AziziOthmanMY
फ़र॰ 2015 को शामिल हुए
नई प्रोफ़ाइल में आपका स्वागत है
हमारे अपडेट अभी भी डेवलप हो रहे हैं. हालांकि प्रोफ़ाइलका पिछला संस्करण अब उपलब्ध नहीं है, हम सक्रिय रूप से सुधारों पर काम कर रहे हैं, और कुछ अनुपलब्ध सुविधाएं जल्द ही वापस आ जाएंगी! उनकी वापसी के लिए हमारे साथ बने रहें। इस बीच, रेटिंग विश्लेषण अभी भी हमारे iOS और Android ऐप्स पर उपलब्ध है, जो प्रोफ़ाइल पेज पर पाया जाता है. वर्ष और शैली के अनुसार अपने रेटिंग वितरण (ओं) को देखने के लिए, कृपया हमारा नया हेल्प गाइड देखें.
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Marvel's 2025 reboot of Fantastic Four is less about world-ending threats and more about building-or holding onto-a family when everything seems to be falling apart. That might be its strength... or its biggest weakness, depending on who's watching.
There's a noticeable trend emerging from early reactions: audiences who are parents, or have raised children, seem to connect far more deeply with this film than those who haven't. That's not by accident. Director Matt Shakman leans heavily into emotional storytelling, with themes of guardianship, sacrifice, and the ache of watching someone you love grow into their own person. Reed's emotional detachment, Sue's protective instincts, Johnny's recklessness, and Ben's pain-they all hit harder if you've ever had to raise or look after someone vulnerable.
But if you're coming into this as a traditional Marvel fan expecting dynamic action, bold villainy, or a grand multiversal hook, you may walk away disappointed. The pacing often slows to dwell on quiet moments. The film feels oddly grounded for a team that literally rides cosmic rays.
The performances are fine. Pedro Pascal brings gravitas as Reed, Vanessa Kirby gives Sue some much-needed steeliness, and Joseph Quinn as Johnny offers both humor and pathos. But the script doesn't give them enough propulsion. The Fantastic Four spend so much time reacting to each other emotionally that they forget to be fantastic.
Ultimately, Fantastic Four (2025) is a film about parenting disguised as a superhero reboot. And that's the dividing line: if you've lived those emotions-raising kids, protecting a family, or sacrificing your dreams for someone else's future-you may find unexpected depth. But if you're just here for superhero thrills? You might be left checking your watch.
There's a noticeable trend emerging from early reactions: audiences who are parents, or have raised children, seem to connect far more deeply with this film than those who haven't. That's not by accident. Director Matt Shakman leans heavily into emotional storytelling, with themes of guardianship, sacrifice, and the ache of watching someone you love grow into their own person. Reed's emotional detachment, Sue's protective instincts, Johnny's recklessness, and Ben's pain-they all hit harder if you've ever had to raise or look after someone vulnerable.
But if you're coming into this as a traditional Marvel fan expecting dynamic action, bold villainy, or a grand multiversal hook, you may walk away disappointed. The pacing often slows to dwell on quiet moments. The film feels oddly grounded for a team that literally rides cosmic rays.
The performances are fine. Pedro Pascal brings gravitas as Reed, Vanessa Kirby gives Sue some much-needed steeliness, and Joseph Quinn as Johnny offers both humor and pathos. But the script doesn't give them enough propulsion. The Fantastic Four spend so much time reacting to each other emotionally that they forget to be fantastic.
Ultimately, Fantastic Four (2025) is a film about parenting disguised as a superhero reboot. And that's the dividing line: if you've lived those emotions-raising kids, protecting a family, or sacrificing your dreams for someone else's future-you may find unexpected depth. But if you're just here for superhero thrills? You might be left checking your watch.
After Midnight is the kind of show that thinks being online too much counts as a personality. It's an unfunny blend of internet culture references, forced panel banter, and punchlines that sound like rejected tweets from five years ago. Somehow it manages to feel both overproduced and totally directionless - like a BuzzFeed article came to life and won a timeslot.
Instead of clever, spontaneous late-night energy, you get shallow snark and desperate attempts to be "relatable" to the terminally online. And of course, when it dips into politics (which it inevitably does), it leans hard into the same stale left-leaning jabs with zero nuance or originality.
There's no point, no depth, and definitely no reason this show needs to exist other than to fill airtime. At this rate, After Midnight is just marking time before it becomes Afterthought: The Podcast, where former guests try to repackage their bad jokes as ironic commentary.
Instead of clever, spontaneous late-night energy, you get shallow snark and desperate attempts to be "relatable" to the terminally online. And of course, when it dips into politics (which it inevitably does), it leans hard into the same stale left-leaning jabs with zero nuance or originality.
There's no point, no depth, and definitely no reason this show needs to exist other than to fill airtime. At this rate, After Midnight is just marking time before it becomes Afterthought: The Podcast, where former guests try to repackage their bad jokes as ironic commentary.
Once a goofy, apolitical funhouse of celebrity antics and actual jokes, Jimmy Kimmel Live! Has mutated into yet another tired vehicle for partisan snark. Kimmel spends more time sermonizing about politics than actually being funny, and surprise - it's always the same target. If you're not toeing the approved ideological line, prepare to be the butt of yet another lazy monologue.
Gone are the days when late-night comedy had edge, unpredictability, or even the basic courtesy of mocking both sides. Kimmel abandoned all pretense of balance in favor of performative outrage and safe takes that play well on Twitter. Comedy should challenge power - not just the power you don't like.
It's hard to believe people still watch this. But give it time - the ratings drop will catch up, and before you know it, Jimmy will be hosting Jimmy Kimmel: Unfiltered on Spotify, rehashing the same punchless jokes to a podcast audience that barely pretends to laugh.
Gone are the days when late-night comedy had edge, unpredictability, or even the basic courtesy of mocking both sides. Kimmel abandoned all pretense of balance in favor of performative outrage and safe takes that play well on Twitter. Comedy should challenge power - not just the power you don't like.
It's hard to believe people still watch this. But give it time - the ratings drop will catch up, and before you know it, Jimmy will be hosting Jimmy Kimmel: Unfiltered on Spotify, rehashing the same punchless jokes to a podcast audience that barely pretends to laugh.
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