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- The Caravana Rolidei rolls into town with the Gypsy Lord at the mike: he does magic tricks, the erotic Salomé dances, and the mute Swallow performs feats of strength. A young accordion player is completely enamored of Salomé, and he begs to come along. The Gypsy Lord shrugs, and the accordionist and his pregnant wife, Dasdô, join the troupe. Television is their enemy as they go from the coast deep into the Amazon. Salomé lets the accordion player sleep with her once, with Dasdô's knowledge. He's moon-struck. Then, after Dasdô's baby is born and financial disaster hits the troupe, and the accordionist must choose between seeing his wife a prostitute and leaving the caravan.
- When a pedestrian is hit by a bus, simple clerk Arandir runs and kisses the body in a gesture of sympathy and unconditional pure love. The opportunist scum photographer Amado Pinheiro witnesses the scene and sees the opportunity to sell newspaper and together with the despicable and abusive chief of police Cunha, they accuse Arandir of homosexuality. Further, they say that the victim was his lover and Arandir killed him out of jealousy. Meanwhile, his father-in-law Aprígio who does not like him goes to the suburban village to tell his daughters, Arandir's beloved wife Selminha and her sister Dália, that Arandir is at the police station. The next morning, when the newspapers are distributed, Arandir is in the headline and later is humiliated in his work and in the village where his family lives. While Amado and Cunha manipulate the event and witnesses, common bigoted people believe that Arandir is gay and a killer, with tragic consequences.
- In 1594 in Brazil, the Tupinambás Indians are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman (Arduíno Colassanti) is captured by the Tupinambás and, in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe (Ana Maria Magalhães). *Contains Spoilers* Later, he uses powder in the cannons that the Portuguese left behind to defeat the Tupiniquins in a battle. In order to celebrate the victory, the Indians decide to eat him.
- In São Paulo, a married woman in her 30s lives with husband and two children; she's Fernanda, an interior designer. Shortly after her father's death, a vivid dream disorients her: she dances with a man in women's clothing. The next day, she meets a young man who looks like the man in her dreams; he's Miguel, a male prostitute who lives with a transvestite, Bom-Bom. Miguel steals money from Fernanda's purse, but still she seeks him out. When her husband goes to New York for a week, Fernanda goes off with Miguel to the coast, in search of pleasure. Using her money, Miguel tries to set himself up as a cocaine dealer. Is this Fernanda's new life?
- Documentary about the most famous dribbler in Brazilian Soccer (some say in Soccer's history!) at the zenith of his career, showing classic scenes of 1958 and 1962 World Cup. Garrincha was a very original and talented player, having curved legs. Women and alcohol were his passion, and the cause of his later decadence. After a glorious career, he died in financial misery, forgotten.
- Rio de Janeiro police investigator Galvão is pursuing two trails, one professional and one personal. While he tracks a serial killer of taxi drivers, he also seeks his estranged daughter, Sandra, whom he had thrown out of the family home when she adopted a promiscuous teenage lifestyle. Lives intersect when the serial killer, Toninho, a young man of unsavoury connections, befriends Sandra, now an exotic dancer and prostitute living and working in the seamy underside of late 1970s Rio. Theirs is an unstable relationship, built on unmet emotional need, lived in the shadow of her father's pursuit.
