Minority_Report
जून 2001 को शामिल हुए
नई प्रोफ़ाइल में आपका स्वागत है
हमारे अपडेट अभी भी डेवलप हो रहे हैं. हालांकि प्रोफ़ाइलका पिछला संस्करण अब उपलब्ध नहीं है, हम सक्रिय रूप से सुधारों पर काम कर रहे हैं, और कुछ अनुपलब्ध सुविधाएं जल्द ही वापस आ जाएंगी! उनकी वापसी के लिए हमारे साथ बने रहें। इस बीच, रेटिंग विश्लेषण अभी भी हमारे iOS और Android ऐप्स पर उपलब्ध है, जो प्रोफ़ाइल पेज पर पाया जाता है. वर्ष और शैली के अनुसार अपने रेटिंग वितरण (ओं) को देखने के लिए, कृपया हमारा नया हेल्प गाइड देखें.
बैज2
बैज कमाने का तरीका जानने के लिए, यहां बैज सहायता पेज जाएं.
समीक्षाएं11
Minority_Reportकी रेटिंग
I regard this as a classic war movie! It's fun, good acting, more fun, and factually correct, well up to a point of course! What I like about it, and what I feel makes it original, is that not many films were made about Laos, and also its a cheerful take on war, pretty original for that too I'd say. A good movie i could watch again and again. Excellent music too! 5/5 stars.
Why oh why does Christopher Lambert have to star in such crappy films these days? He used to be in great movies, until recently, but now it is this trash he is reduced to. Arrrgh! Please, no more bad choices like these ones Christopher, or you might as well just give up making movies altogether and go live in Las Vegas or something. This is an insult also to the book, better to spend 1000 days reading the book that 2 hours watching this film.
This is a good movie. It's directed by Kinji Fukasaku who's a top director. There's lashings of style and substance to the film with a pace that never lets up throughout the film. It's like a gritty Pulp Fiction, but with the characters more low-key and more attention paid to the story line. Anyway, a good score, great acting and plenty of fights makes this a must see for anyone keen on the Yakuza or stories like The Limey. The story centers around an undercover cop, who is reassigned to a new precinct and sets out to put the mobsters behind bars. Along the way he gets involved with the people he is trying to put away, finding them to be the victims of fate rather than the villains they appear to be. This part of the story is offset around a larger picture of police corruption with the Yakuza pulling their strings. A cinematic masterpiece by a fascinating director.