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Notizie

Mário Barroso

Al diavolo la morte (1990)
NYFF Revivals announced by Anne-Katrin Titze - 2022-08-24 19:53:45
Al diavolo la morte (1990)
Pathé’s 4K restoration of No Fear No Die is a highlight of the Revivals program Photo: Anne-Katrin Titze

Film at Lincoln Center has announced the Revivals selections of the 60th New York Film Festival. Highlights include Pedro Costa’s O Sangue (Blood); Jean Eustache’s The Mother and the Whore, starring Jean-Pierre Léaud, Bernadette Lafont, and Françoise Lebrun; Jacques Tourneur’s Canyon Passage starring Brian Donlevy (with Martin Scorsese and Steven Spielberg consulting on this restoration); Claire Denis’s No Fear No Die with Isaach De Bankole, Alex Descas, and Jean-Claude Brialy; Mikko Niskanen’s Eight Deadly Shots; Manoel de Oliveira’s The Day Of Despair on the life of Camilo Castelo Branco, played by Mario Barroso; Edward Yang’s A Confucian Confusion starring Ni Shujun, and Balufu Bakupu-Kanyinda’s Le Damier, screening with Radu Jude’s short The Potemkinists (in the Currents program).

The 60th New York Film...
Vedi l'articolo completo su eyeforfilm.co.uk
  • 24/08/2022
  • di Anne-Katrin Titze
  • eyeforfilm.co.uk
Manoel de Oliveira
Francisca Review: Manoel de Oliveira’s Epic is an Achievement in Nearly Every Frame
Manoel de Oliveira
Cinematic representations of passion usually involve hot color schemes, sweaty images and fiery emotions, symbols of riveting and uncontrollable desire. In his 1981 masterpiece Francisca, a sprawling adaptation of Agustina Bessa-Luís’s novel Fanny Owen—itself based on true events—master filmmaker Manoel de Oliveira devilishly internalizes these melodramatic tropes, draping them in the opulent textures, swirling mustaches, and snooty stubbornness of 1850s high-society Portugal. Its key characters speak of love and lust, but each remains more beholden to the rigorous expectations of social protocols than anything else.

Their repressed emotions are left to stagnate as time passes. Free-spiritedness cannot exist in such a suspended state of ornate equilibrium, and so life becomes nothing more than mechanized routine. Like many of his generation, twenty-something José Agusto (Diogo Dória) has grown up in a state of national volatility, as Portugal transitions from the reign of Dom João VI to a society split between “liberalism and absolutism,...
Vedi l'articolo completo su The Film Stage
  • 14/11/2020
  • di Glenn Heath Jr.
  • The Film Stage
Barry Levinson in The Bay (2012)
Venice unveils festival lineup
Barry Levinson in The Bay (2012)
The 71st Venice Film Festival announced its lineup this morning, highlighted by films from American directors, including David Gordon Green, Barry Levinson, Peter Bogdanovich, Lisa Cholodenko, Andrew Niccol, and James Franco. As had been previously announced, Alejandro González Iñárritu’s Birdman, starring Michael Keaton and many others, will be the opening film when the festival begins on Aug. 27.

Click below for the entire list of 55 films playing in Venice.

Competition

The Cut, directed by Fatih Akin

Starring Tahar Rahim, Akin Gazi, Simon Abkarian, George Georgiou

A Pigeon Sat On A Branch Reflecting On Existence, directed by Roy Andersson

Starring Holger Andersson,...
Vedi l'articolo completo su EW - Inside Movies
  • 24/07/2014
  • di Jeff Labrecque
  • EW - Inside Movies
Academy Award’s foreign-language film submissions
The October 1st deadline for all countries wanting into the Academy Award's foreign-language film category has come and gone. According to IndieWIRE [1], The United Kingdom, which has predominantly submitted Welsh films over the years (if submitting at all), has surprisingly chosen the documentary Afghan Star as its 2009 submission for the Academy Awards. The last time the country received a nomination in this category was in 1999, when Paul Morrison's Welsh and Yiddish Solomon and Gaenor lost out to Pedro Almodovar's All About My Mother. Synopsis After 30 years of war and Taliban rule, pop Idol has come to Afghanistan. Millions are watching the TV series 'Afghan Star' and voting for their favorite singers by mobile phone. For many this is their first encounter with democracy. This timely film follows the dramatic stories of four contestants as they risk all to become the nation's favorite singer. But will they...
Vedi l'articolo completo su SoundOnSight
  • 08/10/2009
  • di Ricky
  • SoundOnSight
Oscar 2005: Best Foreign-Language Film Entries (Mexico to Venezuela)
Oscar 2005: Best Foreign-Language Film Entries (Afghanistan to China) Oscar 2005: Best Foreign-Language Film Entries (Croatia to Malaysia) Mexico, Innocent Voices, Luis Mandoki, director; The Netherlands, Simon, Eddy Terstall, director; Norway, Hawaii, Oslo, Erik Poppe, director; Palestine, The Olive Harvest, Hanna Elias, director; Philippines, Crying Ladies, Mark Meily, director; Poland, The Welts, Magdalena Piekorz, director; Portugal, The Miracle According to Salomé, Mário Barroso, director; Romania, Orient-Express, Sergiu Nicolaescu, director; Russia, Night Watch, Timolir Bekmambetov, director; Serbia and Montenegro, Goose Feather, Ljubiša Samardic, director; Slovenia, Beneath Her Window, Metod Pevec, director; South Africa, Yesterday, Darrell Roodt, director; Spain, The Sea Inside, Alejandro Amenabar, director; Sweden, As in Heaven, Kay Pollak, director; Switzerland, Mein Name Ist Bach, Dominique de Rivaz, director; Taiwan, 20 : 30 : 40, Sylvia Chang, director; Thailand, The Overture, Itthisoontorn Vichailak, director; Uruguay, Whisky, Juan Pablo Rebella, Pablo Stoll, directors; Venezuela, [...]...
Vedi l'articolo completo su Alt Film Guide
  • 19/04/2009
  • di Andre Soares
  • Alt Film Guide
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