VALUTAZIONE IMDb
7,0/10
58.919
LA TUA VALUTAZIONE
La ricerca disperata di una giovane donna per il suo fidanzato rapito la trascina nella famigerata Colonia Dignidad, una setta da cui nessuno è mai sfuggito.La ricerca disperata di una giovane donna per il suo fidanzato rapito la trascina nella famigerata Colonia Dignidad, una setta da cui nessuno è mai sfuggito.La ricerca disperata di una giovane donna per il suo fidanzato rapito la trascina nella famigerata Colonia Dignidad, una setta da cui nessuno è mai sfuggito.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 15 candidature totali
Oscar Martin
- Interrogator
- (as Oscar Ali Garci)
Recensioni in evidenza
Despite having found this docudrama incredibly powerful it did concern me that there were no Chilean actors in the production. Strange really given who Colonia Dignidad affected, and who were tortured, abused, held virtual hostage etc. I was in Chile at the end of the reign of the oppressive regime of Pinochet - and felt the film lacked the sound of the Chilean dialect (of Spanish). Maybe it could have included more of the direct and authentic voice of those who suffered. Or those who lived in the region. There were so many myths about the place in the media, in the streets, within the popular culture. Pity because this was a story that was worth telling.
When a German Diplomatic official attends the premiere in Toronto to refute the premise of the film its a sign that the material strikes pretty close to home.
Very memorable Q&A at the 2015 Tiff. Hats off to the director that didn't flinch at all when confronting the questioner.
Its one of those films that you can honestly say "real life is stranger than fiction"
Its obvious that the film makers used this convincing story to attract the very talented cast. Even the despicable bad guys (and gal) were very well cast in addition to our heroes.
I'm glad this film wasn't released amidst the flurry of films prior to the awards season. Everyone should take the time and let this material and these performances sink in.
Well done. Good work.
Very memorable Q&A at the 2015 Tiff. Hats off to the director that didn't flinch at all when confronting the questioner.
Its one of those films that you can honestly say "real life is stranger than fiction"
Its obvious that the film makers used this convincing story to attract the very talented cast. Even the despicable bad guys (and gal) were very well cast in addition to our heroes.
I'm glad this film wasn't released amidst the flurry of films prior to the awards season. Everyone should take the time and let this material and these performances sink in.
Well done. Good work.
If you want a tense movie you could do more than worse than picking this one. One that is rooted in real life incidents and happenings of course, but also one that might have heightened a few things that actually happened to make it more "movie-like". So this also makes a couple of things more than predictable.
If you don't mind this, the movie does have powerful scenes, but also scenes that will shock you to the bone. Even scenes where things are only hinted at (like a certain kind of abuse), but just knowing what happened and what will happen once the camera goes off or the editor cuts, is more than enough to make you squirm. Powerful performances throughout make this an almost must watch
If you don't mind this, the movie does have powerful scenes, but also scenes that will shock you to the bone. Even scenes where things are only hinted at (like a certain kind of abuse), but just knowing what happened and what will happen once the camera goes off or the editor cuts, is more than enough to make you squirm. Powerful performances throughout make this an almost must watch
I've been to the premiere at the Film Festival in Zurich and I was moved by the movie, not because of the love story, but because of the irrefutable truth. The movie left me thinking and researching about its topic: Colognia Dignidad, a cult in Santiago de Chile. It conjures many ethical questions and portrays what humanity is capable of. The movie grips and doesn't let go of you till the end. The contents is real, except for the love story that forms the golden thread. One has to imagine that the movie portrays the life and the ways of Colognia Dignidad almost like a documentary without felt exaggeration, but it is still a movie with a story. Superb acting by Emma Watson and Daniel Brühl made the movie an even more intense experience. The only criticism I can make is that the love story is average in comparison to the rest. I believe that the characters actions don't always make much sense. All in all, it's one of the best movies I've seen this year and cannot be compared with the commercial films normally shown in cinemas.
Inspired by true events, Colonia is a Hollywood-style thriller about a couple who finds themselves in the wrong place at the wrong time- the torture prison of a religious cult under the influence of the Chilean secret police in 1974. At a time when Chilean youth began revolutionizing in the streets, one man's involvement with the movement along with his girlfriend's association in his anti-government views causes the couple to put their relationship and love for each other to the test. Directed by Academy Award winner Florian Gallenberger (Shadows of War), Colonia opens in theaters Friday, April 15th. Bill Withers' "Ain't No Sunshine" accompanies archival footage of protesters rioting in the streets while the film itself is saturated in prime colors- magenta and royal blue. This juxtaposition of violence and R&B gives an artistic edge to the film's opening scenes, but unfortunately, this visual isn't sustained throughout the film. We meet our protagonist Daniel (Daniel Brühl), up on stage pumping up the masses of people, when, out of nowhere, he spots a bright yellow flight attendant's outfit (like a ray of Mr. Withers' sunshine) from the muted colors of the crowd. The woman is Lena (Emma Watson) and they immediately embrace. Their relationship isn't made entirely clear, but she only has four days in town and they plan on spending it together.
