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Uno sguardo dall'interno sulle famiglie criminali moderne in Italia.

In modern Mexico, a malevolent spirit targets a family, linking tragic past events of abandoned, infanticidal mothers to a possessed intruder's attempt to sacrifice their son.

A playwright boasts he can commit a perfect crime in front of his friends, a police chief, a physician and a theater owner. Later, when the playwright's wife disappears, foul play is suspected. Did he murder her?

Lucas, typical average Spaniard, shy, gray and repressed, is married to sanctimonious Enriqueta, so he is always aware of other women, although the couple are already parents of nine children, which is why Lucas will do the unspeakable to convince his wife to take the contraceptive pill, something practically sinful for a practicing Catholic like Enriqueta.

As the title of the film indicates, this film starts with pink - a story about a teenage boy who falls in love with a girl of his very same age but more mature, and goes on to yellow, the love between two elders that are not allowed to see each other.

Lorenzo is a young man who has just returned to Salamanca (Spain) from England, where he fell in love with Berta, a girl daughter of exiled parents who have never seen Spain. Lorenzo tries through some beautiful letters that she understands how is the world where her parents once lived.

David Lugani live in a house with his wife, his brother Charles, paralyzed, blind and dumb, and Secretary Paul. Brother seems to have a special ability, which would allow him to perceive and predict disasters.

Andrés, son of a famous pianist, discovers the corpse of a tuner killed in his shop, located in the basement of his house. Then a suspect leaves, but in the fear of possible reprisals he doesn't tell anything to the police, only to his wife Laura. From that moment on, Andrés feels threatened and persecuted.

The city holds a much different future than these country boys expected.

Rocío, daughter of a humble Andalusian family, is very happy because the end of the mourning that she has to save for the death of her grandmother arrives. At last she will be able to marry with Rafael, her boyfriend, since they had to postpone the wedding due to granny's death. But next day, her grandfather eats too much at a baptism, and dies of indigestion. Again, Rocío has to mourn and postpone the wedding.

Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.

After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.

The wasteful Ferenc Noszty gets into serious trouble when even his family can't help him pay back his debts. There seems to be no other way, so they find him a rich girl to marry.

Manoli and Fernando are a couple of communist ideas which wants to live their love freely running away from any bourgeois convention. At first, the couple refuses the help from Manoli's parents, but soon they begin to give and to accept all kinds of amenities.

María belongs to the upper bourgeoisie and has always had everything in life, even a brilliant, educated husband; in short, an intellectual to presume. Alejandro, on the other hand, has been going up day by day, he has grown up with his work, believing in himself -he is an economist- he has fought with all his strength to achieve a higher social level and he has succeeded. He is a professor in the University, executive of a great company, owner, in short, of a beautiful villa in the outskirts. But he is, nevertheless, in the critical age, in the age of taking stock of his past, of justifying himself. And the truth is that, despite his material triumph, he is not happy, there is no reason to be in his participation in society, he is not satisfied with anything. It is, in a word, a step away from his inner failure. In this situation he discovers, in turn, that María accuses him of having dedicated more time to succeed than to love her.