackway and stop him for good – by whatever means necessary.
With confidence and determination in the face of grotty small town politics, Stiles is channelling something of Jennifer Lawrence's classic Winter's Bone performance here. Lillian's outlook is definite (and defiant) to a fault: "Some people are just bad," she concludes.
Alongside Stiles, Hopkins soft-spoken style is sometimes at odds with the confrontational nature of his character, but he's eminently watchable. And Ludwig is strong as a stuttering soulful warrior who could have been a swaggering cliché.
The first hour is all character-building, and this is where the film is at its strongest. The plot is simple and linear – the ideal foundation for characters to come alive through their interactions, often enriched by the vaguest mention of some unseen life; some mourned-for ex- wife. The dialogue rings true and the characters feel lived in, which is vital for depictions of tight rural communities.
There isn't much in the way of humour, but Go With Me is at least in touch with its absurdity, and it's a lot more fun than Scott Cooper's ostensibly similar Out of the Furnace. This film is fast- paced and full of interesting incident – up to a point. Unfortunately in the final reel the narrative unravels, and the climactic confrontation is a frustratingly dark, indistinct mess. It leaves you with a sense of hard work not quite paying off.
Overall it's a solid movie. Thanks in part to the terrible UK title (it's called Blackway in the US), it's likely to go unnoticed by a wide audience, but it deserves attention.
Quiet little independent films like this often go one of two ways. Either they're incredibly dull, simply trying to be more than they are capable of. Or in the case of 'Blackway' they just perfectly find their niche and are a delight to watch. It's far from perfect and there's nothing game-changing here, but if you're just looking for an enjoyable 90 minute experience you won't be disappointed.
This is a grim backwoods drama/thriller with elements of "The Edge" (1997), "First Blood" (1982), "Cry of the Owl" (2009) and "Walking Tall" (2004). It's not great like the first two, not even close, but it's almost on par with "Cry of the Owl" and slightly superior to "Walking Tall." Yet it never cops an unrealistic tone like "Walking Tall" does with its overblown final act. It's a low-key slow burn focusing on life in the logging communities in the Great Northwest.
Speaking of which, one of the best thing about "Blackway" is the mysterious forest cinematography. There are also some small gems to mine, if you watch closely, like the fact that "man is born to trouble as surely as sparks fly upward." Trouble just comes in different packages, as Hopkin's character laments before the showdown.
"Blackway" is essentially a Western taking place in the modern day, substituting pickup trucks and bikes for horses. The movie's simple and straight-forward, which turns some people off. But since 'twist' films are so commonplace now playing it straight almost comes off fresh. I shouldn't close without pointing out that Stiles has better womanly curves now that she's older; and looks great in tight jeans.
The film runs 91 minutes and was shot in British Columbia (Enderby, Vernon, West Kelowna, Lumby, Armstrong & Vancouver). It was directed by Daniel Alfredson from Castle Freeman Jr.'s novel.
GRADE: B-
Lo sapevi?
- QuizThis is Hal Holbrook's last film.
- BlooperWhen Les is shot from behind the bullet enters his left side however at near the end of the movie his injury is on his right side.
- Citazioni
Lester: Cancer, car wreck, drugs, dope. Suicide. Relatives. You name it, it's all... it's always going to be something. It's all in the game... Yeah. None of us gets out of this life without some bad stuff comes looking for us. Keep our heads down, hope it passes us by. Or we can, you know, just do what we're doing now.
Lillian: What's that?
Lester: We're gonna meet the son of a bitch, aren't we? Head to head, face to face.
- Colonne sonoreMercedes Bends
Performed by Uncle Nestor
Written by Oless Pasichnyk, Steve Halfnights, and Chris Waldner
Courtesy of Uncle Nestor Music
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Go with Me
- Luoghi delle riprese
- Enderby, British Columbia, Canada(standing in for the fictional Pinterville, Oregon)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 27.079 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.458 USD
- 12 giu 2016
- Lordo in tutto il mondo
- 426.491 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Proporzioni
- 2.35 : 1