While enjoying their time together, Daniel receives a phone call that shifts the political tide and changes everything. This results in chaos erupting in the streets, leading to their capture by the Chilean soldiers. Daniel gets abducted and taken to a hidden cult in a rural area called Colonia Dignidad, run by ex-Nazi Paul Schäfer (Michael Nyqvist). Left with no other choice, Lena willfully joins the Colonia as a desperate, last-ditch effort to find her boyfriend, risking her own life to bring him home as she discovers that those who enter the cult never leave.
Emma Watson and Daniel Brühl play Lena and Daniel with an innocence about them that has you rooting for their success. Watson is unquestionably beautiful and smart, her outspokenness gets her into trouble. Brühl takes a more unconventional risk with his character by playing the role of a mentally challenged person in an effort to trick his captors into thinking he is not a threat. Watson and Brühl are crucial to the film's success, but individually speaking, these roles won't likely result in a significant boost to their careers.
Colonia can't escape the comparisons to Eli Roth's The Sacrament or the documentary Kidnapped for Christ (if you haven't seen it, it's available to stream on Netflix, and is a MUST- watch), which may hurt Colonia's overall success because it is not as riveting by comparison. Audiences know what they are getting with an Eli Roth film, and a documentary has its own sense of wonderment, but Colonia tends to jump from the political thriller to love story to religious brainwashing in a patchwork way that feels a bit all over the place, and it is this "clumpy" genre blending that may be the film's weakest point. Plus, Daniel and Lena's relationship is never fully established in the beginning of the film, so we are left to wonder why she would risk her life to save this person.
At its core, Colonia is an interesting story, but not a very memorable film. It doesn't provide enough tension to overshadow The Sacrament, nor does it have the foundation to be a solid romance. The fact that it is based on a true story is what keeps the film afloat and the inclusion the smuggled archival photos of the real Colonia Dignidad at the end is a much-needed gem. Yet, even with cinema-savvy actors Emma Watson and Daniel Brühl, Colonia can't quite seem to gain the traction needed to be a standout film.
For more, visit: www.cinemacy.com
While enjoying their time together, Daniel receives a phone call that shifts the political tide and changes everything. This results in chaos erupting in the streets, leading to their capture by the Chilean soldiers. Daniel gets abducted and taken to a hidden cult in a rural area called Colonia Dignidad, run by ex-Nazi Paul Schäfer (Michael Nyqvist). Left with no other choice, Lena willfully joins the Colonia as a desperate, last-ditch effort to find her boyfriend, risking her own life to bring him home as she discovers that those who enter the cult never leave.
Emma Watson and Daniel Brühl play Lena and Daniel with an innocence about them that has you rooting for their success. Watson is unquestionably beautiful and smart, her outspokenness gets her into trouble. Brühl takes a more unconventional risk with his character by playing the role of a mentally challenged person in an effort to trick his captors into thinking he is not a threat. Watson and Brühl are crucial to the film's success, but individually speaking, these roles won't likely result in a significant boost to their careers.
Colonia can't escape the comparisons to Eli Roth's The Sacrament or the documentary Kidnapped for Christ (if you haven't seen it, it's available to stream on Netflix, and is a MUST- watch), which may hurt Colonia's overall success because it is not as riveting by comparison. Audiences know what they are getting with an Eli Roth film, and a documentary has its own sense of wonderment, but Colonia tends to jump from the political thriller to love story to religious brainwashing in a patchwork way that feels a bit all over the place, and it is this "clumpy" genre blending that may be the film's weakest point. Plus, Daniel and Lena's relationship is never fully established in the beginning of the film, so we are left to wonder why she would risk her life to save this person.
At its core, Colonia is an interesting story, but not a very memorable film. It doesn't provide enough tension to overshadow The Sacrament, nor does it have the foundation to be a solid romance. The fact that it is based on a true story is what keeps the film afloat and the inclusion the smuggled archival photos of the real Colonia Dignidad at the end is a much-needed gem. Yet, even with cinema-savvy actors Emma Watson and Daniel Brühl, Colonia can't quite seem to gain the traction needed to be a standout film.
For more, visit: www.cinemacy.com
Lo sapevi?
- QuizEmma Watson visited Villa Baviera (former Colonia Dignidad) in September 2014. Though the media initially thought she was on vacation, they later found she was doing research for her role.
- BlooperWhen Lena and Daniel are driven to the airport near the end of the movie several large buildings show multiple Satelite-Dishes on their roofs - private sat-receivers were not in use in the seventies.
- Citazioni
Paul Schäfer: Anyone can torture, but to break a person without harming physically, that's an art.
- ConnessioniFeatured in Die Sekte der Folterer (2016)
- Colonne sonoreAin't No Sunshine
Written by Bill Withers
Performed by Bill Withers
© Interios Music Corp.
Courtesy of Universal/MCA Music Publishing GmbH
Originally released 1971.
All rights reserved by Columbia Records, a division of Sony Music Entertainment
Courtesy of Sony Music Entertainment Germany GmbH
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- The Colony
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.709 USD
- Lordo in tutto il mondo
- 3.621.046 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Proporzioni
- 2.35 : 1
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