Much suspension to little disbelief
Belonging to a new generation of soap opera scriptwriters, the author João Emanuel Carneiro has emphasized the mystery aspect of the plot, but he did not effectively abandon those traditional ingredients of melodrama. as the series ended, Flora, the leading lady ("The favorite one"), had then become the most famous, charismatic serial killer of the entire Brazilian TV literature. The visual treatment of the show is certainly commendable. TV Globo has for a long time guaranteed a regular, high degree of lavishness. The chromatic key has been richly studied, with predominance of tan and pastel hues. But, as far as drama is concerned, there was much to want. Carneiro over-abused of his prerogative to tell a dramatic 'lie.' Of course, any piece of fiction at all may rely on the suspension of disbelief to a certain point, but Carneiro was here more concerned with manipulating his huge audience than eliciting implausibility and - dramatically speaking - handling the true nature of drama in order to convince us of his 'lies,' or, to quote Hitch, impinge us his 'McGivers.'
- jgcorrea
- 18 gen 2009