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Chet Atkins

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Chet Atkins

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  • Years from now, after I'm gone, someone will listen to what I've done and know I was here. They may not know or care who I was, but they'll hear my guitars speaking for me.
  • I realized that what I liked, the public would like, too, 'cause I'm kind of square.
  • Hank Garland was very outspoken and he had a lot of ideas. He didn't take any talk from any producer. If they said something smart to him, his face would get real red and he'd say something back. But he was such a good musician that everyone had a terrible amount of respect for him, so nobody stepped on his toes. He could only help you: he was so good, he could never hurt you.
  • [on the first time he heard Hank Garland] I was in Knoxville, and I heard this chorus. I don't recall the artist now, but I remember then that I thought it was the greatest guitar chorus I'd ever heard, so I checked around and found out it was Hank Garland who played it.
  • [on producing records with Jim Reeves, aka "Gentleman Jim", who joined RCA in 1955 after recording several years for Abbott Records] When I first met and started working with him, he was singing too high. He was a great baritone, but he wasn't a very good tenor. I always tried to keep him down in a low key, because when he did that, he sounded wonderful to me. He knew I liked it when he sang in that low key, but occasionally he'd kid me a little and pitch it up a little too high.
  • Everything I've ever done was out of fear of being mediocre.
  • Once when I was on a cruise ship I was practicing on deck and drew a little crowd. When I was done, one lady told me "You're good but you're no Chet Atkins."
  • I was more interested in my guitar than the fiddle and I'd fool around practicing whenever I could. One time the radio-station boss heard me playing my guitar in the back seat of his car. He told me to throw away the fiddle for good and he'd give me a job playing guitar.

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