Notizie

In an age in Philippine cinema where filmmakers and their films are thirsting for a local market at the risk of solely relying on the international film festival circuit for an audience, a genre of films persisted, with a captive market that was loyal to it no matter how technically inept and creatively insipid the films were. Queer cinema took over the space the titillating films of the nineties outgrew. Initiated by Cris Pablo's ultra-low budget meditations on the gay lifestyle that were shot on digital video, these queer films were mostly independently produced, a quality that separated it from the sex-oriented films of the nineties which were heavily supported by the country's profit-hungry mainstream film studios. As a result of the genre's indisputable profitability, which in turn opened it to exploitation by more enterprising producers who opt to concentrate on what drew viewers to pay and watch, which...