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"My Golden Days" (2015 release from France; 123 min.; original title "Trois Souvenirs De Ma Jeunesse" or "Three Memories from My Childhood") brings (further) stories from Paul Dedalus. As the movie opens, we see Paul and his Russian (?) girlfriend lament the fact that Paul is returning to France after 8 years away. It makes him think back to his childhood, and we flash back to Paul as an 11 yr. old boy, fighting with his (mentally deranged) mother. Back to the current day, Paul is being stopped by French officials at the airport for "passport problems". At this point we are 10-15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: when I wrote earlier that this movie brings the further stories of Paul, it is because writer-director Arnaud Desplechin made a previous film about this character, 1996's "My Sex Life... or How I Got into an Argument", with the role of Paul played by Mathieu Amalric, who reprises the role almost 20 years later. I admit I haven't seen the 1996 film, but that didn't stop me from checking this out, as I think Amalric is one of France's finer actors of this generation (check him also out in the recent "La Chambre Bleue", "The Grand Budapest Hotel", etc.). "My Golden Days" turns out to be a somewhat nostalgic look back to the 'good ol' days'. Of the "three souvenirs" referenced in the original French title, by far the longest amount of time is spent on Pauls' relationship with Esthel during Paul's university days, and set somewhere in the late 1980s. I grew up in nearby Belgium just a few years earlier (doing uni in the early 80s), and I can attest that the director captures the mood of those university years perfectly. It's probably the reason why this movie resonated with me so well, but I also want to emphasize that if you didn't grow up in Europe during those years, you'll still 'get it'. Newcomer Lou Roy-Lecollinet, in her first role on the big screen as Esthel, is simply outstanding, and surely we have not see the last of her. Last but not least, there is a bunch of great music featured in the film, both as to song placements and the original score, the latter courtesy of acclaimed French composer Grégoire Hetzel ("Incendies", "Intrusions"). A quick look around tells me that the score is available on Amazon France.

"My Golden Days" premiered at the 2015 Cannes Film Festival, to general critical acclaim. Not sure why it's take so long to play in US theaters, but this past weekend, the movie opened without any pre-release buzz or advertising at my local art-house theater here in Cincinnati, and I know what that usually means (a one week run). The Wednesday evening screening where I saw this at was attended okay but not great. That's a darn shame. Hopefully this is a movie that can find a wider audience when the DVD finally comes out. If you are in the mood for a nostalgic yet effective foreign film that looks at what it was like growing up in France in the 80s, you cannot go wrong with this. "Trois Souvenirs de Ma Jeunesse" is HIGHLY RECOMMENDED!

The main impression I gained about 'My Golden Days' is a bit more care could have been taken in casting the three actors who play the lead character - at least far as looks go. When we first meet him, Paul Dédalus, a French diplomat, is played by Mathieu Amalric, with his distinctive, 'lived-in' face. We then see him as a child played by Antoine Bui - who is facially so similar to Amalric they could be related. But as a young man, Paul is played by the handsome Quentin Dolmaire, who looks nothing like Amalric and Bui. If Bui didn't look so similar to Amalric this aberration wouldn't be so noticeable.

But anyway, the story: returning to France after almost a decade abroad, Paul comes to the attention of the intelligence services because someone with the same name and date of birth has been discovered in Australia. As Paul is questioned, we flashback to his childhood living with his lesbian aunt, to an eventful trip to the Soviet Union and to his student life, but most of all we examine his relationship with the captivating Esther, whom he wins over with his pseudo-intellectual gobbledy-gook.

Young Paul is that staple of French cinema, the student who spends too much time thinking. Esther is that other overly-used staple, the unhinged woman. This sort-of prequel to director Arnaud Desplechin's 1996 'My Sex Life... or how I got into an Argument' contains nothing that can't be found in hundreds of other French films. But there's good acting all around; Dolmaire and, as Esther, Lou Roy-Collinet are easy on the eye and their cast of supporting characters interesting. If I have any complaint, it's that I would have liked more - or indeed, any - explanation as to why the child Paul disliked his mother so much, and perhaps more screen time for Amalric - he appears several times in-between the flashbacks of the first third of the film, then suddenly disappears for the rest of it; it's quite noticeable. Where did he go?

They say its a prequel to the 1996 film 'My Sex Life' that I haven't seen, but this looked good and its not. I'm not sure how much one has to be familiar with the original film, though it does not matter much I think since it is a prequel. Because everything starts here and follows there. So I saw it, and I wanted to like it, but not fully impressed. The story was told in chapters. The opening was like some kind of a spy thriller, but soon when the episode 'Esther' begins, it turned into a romance drama.

A man who has been investigated when another person with the same identity was found. So he reveals his school day's events, followed by his first girlfriend and complication surrounding it he had faced. That, how he had won her over the older boys and about his close friend, till leaving them behind to work in the central Asia. Mostly it is a love story with some twists in the affair, but how it all ends still remains mystery even after the narration ended.

The issue is it is not detailing anything, just reveals events of a youngster's romance life. Particularly the end was not good. So I think that's why I need to see the first film, resuming the narration could continue from where this one concluded. I leave (_b_l_a_n_k__s_p_a_c_e_) till I saw that and update this review, if I change my stance over this one. Even if I didn't like, still I would update it.

Meanwhile back to the review; it is like a French version of 'Flashbacks of a Fool'. Technically, there's no fault in this, only the screenplay did not convince me. The actors were so good, no doubt its a well made film that some people would enjoy it and I hope you are one of those.

6/10

This movie was a bit of a chameleon for me. Initially I found this story of Paul Dedalus's recollections of his youth disappointing. The story of Paul's broken family life was short and cryptic. The story of intrigue in Russia was interesting and begins to tell us something about Paul. The main focus, the recollection of his relationship with Esther, did not draw me in. Yes they were beautiful, but almost too much so, and their interactions did not seem authentic.

My thoughts evolved on further consideration. Paul is recalling the peak experiences from his youth, but how accurate are his memories? Were he and Esther really that beautiful? As another reviewer pointed out, his appearance at that age seems inconsistent with his younger and older selves - an accident of casting? Was he madly in love with her? His actions and decisions suggest otherwise. Did he fail to appreciate the importance of this relationship because of his youth and inexperience? Maybe, but consider the start of the movie.

Actually one of the greatest films of all time, with a lead actress possibly more beautiful than Brigette Bardot, and super intelligent writing. High drama, very realistic noir cinematography, many pitch black night scenes that look as good as the day scenes. Very intense, great acting all around, the main actor is mainly the only one who may be a bit over the top for some people. The lead actress is a Ramona-esque dream girl. Theres tragedy as well as comedy, and nice ambient and orchestral music. It's a character story, and a coming of age, but many characters get a chunk of their own screen time.