stubieboy

While most other reviewers slate this show for its 'over-use' of CGI, they're simultaneously ignoring the fact that this is the USP of the programme. It's like complaining there's too much murder in Poirot.

Indeed, special effects replace a long tradition of making intricate or wonderfully shoddy props prevalent in all British sketch shows up to this point and this can be a bit frightening for anyone born after 1984. It would be incredibly easy for this show to lazily leave us marvelling at the pretty visuals but instead backs itself up with excellent writing, with each episode taking a loose theme ranging from darkly humorous to darkly mad, and excellent performances from an extremely varied comic cast (largely devoid of regulars, helping the surrealism along.)

Let there be no misunderstandings, this is a programme aimed at a younger audience with an unnerving sense of humour (thus the scheduling) meaning criticism can largely be put down to this being "a generational thing." In the end, you can probably filter the audience as being anyone who's ever laughed at an internet video not involving a cat. I laughed.