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IMDbPro

Vi Presento Toni Erdmann

Titolo originale: Toni Erdmann
  • 2016
  • T
  • 2h 42min
VALUTAZIONE IMDb
7,3/10
54.505
LA TUA VALUTAZIONE
POPOLARITÀ
3789
615
Peter Simonischek and Sandra Hüller in Vi Presento Toni Erdmann (2016)
Winfried doesn't see much of his working daughter Ines. The suddenly student-less music teacher decides to surprise her with a visit after the death of his old dog. It's an awkward move because serious career woman Ines is working on an important project as a corporate strategist in Bucharest. The geographical change doesn't help the two to see more eye to eye. Practical joker Winfried loves to annoy his daughter with corny pranks. What's worse are his little jabs at her routine lifestyle of long meetings, hotel bars and performance reports. Father and daughter reach an impasse, and Winfried agrees to return home to Germany.
 
Enter flashy Toni Erdmann: Winfried's smooth-talking alter ego. Disguised in a tacky suit, weird wig and even weirder fake teeth, Toni barges into Ines' professional life, claiming to be her CEO's life coach. As Toni, Winfried is bolder and doesn't hold back, but Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to understand that her eccentric father might deserve some place in her life after all..
Riproduci trailer2:03
13 video
99+ foto
FranceseCommedia stravaganteDramma psicologicoCommediaDramma

Un padre scherzoso e pratico cerca di ristabilire un contatto con la figlia sommersa dal lavoro, creando un bizzarro alter ego e facendosi passare per il life coach del capo della figlia.Un padre scherzoso e pratico cerca di ristabilire un contatto con la figlia sommersa dal lavoro, creando un bizzarro alter ego e facendosi passare per il life coach del capo della figlia.Un padre scherzoso e pratico cerca di ristabilire un contatto con la figlia sommersa dal lavoro, creando un bizzarro alter ego e facendosi passare per il life coach del capo della figlia.

  • Regia
    • Maren Ade
  • Sceneggiatura
    • Maren Ade
  • Star
    • Sandra Hüller
    • Peter Simonischek
    • Michael Wittenborn
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    54.505
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3789
    615
    • Regia
      • Maren Ade
    • Sceneggiatura
      • Maren Ade
    • Star
      • Sandra Hüller
      • Peter Simonischek
      • Michael Wittenborn
    • 173Recensioni degli utenti
    • 325Recensioni della critica
    • 93Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 59 vittorie e 85 candidature totali

    Video13

    Official Trailer
    Trailer 2:03
    Official Trailer
    The Cakes Are Bettter
    Clip 1:52
    The Cakes Are Bettter
    The Cakes Are Bettter
    Clip 1:52
    The Cakes Are Bettter
    That Was Real Fear
    Clip 1:04
    That Was Real Fear
    I Could Lift You Up
    Clip 0:53
    I Could Lift You Up
    Are You Happy
    Clip 0:59
    Are You Happy
    Substitue Daughter
    Clip 0:53
    Substitue Daughter

    Foto158

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 152
    Visualizza poster

    Cast principale61

    Modifica
    Sandra Hüller
    Sandra Hüller
    • Ines Conradi
    Peter Simonischek
    Peter Simonischek
    • Winfried
    Michael Wittenborn
    Michael Wittenborn
    • Henneberg
    Thomas Loibl
    Thomas Loibl
    • Gerald
    Trystan Pütter
    Trystan Pütter
    • Tim
    Ingrid Bisu
    Ingrid Bisu
    • Anca
    Hadewych Minis
    Hadewych Minis
    • Tatjana
    Lucy Russell
    Lucy Russell
    • Steph
    Victoria Cocias
    Victoria Cocias
    • Flavia
    Alexandru Papadopol
    Alexandru Papadopol
    • Dascalu
    Victoria Malektorovych
    Victoria Malektorovych
    • Natalja
    • (as Viktoria Malektorovych)
    Ingrid Burkhard
    Ingrid Burkhard
    • Annegret
    Jürg Löw
    • Gerhard
    Ruth Reinecke
    • Renate
    Nicolas Wackerbarth
    • Coach Leopold
    Mihai Manolache
    • Mann am Ölfeld
    Radu Bânzaru
    • Bogdan
    Niels Bormann
    Niels Bormann
    • Kurierfahrer
    • Regia
      • Maren Ade
    • Sceneggiatura
      • Maren Ade
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti173

