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The Book of Vision

  • 2020
  • T
  • 1h 39min
VALUTAZIONE IMDb
7,3/10
18.039
LA TUA VALUTAZIONE
The Book of Vision (2020)
Eva, a mysterious doctor, searches for an answer to her urgent dilemma as she unravels Dr. Anmuth's Book of Vision. Stellan gets involved in her life and is forced to confront his own nature, as Eva faces the biggest decision of her life.
Riproduci trailer1:44
1 video
10 foto
DrammaMistero

Eva, una misteriosa dottoressa, cerca una risposta al suo urgente dilemma mentre svela il Libro della visione del dottor Anmuth. Lei deve affrontare la più grande decisione della sua vita.Eva, una misteriosa dottoressa, cerca una risposta al suo urgente dilemma mentre svela il Libro della visione del dottor Anmuth. Lei deve affrontare la più grande decisione della sua vita.Eva, una misteriosa dottoressa, cerca una risposta al suo urgente dilemma mentre svela il Libro della visione del dottor Anmuth. Lei deve affrontare la più grande decisione della sua vita.

  • Regia
    • Carlo Hintermann
  • Sceneggiatura
    • Carlo Hintermann
    • Marco Saura
  • Star
    • Charles Dance
    • Lotte Verbeek
    • Sverrir Gudnason
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    18.039
    LA TUA VALUTAZIONE
    • Regia
      • Carlo Hintermann
    • Sceneggiatura
      • Carlo Hintermann
      • Marco Saura
    • Star
      • Charles Dance
      • Lotte Verbeek
      • Sverrir Gudnason
    • 6Recensioni degli utenti
    • 7Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 8 candidature totali

    Video1

    Trailer
    Trailer 1:44
    Trailer

    Foto9

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    + 4
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    Interpreti principali12

    Modifica
    Charles Dance
    Charles Dance
    • Dr. Johan Anmuth
    Lotte Verbeek
    Lotte Verbeek
    • Eva…
    Sverrir Gudnason
    Sverrir Gudnason
    • Dr. Nils Lindgren
    Filippo Nigro
    Filippo Nigro
    • Heinrich von Ouerbach
    Isolda Dychauk
    Isolda Dychauk
    • Maria
    Rocco Gottlieb
    Rocco Gottlieb
    • Valentin von Ouerbach
    Justin Korovkin
    Justin Korovkin
    • Günter von Ouerbach
    Douglas Dean
    Douglas Dean
    • Tutor
    Vera Graziadei
    Vera Graziadei
    • Rivka Sorkin - Miss Dobileit
    Marco Quaglia
    Marco Quaglia
    • Chris
    Abel Tesch
    • Eva's ex husband
    Giselda Volodi
    Giselda Volodi
    • Regia
      • Carlo Hintermann
    • Sceneggiatura
      • Carlo Hintermann
      • Marco Saura
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti6

    7,318K
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    Recensioni in evidenza

    5stevelivesey67

    Fascinating yet flawed

    A real mixed bag. A twin timeline, one in 18th century Prussia, a second in modern day. The actors play similar roles in both timelines which flicks backwards and forwards incorporating dream sequences that play a major part in the telling and formulation of the plots. Occasionally, the timelines and dreams are mixed in present day and can become confusing or intriguing depending on how you cope with non linear storytelling.

    The Good parts are, as ever, Charles Dance, the costumes, settings, the dream sequences and the basic plot outline.

    Where it falls down is in the execution. The script is wooden in parts, delightful in others. Some actors have had their parts overdubbed for some reason. The ending fails to deliver the emotional punch that the film builds up to. That said it's a pleasant enough ride up until that point.
    10jayakumarjrain

    CARLO HINTERMANN MASTERPIECE WORK OF IMAGINATION

    The Book of Vision (2020)

    The Book of Vision (2020) is a haunting and introspective drama that blends the realms of science, memory, and personal transformation. The film follows Elizabeth, a young doctor working at a medical institute in Europe, who becomes captivated by an old, mysterious manuscript known as The Book of Vision. The book is said to hold the secrets of a 17th-century physician, Dr. Vogel, whose revolutionary approach to understanding human consciousness and healing has long been forgotten.

    As Elizabeth becomes increasingly obsessed with the book, she starts to unravel its cryptic contents, which lead her to explore her own past and personal struggles. Her journey of discovery is intertwined with a series of vivid, surreal visions that blur the line between reality and the subconscious. These visions seem to offer profound insights into the nature of memory, trauma, and the interconnectedness of mind and body.

    Throughout the film, Elizabeth is confronted with her own repressed memories and unresolved guilt, and as she delves deeper into Dr. Vogel's theories, she begins to question the very nature of healing. The narrative weaves between Elizabeth's present-day life and the haunting, enigmatic story of Dr. Vogel, whose work was shrouded in mystery and controversy.

