Nel 1836 il visionario romantico danese Wulff si reca in Africa per creare piantagioni sulla Costa Dorata, ma le sue migliori intenzioni e convinzioni si confrontano presto con la dura realt... Leggi tuttoNel 1836 il visionario romantico danese Wulff si reca in Africa per creare piantagioni sulla Costa Dorata, ma le sue migliori intenzioni e convinzioni si confrontano presto con la dura realtà degli schiavi e dall'incredibile brutalità.Nel 1836 il visionario romantico danese Wulff si reca in Africa per creare piantagioni sulla Costa Dorata, ma le sue migliori intenzioni e convinzioni si confrontano presto con la dura realtà degli schiavi e dall'incredibile brutalità.
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The movie does not have great resources and not even excellent actors but it is made following the cruel and inhuman reality of what has been the history in certain unfortunate places and there is always the usual story of evil black and white men going against justice and law for personal enrichment.
The scenography of Ghana is very beautiful because nature is very beautiful and man is the one who destroys it.
The scenography of Ghana is very beautiful because nature is very beautiful and man is the one who destroys it.
This is not a real review, it should be understood more as a collection of impressions on the film.
Who knows what to say about this film, well surely one word that describes it well is boring, but not boring in the classic sense of the word because many interesting things happen in the film, but boring because the film alternates parts where literally everything happens in a very confusing and films where absolutely nothing happens and where the spectator's attention span is lowered to truly minimal levels. This is not to say that the film is insufficient, for goodness sake it is very interesting, but if it had been even more entertaining it would have been better.
Who knows what to say about this film, well surely one word that describes it well is boring, but not boring in the classic sense of the word because many interesting things happen in the film, but boring because the film alternates parts where literally everything happens in a very confusing and films where absolutely nothing happens and where the spectator's attention span is lowered to truly minimal levels. This is not to say that the film is insufficient, for goodness sake it is very interesting, but if it had been even more entertaining it would have been better.
I saw this film yesterday with my family. It was s-l-o-w, boring for about 90% of the time, largely pointless and way too long. On top of this, my entire family agreed with me that there is more than one plot hole which really topped it all off. Disappointing to say the least! Oh yeah, and the music is the most inappropriate I have ever experienced. It is so totally out of touch with the film and the age of slavery - some strange pounding techno. At times it goes into much more soothing and pleasant style, which I really likes, but I totally stopped concentrating on the film at least 5 times, because I was wondering what the hell that style of music was doing in that scene?!
The only good thing I can say about it is that it's really really beautiful and it makes an effort to show the geography and nature of Africa. Jakob Oftebro is a terrific actor but he can't save this film.
I was actually surprised I only fell asleep once, and after the film I was relieved to find out that mom, dad and brother felt the exact same way. This film is slow, boring and totally without a flow. Several of the characters are really poorly worked through and very unimpressive. On top of all this, there was plenty of that pointless thing I really hate: hand held camera! 98% of the footage is shaky because it is not filmed on a tripod or steady-cam, and I just absolutely abhor it!! I see no excuse for all that shaky footage when it doesn't seem to serve any purpose - here it is being used through even the most peaceful and tranquil scenes, so it is obviously just there to make the director appear more intellectual. Failing miserably, I must add.
I highly recommend giving this one a miss. It's the poorest film I have seen in years.
The only good thing I can say about it is that it's really really beautiful and it makes an effort to show the geography and nature of Africa. Jakob Oftebro is a terrific actor but he can't save this film.
I was actually surprised I only fell asleep once, and after the film I was relieved to find out that mom, dad and brother felt the exact same way. This film is slow, boring and totally without a flow. Several of the characters are really poorly worked through and very unimpressive. On top of all this, there was plenty of that pointless thing I really hate: hand held camera! 98% of the footage is shaky because it is not filmed on a tripod or steady-cam, and I just absolutely abhor it!! I see no excuse for all that shaky footage when it doesn't seem to serve any purpose - here it is being used through even the most peaceful and tranquil scenes, so it is obviously just there to make the director appear more intellectual. Failing miserably, I must add.
I highly recommend giving this one a miss. It's the poorest film I have seen in years.
