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Fakhri Khorvash

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Fakhri Khorvash

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  • In 1948, her role in the play Dirty Hands (by Jean-Paul Sartre) was acclaimed and she was encouraged to also look at the cinema.
  • Her last film, A Little Kiss was released in 2005.
  • She had never acted in a television series before 1979, though she had directed episodes of the long-running serial Qamar Khanoum's House (1967-1971).
  • She finished high school at 16 and entered collage to pursue her dream of becoming a doctor. She was working as a teacher when she was chosen by the Bachelor Society to act in a play. Her outstanding performance brought her offers to participate in other plays. Since then, she has appeared in many films and collaborated with well-known names such as Jamshid Mashayekhi, Ezzatollah Entezami, Jamileh Sheikhi, Rokneddin Khosravi, Jafar Vaali, and Abbas Javanmard to bring different plays to life on the small or big screen.
  • Although she performed in the theatre and in cinema in parallel, she was not keen to switch to the silver screen completely in her earlier years.
  • Fakhri Khorvash was an Iranian stage and film actress and director.
  • In 1976, Khorvash starred in Mohammad Reza Aslani's Chess of the Wind (Shatranj-e Baad). Criticising the royal government and featuring understated homosexuality as well a strong female protagonist, it was suppressed after only two screenings. The reels were feared lost and only resurfaced in 2014. Khorvash played a paraplegic woman who is hounded by various relatives to give up her fortune.
  • She received the best actress award at the Sepas Film Festival in 1971 for her performance in the film Mr. Naive.
  • Although women were already becoming prominent in Iranian dramatics, her decision to take to the stage estranged her from her parents for several years. However, she received support from her husband and was able to pursue her acting career.
  • Khorvash's performance in Prince Ehtejab (1974) as the hapless maid forced by the eponymous prince to pretend to be his wife was well-received.
  • By 1972, the Iranian Ministry of Cultural Affairs had imposed strict guidelines in the depiction of nudity and sexual relations. A genre of popular film called filmfarsi constantly pushed against the boundaries. Inspired by, and competing in the popular space with, sexually overt European cinema, filmfarsi attempted to sell the erotic to the masses. In the advertisements for the 1973 film Chaos, Khorvash's photograph appeared in which she posed on her knees in underwear.Her role was one of several wives of the protagonist, a middle-aged man, who despite being unattractive somehow managed to find women to have sex with.
  • In 1958, she acted in her first film, Bohloul.
  • In 2010, Khorvash began to live in the United States to be closer to her children. She was honored for her lifetime achievements at the Iranian Film Festival in San Francisco that year.
  • Khorvash's reputation and ability made her one of the few actors in Iranian cinema to continue her career in cinema in the period after the Iranian revolution.
  • She attended university intending to train as a doctor. However, she became a teacher in Tehran, at which point she began performing in theatre.

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