    The Book of Vision explores themes of time, fate, and the search for meaning, creating a contemplative atmosphere that challenges the audience to reflect on the mind's capacity for self-healing and the power of understanding one's own history. With its beautiful cinematography and thought-provoking storyline, the film offers a meditation on the complexities of life, memory, and the pursuit of truth.

    Review written by Jaya Kumar jrain.
    5jwest491

    A good story barely saves a clunky script.

    The film's premise is certainly interesting: a multi-period exploration of the transition to modern medicine, the interplay between scientism and Western esotericism, and the subsequent change in doctor-patient dynamics.

    Dance lends his usual gravelly tones, Korovkin is terrifying, and Dychauk's performance is heartbreaking, yet all are shackled by Hintermann's clunky dialogue. Gudnason and Verbeek's talents are sadly wasted on underdeveloped characters.

    Indeed, it's the script that fails the actors. The dialogue is so disjointed it feels like a good deal was left on the cutting-room floor, and what remains is devoid of any poetry. The characters are one-dimensional receptacles for Hintermann's reductive ideas, either passionately romantic or coldly clinical, but never complex. It ruins what would otherwise be a very touching story.

    Hintermann has chosen to approach symbolism with all but the kitchen sink. Visually interesting as individual set pieces, the continuous lack of subtlety climaxes as Verbeek bursts into a 90-second musical number before swooning into Gudnason's arms with all the grace of Fanny Squeers. The next thirty minutes is a fever dream of dynamic shots and ever-changing Dutch angles more suited to a noughties flick than a sombre period piece. Many static shots are filmed on a shaky Steadicam (oxymoron intended) and occasionally the audio dubbing is visibly out of sync.

    That said, Tufano's costume design is breathtaking, the set design is gorgeous, the music and foley superb. The film's more artistic shots are beautifully composed. I appreciate the film for what it tried to be and look forward to Hintermann's next project - but this is a diamond in the very, very rough.
    6THEgongoozler

    Very Rococo, yet heartwarming and inspiring

    THE BOOK OF VISION (2020) tells a story of love through the passage of time, with medical science's advancement as the backdrop. Due to its nature and slightly complicated arrangement of characters' relationship (mind you, the plot is interwoven between 18th century and modern days), this movie is deemed to appeal to certain audience and limited box office result. Nevertheless, Carlo Hintermann in his debut as feature film director has crafted an exquisite and thought-provoking work.

    When our cinema is swamped with comic heroes, jump scares and meaningless violence, THE BOOK OF VISION is nothing but a bit of fresh air or, tell it like it is, a good 90 minutes of human emotion drama.
    9benpulford-82589

    Visionary film about a book

    Enjoyed watching this film, very much. Not one of Terence Malik's best. Personally I'd suggest The New World is his best followed closely by The Tree of Life. This film is still extremely good on so many levels. I guess the reason I didn't give it 10 is because the point of the story is a little hard to understand or 'get'. This isn't always a bad thing for me, in that with what I consider a good piece of film entertainment, if I don't quite 'get it', it usually follows with a 'I need to watch it again', and a few times. What could possibly be better than sitting down to watch a film over and over and over again, years apart? I've been watching my favourite Malik's over and over - and over many years. It's fun. It's enjoyable. Very much the same for a great many other great films and great film makers. I find it curious to consider a 'line' in this film where the Charles Dance character questions the Lotte Verbeek character, during a strained dinner party, over which he questions why she spends her time studying some obscure past instead of using her talents to live and work in the now and the future. The answer of course, here, is because one cannot understand the now or have any idea of the right future without understanding the past and all the tangential discourses along similar lines. Perfect. Different people like different genres of films but criticising one genre because it's not the type you like is not at all correct! Talking of which, 'context is everything'. Worth considering with regard to everything. Otherwise an opinion is utterly pointless. Talking of which, I am amused on my IMDB ... thing ... that under the title of 'similar titles you might like' (or whatever it is), the crazy machine shows a whole load of titles that are not at all similar ... in any way, that I can discern. It would appear that for AI and/or IT algorithms, 'context is irrelevant. Oh well. "What a marvellous modern world we live in". Was this review helpful? Probably not.

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    Dettagli

    Modifica
    • Data di uscita
      • 26 febbraio 2021 (Italia)
    • Paesi di origine
      • Regno Unito
      • Italia
      • Belgio
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • Önsezi Kitabı
    • Luoghi delle riprese
      • Belgio
    • Aziende produttrici
      • Citrullo International
      • Luminous Arts Productions
      • Entre Chien et Loup
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo in tutto il mondo
      • 115.061 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 39min(99 min)
    • Colore
      • Color

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