    7,354.5K
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    Recensioni in evidenza

    7robert-armon

    Disappointed

    I watched this movie due to its high mark (especially by the meta-score)and in the last seconds I asked myself: so what ? Like we never saw solitude, loneliness movies ever...The acting is OK, but the subject is stretched over limits, and at a certain time I stopped to watch and went for a cigarette ! My understanding about this movie is about two societies with their characteristics (the German and the Roumanian) both mixed in a capitalistic globalization, I won't say without mercy but without care for real people. Perhaps the last or one of the last sentences of the father was that we work all time to accomplish some targets (typically German !) and don't pay attention to details along our life and then is too late....As a Romanian born young person, the atmosphere of Bucarest is very well depicted as well people surrounding the personages. But one shouldn't wonder, as these days the Romanian cinema is among the highest in its achievements, for example Mungiu's recent film "Bacalaureat" (aka Graduation)stands much above the present one. Sorry folks, but I wasn't left with a great impression.
    9onefineday36

    One of the best family dramas I've ever watched

    We all know how a typical family drama runs. A broken relationship falls into some situation that forced the characters to face the issue, the tension grows to the breaking point, they get to learn something, and in the end it resolved them into a new found love and bond (in case of a comedy) or leaves them totally disillusioned and break away from each other (in case of a tragedy). Americans have championed this genre and set the rules we all know, whether we love it or hate it. But here comes a strange rule breaker from Germany, and it beats them all because it stays, despite of all its absurd and quirky situations, totally realistic at its core.

    The most prominent emotion through out the film is awkwardness. And no, it's not just because the father doing all sorts of crazy things in his alter-ego, Toni Erdmann. The awkwardness and absurdity dominate everywhere, whether it is a family gathering in Germany or a business meeting in Bucharest. It's essentially because people are all disconnected. It's not that they hate each other or have any ill intentions, but everybody's too afraid to offend anybody, tries too hard to keep the nice facade and fails to share what really matters - even between father and daughter.

    The ingenuity of the film is how it treats these awkward moments. Most other films, especially when they brand themselves as a comedy, would try to release the tension with a punch line, a big laugh moment before moving onto the next. In Toni Erdmann, we're not given such easy short cut. We are forced to live through these awkward moments stretching out almost to real time and still not given the luxury of releasing the tension. It might be frustrating for some, but one must admit that is much more akin to real life. Who hasn't experienced a discord with family, partner, friends or colleagues, which keeps you sleepless all night and run into awkward reunion with the person stretching into the following morning? There's no such a thing as an easy solution and relief. Where the father and daughter give a little recital is a high moment of mockery to expectations for such. The choice of song is 'The Greatest Love of All', that is riddled with all the unicorn coloured words like 'children', 'love' and 'dignity' that are 'easy to achieve'. The fact that both father and daughter easily pick it up even on a whim shows that the song represents their shared memory from the past. But despite of that and the optimistic song performed decently by Sandra Huller (considering it's a Whitney song, that is), which would have made the climax in any old American family drama, fails to create that magic moment of 'I love you, dad', 'I love you too, princess'.

    But it's not all in vain. Because the father dares to break into his daughter's life, and because the daughter decides, however reluctantly, to go along with it, she learns that he really cares and he her life is much more than the gleaming shopping malls and black business suits. So when it finally comes to the moment, after time after time just seeing the other walking away from a distance in the course of this long awkward journey, when the daughter catches him up and falls into his arms, that short and still awkward hug between the naked daughter and the father in a giant furry costume, strikes your heart so much harder.

