Disney has created hundreds of cinematic masterpieces with over a century of classics. However, even the best of these incredible stories have some glaring plot holes. And once fans find out about these story mistakes, it's difficult to forget.
While most are understandable as its in service of a more fun and lighthearted story, these plot holes are still big enough for fans to never look at their favorite films the same way again.
Cruella Should Have Been an Original Character
Disney's Cruella was a fun, wild ride, but not everything added up enough to connect to the original to make it a great film.
How Do Anita And Roger Take Care Of 101 Dalmations? One Hundred and One Dalmatians (1961)
One Hundred and One Dalmatians probably has one of the most adorably ridiculous movie premises of all time. In the film, married couple, Roger and Anita, start with their two dogs,...
While most are understandable as its in service of a more fun and lighthearted story, these plot holes are still big enough for fans to never look at their favorite films the same way again.
Cruella Should Have Been an Original Character
Disney's Cruella was a fun, wild ride, but not everything added up enough to connect to the original to make it a great film.
How Do Anita And Roger Take Care Of 101 Dalmations? One Hundred and One Dalmatians (1961)
One Hundred and One Dalmatians probably has one of the most adorably ridiculous movie premises of all time. In the film, married couple, Roger and Anita, start with their two dogs,...
- 01/01/2025
- di Zack Wilson
- CBR
Some of the best Disney characters of all time are the villains. From the antagonists of some of their most beloved hits, like Jafar (Jonathan Freeman) and Gaston (Richard White), to less appreciated baddies like Mad Madam Mim (Martha Wentworth) and Dr. Facilier (Keith David), it's clear that having a strong villain is an important factor in making a memorable Disney film.
- 03/08/2024
- di James Fisher-Clegg
- Collider.com
Click here to read the full article.
On July 2, 1946, director-star Orson Welles unveiled noir film The Stranger in Los Angeles. The film went on to earn a nomination in the writing category at the 19th Academy Awards. The Hollywood Reporter’s original review, titled “‘The Stranger’ Will Know High Boxoffice Returns,” is below:
In The Stranger, International Pictures delivers the sixth and final feature for release through Rko-Radio. It is an entertainment of the same high quality that has distinguished previous product by the Leo Spitz-William Goetz organization which will schedule future releases through United World Pictures. Produced by S. P. Eagle and directed by Orson Welles, who with Edward C. Robinson and Loretta Young comprise the trio of stars, boxoffice expectancies are exceptionally strong for this tense and suspenseful melodrama. It starts out on the note of a chase, thoughtfully develops every possible punch, builds legitimate interest in the...
On July 2, 1946, director-star Orson Welles unveiled noir film The Stranger in Los Angeles. The film went on to earn a nomination in the writing category at the 19th Academy Awards. The Hollywood Reporter’s original review, titled “‘The Stranger’ Will Know High Boxoffice Returns,” is below:
In The Stranger, International Pictures delivers the sixth and final feature for release through Rko-Radio. It is an entertainment of the same high quality that has distinguished previous product by the Leo Spitz-William Goetz organization which will schedule future releases through United World Pictures. Produced by S. P. Eagle and directed by Orson Welles, who with Edward C. Robinson and Loretta Young comprise the trio of stars, boxoffice expectancies are exceptionally strong for this tense and suspenseful melodrama. It starts out on the note of a chase, thoughtfully develops every possible punch, builds legitimate interest in the...
- 02/07/2022
- di Jack D. Grant
- The Hollywood Reporter - Movie News
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