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Air Force Two revisits the prison scene featured in "Air Force One", filmed at the original location of the Ohio State Reformatory in Mansfield, Ohio.

Set in the 1970's, Hampton follows Black Voices, a gospel choir based at the University of Virginia, as it prepares for a performance in Hampton Roads, embarks on a two-hour bus ride to the concert venue, and then returns to campus after a triumphant performance. With a particular focus on the bus driver (Sandy Williams IV), the film captures the wide range of processes, relationships, emotions, and formal gestures operating in African-American gospel music.

It Seems to Hang On is based on the true story of the serial killers Alton Coleman and Debra Brown, a young Black couple who cut a violent path beginning in the summer of 1984 through the American Midwest (Ohio, Kentucky, Michigan, Indiana, Illinois and Wisconsin). The dialogue spoken in the film is inspired and based on lyrics from the American soul duo (and couple) Ashford and Simpson's 1979 hit song "It Seems to Hang On". The lyrics refer to a couple struggling to hang on or to be together thought adversity. Filmmaker Kevin Jerome Everson's strategy was to make a film about a desperate, violent but loving couple on the run from the law. The film was shot in and around the city of Detroit, and area where Coleman and Brown committed several murders. Their crimes were horrific, and their victims were Black with the exception of one white woman, a murder that eventually led to Coleman's conviction and execution. Alton Coleman was executed in 2002. Debra Brown is doing life in a prison in Indiana. Coleman was born in 1956 in Waukegan, Illinois near Wisconsin. Debra Brown was born in 1962 in Ohio. There is no current documentation on how they met.

"How Can I Ever Be Late" takes the tarmac arrival of Sly and the Family Stone as a point of departure: African American students of the University of Virginia greet the band at the airport in 1973.

Lake Idlewild, in the idyllic Black resort town of Idlewild, Michigan, is where Danielle Thesiger rows.

Park Lanes is a film that depicts the workaday routine of a factory in Virginia. It is a durational work, eight hours in length, experienced in real time. The title refers to the name of the Mansfield, Ohio bowling alley frequented by the filmmaker and his family.

During an Ear, Nose and Throat examination, Shadeena Brooks recounts a horrible event that she eye witnessed.

"Rhinoceros" (Rinoceronte) involves the fascinating figure of Alessandro de Medici (played by Justin Randolph Thompson) as he makes a passionate appeal to rally the good people of Florence. Shot in the Villa la Pietra in Florence, in black and white video, and spoken in Italian, the film resembles a televised broadcast in the last days of Muammar Gaddafi. This short film sets the stage for Everson's upcoming feature, "Rhino" that will examine the parallel worlds of politics and performance in sixteenth century Italy and twentieth century Hollywood, through the personages of de Medici and the actress Gail Fisher (Mannix).

Tonsler Park (2017) observes, in black and white 16mm, the democratic process in action, at Charlottesville, Virginia voting precincts, over the course of Election Day, November 8, 2016.

'Practice, Practice, Practice' is what Richard Bradley did three times before he took down the confederate flag flying over City Hall in San Francisco, California in the 1980s.

The Island of Saint Matthews is a 16mm feature film about the loss of family history in the form of heirlooms and photographs. Years ago filmmaker Kevin Jerome Everson asked his aunt about old family photographs. Her reply-that "we lost them in the flood" was the catalyst for this film, a poem and paean to the citizens of Westport, a community just west of Columbus, Mississippi, and the direct and oblique remnants of the 1973 flood of the Tombigbee River. Scenarios depicted include a water skier on the Tombigbee; a river baptism; a meeting with an insurance agent about flood coverage; the control room of the lock and dam; the parking lot of a church; the ringing of the St. Matthews bell.

A silent 16mm black and white film that features two magicians in Philadelphia practicing their slight of hand tricks.

Fe26 is a 16mm short film by Kevin Jerome Everson that follows two gentlemen around the East Side of Cleveland, Ohio and examines the tensions between illegal work -in this case, the stealing of manhole covers and copper piping--and the basic survival tactics that exist in areas of high unemployment.

The July 2, 2019 solar eclipse, filmed in 100% totality, over the Chilean coast, in 16mm black and white. Condor is the national bird of Chile.

Two University of Virginia workers share a drink and conversation at a local nightclub. One worker is a phlebotomist and the other is a former EKG technician who has relocated from New Mexico and works now in the university cafeteria. Inspired by the 1973 film "The Mack" starring Max Julian and Richard Pryor.

If You Don't Watch the Way You Move features Derek "Dripp" Whitfield Jr. and Taymond "choSkii" Hughes of the music group BmE composing and recording their latest composition, "Shiesty", in the Columbus, Mississippi studio of Jermaine "Country Blakk" Brown only to be interrupted by a John Cage score.

The anti-Vietnam War Movement from the perspective of budding activist and future U.S. representative James R. Roebuck, a northern-born African American who studied at the University of Virginia during the late 1960s/early 1970s.

Maya Perry waxes poetically about returning the Puerto Rican Crested Toad back to the wild.

The 'Daily Roster' is called into action at a Columbus, Mississippi firehouse. Filmed in 16mm b/w.

Three months in the year 2020 - May June July - are represented with peonies, fireflies and a roller skater.

Sugarcoated Arsenic is a 16mm cinematic exploration of African American intellectual, social, and political life at the University of Virginia during the 1970s. Conceived and written by UVA History Professor and author Claudrena Harold and directed by Harold and UVA Professor of Art, filmmaker/artist Kevin Jerome Everson, the film stars Erin Stewart (the bank teller/race driver in Everson's 2006 feature film "Cinnamon") as Vivian Gordon (the director of UVA's Black Studies program between 1975 and 1980). The film tells the story of African-American women and men who through their public and private gestures sought to create a beloved community that thrived on intellectual exchange, self-critique, and human warmth.

Portrait based on the first cinematic representation of Afro-American intimacy in the 1898 film Something Good-Negro Kiss.

The end of a lovely evening, July 4th weekend, Detroit.

Commissioned by Scribe Video Center as part of the one-hundredth anniversary of the great Black migration in Philadelphia, PA, Eason is loosely based on the life of James Walker Hood Eason (1886-1923) a long time member of the UNIA of Philadelphia.

Stone is getting his hustle on, often and early. A shell game in real time.