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A young gay student has a relationship with an older successful businessman. The handsome playboy-businessman must choose between his comfortable, yet straight, life or an honest, yet subversive, life with the student.

Three youths who studied abroad in Canada all return to Hong Kong. They cramp into a cheap Tsimshatsui motel and begin a first come first serve competition of love.

The story of seven people stuck on a remote island, quarantined by the government due to a viral outbreak.

A man comes to Hong Kong and becomes deeply in love with a girl. He watches when this girl has a passionate relationship with her boyfriend. As he approaches her life, he begins to notice that he is becoming more and more in love with the boyfriend instead.

Stanley Kwan's view in this film is both personal and collective memories towards Hong Kong in 1997. He cites one famous line from Cantonese opera "Princess Chang Ping", "I deny, I deny, but in the end I cannot deny" as a metaphor for Hong Kongers' troubled minds when they have to recognize their identity as Chinese. To make a statement of the theme, Kwan adopts a complicated structure, mixing excerpts from his previous films, his stage play, even the soundtrack of Wong Kar-wai's Days of Being Wild.