Chaves7777

Directed by D.J Caruso

With Shia LaBeouf, Sarah Roemer, Carrie-Ann Moss, David Morse

A rebel without a cause(LaBeouf), is locked in his home for being a bad boy in class -own reason to the death of his father -, he falls in loved but also he found that his neighbor is a mad killer ... and police don't believe him. After an impacting and effective introduction, it simply don't knows what it wants to be. There are really thrilling sequences - but few and unplugged to the premise and mood that Caruso has given. The worst is, funny thing, the better thing: The love story. If this were a romantic teen comedy, it would be superb, but at the hour you know it just was an excuse and not something real important. Is not that the two things can't be tied, but here it seems an independent thing from each other. Besides, you now you have heard this before from Hitchcock. If something is good, well, is Shia LaBeouf, who is at least a sweetie and charming but too a real good actor. Caruso takes his star for his next film, "Eagle Eye".

Directed by Herschell Gordon Lewis With William Kerwin, Mal Arnold,Connie Mason Really stupid camp film about fan of an Egyptian god (Arnold, with all his kind-of gray hair)stalks and kills a go-go girls as a rite while detective Kerwin tries to catch him without know his girlfriend Mason is the next girl on peril. Bad acting, excessive effects (Pure red), stupid script and bad, really bad camera work completes this, now, cult film for being one, if not the first, that start the gore mood. Stands out the color (Named as Bloodcolor here) and, if we must say something good, Kerwin is the only capable of anything. Brings laughs for it's campness, but is really an awful film. Gene Courtier is - of course - Tony, the boy on the beach.

Directed by Robert Redford

With Timothy Hutton, Donald Sutherland, Mary Tyler Moore, Judd Hirsch, Elizabeth McGovern

Directional debut for Redford, based on the novel of Judith Guest, about a dysfunctional family where a young son (Hutton) tries to forget his past, past that hides the uncontrollable hate of his mother (Moore), hate that question her husband (Sutherland)about their marriage. It's a depressive, hard and slow film, but it never goes lost. Is veridical, non melodramatic, thrilling and, at least, human. Everyone are great in their roles, but young 19 year-old Timothy Hutton is more than fantastic. Music adapted by Marvin Hamlisch. Winner of four Academy Awards including Best Picture of the Year.