pathaniav

Regional cinema in India (that excludes Bollywood and the big mainstream Tamil and Telugu movies) occasionally yields little gems like this flick. I heard of it on a news program towards the end of 2014 - the anchor was listing her favorites from the year gone by and she mentioned this as a must-watch inter-caste school love story. That is not quite accurate - the love is deep but one-sided, unrequited, and as one realizes early on, rather hopeless. A low- caste school boy is smitten by the pretty high caste girl that he sees in school every day but centuries of caste stigma are not easily shaken off by sharing the same classroom. The low caste family is routinely humiliated and called upon to trap the wild pigs that roam the village - the rest of the villagers consider the pigs unclean and any contact with the pigs impure. The boy rages against the caste trap and his own father for forcing him to take part in trapping pigs. The movie unfolds slowly for most of its running time, and the high caste characters are almost caricatures in their cruel callousness. Yet, the movie comes alive with a brutal brilliance in the last 10 minutes as shame and fury collide within the tormented boy in an explosive climax. The very last scene is like a punch in the stomach as the raging boy seems to hurl a stone at the audience itself for being mute spectators to injustice.

I am a big fan of film noir from the 50s, and so I picked this for a Sunday evening watch. However, Detective Story does not really fall in that genre. This movie is much more than stylish - it has oodles of substance. The story unfolds largely within the confines of a police station and much of the action occurs within one large room. The pacing is brisk, and most of the characters are introduced fairly early. Kirk Douglas turns in an intense performance as Jim McLeod - a ruthless crime fighting cop who has a stark view of the world as made up of good guys and bad. He and prosecutes all crime, no matter how minor, with a brutal zeal. He does not believe in extenuating circumstances. The first half of the movie leads you to think that you are watching an entertaining crime drama where McLeod is the upright cop who, whilst chafing at the bounds of permissible legal conduct, seeks to bring an influential, wealthy, and well-lawyered crook to justice. In his mind, McLeod has convicted and damned the crook with a ferocious loathing. It is the sudden mid-story twist that brings this film into its own. McLeod's relentless persecution precipitates a personal crisis that will alter his own life forever. In the second half, the movie grapples with surprising emotional intensity with eternal questions - who are we to judge, in damning others do we damn ourselves, and how do we bring ourselves to forgive? I was so engrossed that I postponed my loo break until the very end. This is a fantastic movie - loved it.

It is exactly what I titled. The movie is a funny and clever little romp. There are many movies centered on museum heists but this is easily among the better ones - the ingenious plot holds your undivided attention. The pace is brisk, and the acting top notch. Of course, it also helps to have the mesmerizing screen presence of two iconic actors. Audrey Hepurb is ethereally beautiful as always, oozing waif-like charm as only she could. And the dashing Peter O Toole puts on rather a droll show. The two share share a crackling chemistry here. This movie is perfect for an entertaining evening watch with friends and family. I guarantee that everyone will laugh a lot, and have a broad smile on their faces at the end. I definitely did.