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Dalton Trumbo in Il buio nell'anima (2007)

Biografia

Dalton Trumbo

Modifica

Panoramica

  • Data di nascita
    9 dicembre 1905 · Montrose, Colorado, Stati Uniti
  • Data di morte
    10 settembre 1976 · Los Angeles, California, Stati Uniti (attacco cardiaco)
  • Nome alla nascita
    James Dalton Trumbo
  • Altezza
    1,75 m

Biografia

    • Dalton Trumbo è nato il 9 dicembre 1905. Luogo di nascita: Usa. È conosciuto come sceneggiatore e attore. È celebre per aver partecipato a Vacanze romane (1953), Papillon (1973) e E Johnny prese il fucile (1971). È stata sposato con Cleo Beth Fincher. Morì il 10 settembre 1976. Luogo di morte: Usa.

Famiglia

  • Coniuge
      Cleo Beth Fincher(13 marzo 1938 - 10 settembre 1976) (morte del marito, 3 bambini)
  • Bambini
      Christopher Trumbo
  • Genitori
      Maud Trumbo
      Orus Bonham Trumbo

Quiz

  • Was finally honored with an Oscar for the screenplay of Vacanze romane (1953) in 1993, 16 years after his death. Unable to write under his own name during the blacklist, Trumbo used "fronts" during the 1950s, the years in which, ironically, he wrote his best scripts. For Vacanze romane (1953) Trumbo used his friend Ian McLellan Hunter as a front. The Academy of Motion Picture Arts & Sciences (which had supported the blacklist) awarded Trumbo a belated Oscar for his other blacklist-era Academy Award winner, La più grande corrida (1956), in 1975, before his death.
  • His screenplay for La più grande corrida (1956) won the Oscar for Best Writing, Motion Picture Story in 1958. The screenplay was credited to Robert Rich, who was not at the Academy Award ceremony and was not a member of the Screen Writers Guild. It turned out that Rich was a nephew of the producers of the film, who denied the rumors that the screenplay actually had been written by a blacklisted screenwriter. After Otto Preminger and Kirk Douglas broke the blacklist in 1959 by hiring Trumbo, it was revealed that the screenplay for "The Brave One" actually had been written by him. Trumbo received his Oscar on May 2, 1975, shortly before his death, but the official screen credit was not changed until many years later.
  • Portrayed in the off-Broadway play "Trumbo", written by son Christopher Trumbo and adapted from Trumbo's letters. While at New York's Westside Theatre/Downstairs, Trumbo has been played by Nathan Lane, Eddie Izzard, Chris Cooper and F. Murray Abraham, among others.
  • Blacklisted in 1950s; one of the Hollywood Ten.
  • Writer-producer James Kevin McGuinness, a right-winger who was a friendly witness before the House Un-American Activities Committee, testified that left-wing screenwriters did not inject propaganda into their movie scripts during World War II. "[The movie industry] profited from reverse lend-lease because during the [war] the Communist and Communist-inclined writers in the motion picture industry were given leave of absence to be patriotic. During that time . . . under my general supervision Dalton Trumbo wrote two magnificent patriotic scripts, Joe il pilota (1943) and Missione segreta (1944)".

Citazioni

  • [February 1940] If they say to us, "We must fight this war to preserve democracy", let us say to them, "There is no such thing as democracy in time of war. It is a lie, a deliberate deception to lead us to our own destruction. We will not die in order that our children may inherit a permanent military dictatorship".
  • [1970, accepting the Screen Writers Guild Laurel Award] The blacklist was a time of evil, and no one on either side who survived it came through untouched by evil. Caught in a situation that had passed beyond the control of mere individuals, each person reacted as his nature, his needs, his convictions, and his particular circumstances compelled him to. There was bad faith and good, honesty and dishonesty, courage and cowardice, selflessness and opportunism, wisdom and stupidity, good and bad on both sides. When you who are in your 40s or younger look back with curiosity on that dark time, as I think occasionally you should, it will do no good to search for villains or heroes or saints or devils because there were none; there were only victims. Some suffered less than others, some grew and some diminished, but in the final tally we were all victims because almost without exception each of us felt compelled to say things he did not want to say, to do things that he did not want to do, to deliver and receive wounds he truly did not want to exchange. That is why none of us--right, left, or center--emerged from that long nightmare without sin.
  • I begin to realize why people believe that Hollywood corrupts writers. But they're quite wrong. All Hollywood does is give them enough money so they can get married and have kids like normal people. But it's the getting married and having kids that really corrupts them.
  • The art of lying is the art of the practical. It ought never be indulged in for the pure pleasure of the thing, since over-usage dulls the instrument, corrodes the character and despoils the spirit. The important thing about a lie is not that it be interesting, fanciful, graceful or event pleasant but that it be believed. Curb, therefore, your imagination. Let the lie be delivered full-face, eye to eye, and without scratching of the scalp. Let it be blunt and forthright and so simple that you can repeat it in detail and under oath ten years hence. But let it, for all its simplicity, contain one fantastical element of creative ingenuity--one and no more--designed to capture the attention of the listener and to convince him that, since co one would dare to invent the improbability you have inserted, its mere existence places the stamp of truth upon everything that you have said. If you cannot tell a believable lie, cling then to truth which is always our secret succor in times of need, and manfully accept the consequences.

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