Un'estate per diventare grande

Since most Mormon films seem to cater toward the Mormon audience, I was pleasantly surprised to see that this film, while having Mormon characters, is not necessarily geared toward a Mormon audience. While it is probably best enjoyed by Mormon girls and women who have attended camp, it could easily be enjoyed by anyone. There are very few specifically "Mormon" references so it is relatable to a wide audience. That being said, it is a low-budget independent film, so don't expect to be wowed. However the acting quality is good, the soundtrack is good, and the plot, while fairly predictable, was not quite the touchy-feely conversion story that you'd expect from a religious film. It reminded me of the 2012 movie "Amazing Love". This film is a fairly accurate (though satirical) depiction of a Mormon girls camp. And yes, we really do sing "Noah's Arky" and "Mormon Boy"! It's tradition!

I really enjoyed this film. Sometimes (seemingly) overtly religious films pander to their audiences to make a buck at the box office. Especially if they appear to appeal to the "teenager" demographic. BEEHIVE is not one of these films.

BEEHIVE dispels many Mormon myths head on, and in the wake of this transformation leaves you both laughing and crying. I appreciated that very much.

But what I enjoyed most about this film is there was no "happily ever after." Not everyone was converted. Hardship still existed. All the story plots did not resolve into a nice, trite ending.

However, you knew that the characters changed--that they were better people for what they had experienced, and they were now better equipped to go through other challenges in life. They had the ability to live with uncertainty, keep a smile on their faces, and move forward. For me, that was the hidden redemptive power in this film, and that is one of the biggest reasons I highly recommend it!

I am a film fanatic, so like everybody else I seek entertainment in the films I watch. But if it delivers a message or gives a lesson, I'll take it as an inspiration, no matter what category it belongs to.

I mean I belong to no religion, but there are many good things about them other than wasting time in the temples and churches for the fantasy things. So that is where this film comes in, even for the non- believers.

It might be about a Mormon related theme, that does not mean it is a propaganda or anything, but obviously that's how it looks like. In fact, it is a very enjoyable film, not just for the kids or the women, but anyone and mostly for the families.

Because it was not about the god stuff, it was about the human bond and having faith in each other to work together. In many parts, that's what the film characters express through the dialogues and makes us comfortable for further viewing.

The story was narrated from an atheist teen girl's perspective, but her condition of life had an impact for telling a beautiful and semi- emotional tale. It was a quality of the television product, mainly because it is PG rated.

The wonderful cast and shot in the nicest places. So just enjoy its contents as a human being with the emotions and ignore the religious stuffs if you think it is overshadowed by that. Because, because of watching it you won't turn a Mormon in an overnight.

6/10

I can't stop thinking about this film and all the individual talent that came together to make it. Maclain Nelson writes and directs an eloquent script that guides audiences through the delicate subject of death and adolescence, with an excellent pulse on todays young culture. Joel Remke's cinematography stands out, as his work holds the best of a feature and an indie film's attributes; be that his choice in dolly shots, playful angles, organic zooms and movements. There are scenes of Utah that are forever forged into my mind, thanks to this cinematography. Composer Michael Lee Bishop and the sound department brought their many talents to this film. This heartfelt journey was smartly orchestrated by editor Kristi Shimek. Her comical cuts and emotional rhythm to the film where refreshing, and made all the difference. There was a scene in which the audience was quietly crying and while Paris Warner's performance was lovely, it was clearly Shimek's editing that held the audience in tears. Mary Pickford is quoted for saying, "Make them laugh, make them cry, and back to laughter. What do people want to go to the theatre for? An emotional exercise." As far as acting goes, actress Paris Warner is a natural. Whatever she is doing, keep with it, because her tender and raw performance has a way of pulling you in, scene after scene. Such a talented cast, I wish there were more time to show off the campers's personalities. Actresses Kaley McCormack Allie Jennings have a bright comical future ahead of them.

The main character is really judgemental and all of the other actors are very vapid people who don't get better. I went to girls camp for six years and we were very willing to help clean up and do what we needed in order to make it a pleasant experience. any person with half a brain would put effort in doing a good job in building a tent because that is where you will live for the next five days. I grew up in the church but it defiantly didn't mean my life was easy and that I was clueless about the world around me. I had a lot of friends who were not of my faith including some who went with us to girls camp and we always worked to help them feel included and loved. so basically this movie stereotypes teen girls in the worst way possible without bothering to improve them by the end so you leave the movie with a sour taste in your mouth. All of the adults are rude and judgemental and don't even try to help the girls. In real life the adults would be taking time off of work and using vacation days to go to girl's camp. It's a real sacrifice for them. Why try to make a movie about something you clearly know nothing about? Many teen girls who saw the movie after even said it's not even close to that in real life.