KGB-Greece-Patras

I haven't written a review in IMDb for so long time. This site has helped in so many ways for over 10 years now, thanks for that! I had to return to write a review on this one. I am a fan of horror and my morbid curiosity has me still going after the most extreme films, so I had to see this, reading some pretty reviews in here...

Now, torture horror, why do I keep seeing films like this? I have seen several recent films of this 'genre', as well as the most classic of the old ones, several french ones with pretty good reviews in here, Japanese , American, you name it (Rob Zombie films and french Martyrs among the best of the lot IMO) - many reviewers went as far as to underestimate the importance and value of Saw and Hostel series by calling them mainstream, Hollywood and such.

Well, for me, torture horror does not become better, more arty, less hollywoodish or more extreme by pretentiousness, nor by lack of script. Depth and no extremity alone is what made the better extreme films be the best ones of their kind.

Torture alone with no script is no proof of a creators authenticity or artiness, rather, it's the proof the torture is used for commercial reasons aiming to viewers that "have seen it all". Don't get this wrong, this is not all bad, but in my eyes it's a cheap excuse to see some more torture. No catharsis, no deep characters, acting is OK though.

Most of the torture horror I have seen seems to hope to become something important by being only torture horror with no script (AKA why do the villains do what they do? is there depth in them?). So most of the times the 'script' is so thin it's insulting, so I'd better watch Grotesque (2009) again, than this: it doesn't try at all to be something else from what it is: torture porn for people who've seen it all in such a degree, so that a script might work as a distraction from the torture.

Grotesque has to be one of the most sincere ones, and one of those that makes you feel real dirty after watching. Not the way Hostel or Saw made you feel, as those are entertaining. The loved ones just didn't live up to its premise for me. Doesn't qualify as a decent film, only as torture horror.

I would only recommend this for torture horror fans, and then again, there are much better films to make you feel sick and depraved for watching or whatever it is you are looking for in such a film.

All in all, "The loved ones" has decent acting. But whats the point if you got a no-story? Torture porn / torture horror 'subgenre' failed to become even a small fraction of the masterpieces that are Saw and Hostel. Maybe because it became a subgenre, while the whole point of it was the horror.

The horror in torture comes from both the tortured one and the torturer. So the most recent films decided to prevent us from seeing the torturers point of view, thus the horror degraded into 'porn' for torture porn freaks.

Even some of the recent euro-films of this kind has this fault - we don't get to see enough of the bad guys motivations.

See only if you have to.

Not being a fan of exploitation films, but for years after violent, extreme, provocative films in general, I stumbled upon this little flick from the 1968. I hadn't yet seen any other film from Herschell Gordon Lewis {shame!), so I thought I should give it try.

It's quite strange this is not more popular, because, if this is what Herschell Gordon Lewis films feel like, then I would like to see more. It is probably one of the earliest samples of mindless politically incorrect cinema done pretty sloppy but effectively, a classic exploitation, if you ask me, and even if you regularly don't take it too seriously, it's quite daring for 1968. Some scenes might raise a smile to some, intentionally or not.

So, this quite unknown film is recommended for those after a nice old party film for a night with friends, pizza and beers {the music just feels great with this one), exploitation fans {this is a must) and in general, those who are looking for mindless fun, not shocked by somewhat explicit material.

Well, let me say that this Troma feature is unlike everything I have seen, an a-typical Troma. This is actually meant to be a lot more serious that the average Troma, and it works fine as a decent semi-exploitation film. I am a fan of Troma films but not really an exploitation enthousiast. The acting is pretty decent. Humorous moments are not a lot, actually they are quite a few. There is some nudity (after all you 're watching a woman-in-prison film...) and a generous amount of violence and sadism. I don't really recommend you to watch it expecting much fun, and if you are looking for casual Troma weirdness & fun, you won't find too much.

Exploitation / woman-in-prison flick enthousiasts , this is a must to discover!!!! You are sure to enjoy it much more than I did.