Notizie

After screening at the Toronto International Film Festival and coinciding with its San Sebastian bow, Variety has been granted exclusive access to the trailer for “La Jauria,” the first feature effort from award-winning Colombian director Andrés Ramírez Pulido (“El Edén”).

The film tracks the visceral journey of two estranged friends, Eliú (Jhojan Estiven Jimenez) and El Mono (Maicol Andrés Jimenez), who share an uneasy reunion after they’re sent to a remote and unconventional rehabilitation center to serve their sentence for a vicious crime. There, they grapple with accountability, moral fortitude and redemption. This raises questions about the unfettered nature of depravity looming in the thick, languid atmosphere.

Produced by Jean-Etienne Brat & Lou Chicoteau at Paris-based Alta Rocca alongside Johana Agudelo Susa and Pulido’s Valiente Gracia, the plotline folds naturally into the scenery with visually haunting scenic textures that collide with ethereal sound.

“Since the writing of the script,...

Notebook is covering the Cannes Film Festival with an ongoing correspondence between critics Leonardo Goi and Lawrence Garcia, and editor Daniel Kasman.La Jauría.Dear Danny and Lawrence, By the time you’ll read this, the Croisette will be a distant place and a faraway memory. I’m writing my last dispatch from a press room that’s gearing up for the awards ceremony; another couple of hours and it’ll be crammed with people cheering, booing, and shouting, a pandemonium in the vein of Triangle of Sadness. I’m sure you’ll have plenty of final thoughts to share tomorrow, Lawrence; for my part, all I’ll say is that the 75th Cannes Film Festival struck me as a relatively underwhelming affair, especially when compared to more ebullient recent editions. The official competition proved particularly disappointing. There are films I look forward to re-watching as soon as possible (Cronenberg...

Out in the jungle, no one can hear you dragging a body around. Mind you, nobody notices much what you do in the city, either. Colombian director Andres Ramirez Pulido’s debut feature, La Jauria, screening in Critics’ Week at Cannes, opens with a grab-bag of images familiar from current Latin American cinema — a couple of teenage boys in neon-lit urban darkness, some elaborate sniffing and nose-wiping, a bike that shouts “stolen” as they careen down a highway — but soon detours into stranger and much more remote territory. One thing you can be sure of: wherever they are, these boys are going to be in trouble.

Where they are, once that opening sequence has set a scene that will immediately be ripped from beneath our feet, is mysterious. Eliu (Jhojan Estiven Jiminez) previously seen under a streetlight with a bottle in his hand, is one of a gang working around a decrepit hacienda,...