With Stephen Tobolowsky, she co-wrote David Bryne's "True Stories". Tobolowsky documents much of their time together on his podcast "The Tobolowsky Files".
Compared to being a playwright, when you're on the set you're really not meant to talk to people or give any advice. In theater you have more of a relationship with the director. You can say things to the actor. If the movie gets made, there's something so beautiful about it being seen all over the world. [With Crimini del cuore (1986)] you made a lot more money. That was to my liking.