    When they reunite at the grandma's funeral, nothing much is changed. The social gathering is as shallow as ever, and the father and daughter cut out still an awkward picture together. 'Toni Erdmann' is stubbornly refuses to give us an easy (thus unrealistic) satisfaction to the very last second of its looong journey. Yet, having joined their journey, we can tell they won't now at least blindly complain, 'Oh, he (she) knows nothing!'. And when the time comes when the daughter remembers her father in the future, it would be those few days she lived with Toni Erdmann that she is going to relive time after time.
    6nowego

    Very Long Slow and Satisfying

    Initially I didn't know what to make of this movie and while billed as a comedy, there really isn't much that I found laugh out load funny about it until the last third of the movie. There are lots of awkward moments, that some could find funny, but others will not like them.

    Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.

    As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.

    Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.

    I would be very hesitant to watch it twice.
    7saintetiennelee

    Not as bad as the reviews on here...

    But it is hard going. Ultimately I'm glad I stayed with it but it tests your patience to the limit at times. It's not a 1 rating like some reviewers are saying. But it's certainly not a 10 either. It's far too long to enable it to get anywhere that kind of rating. There seems to be so many meaningless scenes that could have been trimmed. There are certain moments that for me were laugh out loud. Ines played by Sandra Huller is fantastic. It's made me want to see more of her work. Talk of an Hollywood remake on here. I can only assume it will be a very very different film. There is no way ever a scene for scene remake would make it out of Hollywood. Give the original a go first, it's different!!
    9joachimrang

    Thought-provoking comedy - for a narrow audience

    This is a great movie - but most likely not for everyone. It's about academic upper middle-class people and their family relationships. Not everybody will find that interesting and there is no usual "romantic" plot development. It's a family portrait of a father and her daughter and as such has no (plot) conclusion. It is not the usual light comedy since it touches very serious questions and the prevailing mood is unhappiness (it is however _very_ funny at times ;-)).

    That being said, this movie makes some very fine and subtle observations, presents them in a funny and entertaining form yet at the same time in a thought-provoking and philosophical way which will make you think about it for a long time. If you're from an academic (german) household you will find lots of similarities in your own family relations.

    This movie is not fast-paced - in fact it often has long shots of lonely people and a lot is not said but has to be filled in by the viewer. So if you don't relate to the characters this movie will feel longish for sure. But if you find traces of your own life or that of your friends and relatives you'll be amazed by the subtlety and finesse in which this movie is directed. Although there are some bizarre events, everything which happens in this movie could happen in real life. There are no implausible scenes in this movie! This is an incredible statement given the crazy and bizarre things which happen in this movie. If you wanna know how that could be true, you might wanna watch it.

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    Dramma

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The animal costume worn by Winfried is the Kukeri, a common animal totem in Bulgaria that is believed to scare away evil spirits. It was made from the real hair of long-haired goats and according to actor Peter Simonischek was extremely hot and heavy and smelled like a goat stable. With the exception of the scene when Winfried has the head removed, it was worn by a stuntman.
    • Blooper
      When the father gives his daughter her birthday gift, there are some jars in the table which change position between shots.
    • Citazioni

      Winfried Conradi alias Toni Erdmann: You have to do this or that, but meanwhile life is just passing by

    • Curiosità sui crediti
      Apart from the production companies there are no opening credits, and the movie's title is only shown after all the end credits.
    • Connessioni
      Featured in Film '72: Episodio #46.3 (2017)
    • Colonne sonore
      Heute hier, morgen dort
      Written by Gary Bolstad and Hannes Wader

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    Domande frequenti18

    • How long is Toni Erdmann?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 2 marzo 2017 (Italia)
    • Paesi di origine
      • Germania
      • Austria
      • Monaco
      • Romania
      • Francia
      • Svizzera
      • Belgio
    • Siti ufficiali
      • Komplizen Film (Germany)
      • Official site (Germany)
    • Lingue
      • Francese
      • Tedesco
      • Inglese
      • Rumeno
    • Celebre anche come
      • Toni Erdmann
    • Luoghi delle riprese
      • Bucarest, Romania(main location)
    • Aziende produttrici
      • Komplizen Film
      • Coop99 Filmproduktion
      • KNM
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 3.000.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 1.479.387 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 15.972 USD
      • 25 dic 2016
    • Lordo in tutto il mondo
      • 12.002.864 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 42min(162 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • Dolby Atmos
    • Proporzioni
      • 1.85 : 1

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