Oftebro is a great actor. The setting (the Danish slave colonies) is interesting. They are willing to experiment with music. But sadly, the movie is quite bad.
With heavy handed symbolism (flags, horned skulls, etc), good-or-evil characters, a messy storyline and ill fitting soundtrack, Guldkysten will sadly become another failed Scandinavian epic movie. A movie about a slaving colony with a protagonist ahead of his time (sharing the viewer's opinions on slavery) standing up against evil old fashioned slavers - we ought to be past these kind of stories by now. While I did enjoy the more experimental music, I had a hard time relating it to whatever was going on in the story. The movie is at its best when its characters borders on the insane, and the last quarter of the movie is by far the best one.
Oh well. Onwards and upwards, Scandinavian movie makers!
With heavy handed symbolism (flags, horned skulls, etc), good-or-evil characters, a messy storyline and ill fitting soundtrack, Guldkysten will sadly become another failed Scandinavian epic movie. A movie about a slaving colony with a protagonist ahead of his time (sharing the viewer's opinions on slavery) standing up against evil old fashioned slavers - we ought to be past these kind of stories by now. While I did enjoy the more experimental music, I had a hard time relating it to whatever was going on in the story. The movie is at its best when its characters borders on the insane, and the last quarter of the movie is by far the best one.
Oh well. Onwards and upwards, Scandinavian movie makers!
'Guldkysten' exposes the viewer to life at a Danish fort on West Africa's Gold Coast (now Ghana) in 1836, focusing on a young Danish officer who goes out to start a coffee plantation as an alternative to taking slaves. The slave trade had officially stopped but was covertly continuing, which he discovers during his stay. The film then focuses on his reaction to that, and how those around him respond in turn.
The plot is vaguely based on the life of a real person, but was poorly received by some critics for mixing a historical character with a lot of fiction. This was apparently because the main female character became ill during filming, and so the plot had to be radically altered.
I personally think the result is a sensual masterpiece in creating the powerful and conflicting emotions you would have had if you had been on the Gold Coast in 1836 – the elegance of the early 19th Century costumes contrasting with the utter depravity of many of those living on the fort; the beauty of West Africa's landscape and nature against the spectre of disease that killed so many who dared to visit; and of course the conflict between the ideals of Christianity and the Enlightenment against the base exploitation of slavery.
One of the most visually spectacular and haunting films I have ever seen. I have only given 9 stars because I thought Wulff's descent into madness was over-exaggerated. He could have become very withdrawn instead, which I think would have been more realistic.
All in all, a much needed film to bring home to today's audience an experience of one of the darker sides of Denmark's past.
The plot is vaguely based on the life of a real person, but was poorly received by some critics for mixing a historical character with a lot of fiction. This was apparently because the main female character became ill during filming, and so the plot had to be radically altered.
I personally think the result is a sensual masterpiece in creating the powerful and conflicting emotions you would have had if you had been on the Gold Coast in 1836 – the elegance of the early 19th Century costumes contrasting with the utter depravity of many of those living on the fort; the beauty of West Africa's landscape and nature against the spectre of disease that killed so many who dared to visit; and of course the conflict between the ideals of Christianity and the Enlightenment against the base exploitation of slavery.
One of the most visually spectacular and haunting films I have ever seen. I have only given 9 stars because I thought Wulff's descent into madness was over-exaggerated. He could have become very withdrawn instead, which I think would have been more realistic.
All in all, a much needed film to bring home to today's audience an experience of one of the darker sides of Denmark's past.
Lo sapevi?
- QuizIt's filmed at the Almina castle in Ghana
- BlooperThe pen used for writing or drawing in various scenes have a steel nib which does not make sense and is not proper for the time.
- Colonne sonoreRemember me, in every cloud of gold
Written by Angelo Badalamenti & Kwamie Liv
Performed by Kwamie Liv
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- Data di uscita
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- Gold Coast
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Botteghino
- Lordo in tutto il mondo
- 142.641 USD
- Tempo di esecuzione
- 1h 54min(114 min)
- Colore
- Proporzioni
- 2.35 : 1
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