Uruguayan director Gustavo Hernandez made a splash in 2010 with “La casa muda,” a haunted-house thriller with the conceptual novelty of being ostensibly shot in a single, real-time take. Now, with his third feature, “You Shall Not Sleep,” Hernandez moves into the mainstream of Spanish-language genre cinema, with a budget to match, but theresult is too glossy, contrived, and dependent on rote jump scares to raise much of a fright.
No-budget “Casa Muda” had a clammy, ominous atmosphere; “We Shall Not Sleep,” despite good art direction and an abandoned-asylum setting, feels like a convoluted and inorganic rehash of horror tropes from the start. That shouldn’t hurt its commercial prospects (it’s already opened in some South American countries and sold to other territories), but one hopes Hernandez regains some degree of creative idiosyncrasy in the future.
In outline, at least, “Sleep” appears cut from the same conceptual cloth as the director’s prior work,...
No-budget “Casa Muda” had a clammy, ominous atmosphere; “We Shall Not Sleep,” despite good art direction and an abandoned-asylum setting, feels like a convoluted and inorganic rehash of horror tropes from the start. That shouldn’t hurt its commercial prospects (it’s already opened in some South American countries and sold to other territories), but one hopes Hernandez regains some degree of creative idiosyncrasy in the future.
In outline, at least, “Sleep” appears cut from the same conceptual cloth as the director’s prior work,...
- 24/04/2018
- di Dennis Harvey
- Variety Film + TV
IMDb.com, Inc. non si assume alcuna responsabilità per il contenuto o l’accuratezza degli articoli di notizie, dei tweet o dei post del blog sopra riportati. Questo contenuto è pubblicato solo per l’intrattenimento dei nostri utenti. Gli articoli di notizie, i tweet e i post del blog non rappresentano le opinioni di IMDb e non possiamo garantire che le informazioni ivi riportate siano completamente aderenti ai fatti. Visita la fonte responsabile dell’articolo in questione per segnalare eventuali dubbi relativi al contenuto o all'accuratezza.