Sado

Yoo ah in performance shredded my heart into a thousand peice. He a true artist and deserves all the respect in the world. The throne is about a father-son relationship that got ruined because of politics and royal blood. After reading about prince sado, the events of the movie were 100% accurate BUT it didn't include everything in order for us as the viewers to feel compassion and sympathy for prince sado, the movie didn't include alot of his wrong doings (killings/rape/violence ) that were recorded by his wife (one of his wives to be more accurate).

A father son relation is beautifully narrated in this movie. Editing is 10/10. One must not miss that

I have nothing bad to say about the storytelling. In the last 20 minutes of the film, I cried like I never did before while watching a movie. The last time I cried while watching a movie was with The Road Home (Zang Ziyi). It's very painful. A father forced to wait for the death of his son for a week. It must have been very painful for both the father and the son.

On the other hand, this film is not only true to history. It is also authentic and realistic. This is the first Korean period piece that presents the royal family like those in the paintings. The king, queen, and his concubines are not good looking. They look like real people contrary to those sageuk we used to watch where lead stars are all dolled up. The prosthetics of the elder monarchs show reality of old age. I appreciate this aspect of the film.

When I watched period dramas that present the early like of King Yeongjo, I really thought that he would be both a great father and king. I mean, King Sukjong was a great father and Suk-bin Choi was a caring mother for Pri NBC e Yeoning-gun (Yeongjo). But perhaps being a child prodigy himself, King Yeongjo expected too much from his court especially from his heir. He became a disciplinarian parent and king. His knowledge of Confucian teachings dis not help him become a good father. He never appreciated his son on his achievements. He berated him for his mistakes. All sons, princes or commoners, need love from their parents. I don't believe that a royal family is different from any other family when expressing love and care for children. This film tells us that too much adherence to rules dehumanizes a person. A son longing for a father's warmth developed depression. And a father knowing his son is already losing mind isolated himself even more from his son. Tragic.

By 1762, the Joseon dynasty in Korea has been in power for about 300 years, and it's managed to stay in power that long through a mixture of Confucian disciplinary skills amongst the functionaries and adherence to strict codes of behavior and style in the court. Yeongjo (Song Kang-ho) has been King for decades; his son by a concubine, Sado (Yoo Ah-in) is the Crown Prince but he doesn't follow the Confucian teachings (in fact, he hates to study at all) and doesn't adhere to behavioral norms either. When, in a fit of madness, he decides to assassinate his father, his plot is foiled and the King, unable to accuse him of high treason because that would place the dynasty in peril, decides to name him a commoner and condemn him to death. A terrible death, though, one in which the Crown Prince is placed in a sealed wooden box and left in the hot sun to slowly die of thirst and hunger. As the days pass, the story of how such a thing came to pass is told in a series of flashbacks, detailing the tragedy of this royal family…. This film is based on a true incident in Korean history, one that is of huge importance in that culture because of all the social resonance it encompasses. The film is beautifully created, with sumptuous costumes and gorgeous vistas, and both lead actors are convincing in their roles. But, well, the story comes across as quite sentimental and melodramatic (just about all the various women do in the film is weep silently, although there is a memorable scene with the Dowager Queen late in the film), and frankly, at 125 minutes, it's just way longer than it needed to be. In particular, the last 10-15 minutes are quite pointless, at least to someone who is not Korean and thus doesn't have the cultural or historical background to appreciate it. I liked it overall, but it could have done with some judicious editing, I think.

Any time Yoo Ah-In is in the film or series, he will reward viewers with his talent, and he always seems to be maturing as an artist. This film is one of SK's finest and one of the actor's best performances. It is also based on a true story that is painful to watch unfold as it does in "The Throne", perhaps too slowly, yet the closure is also beautiful.