joshlee-18887

What the heck Netflix was thinking? Amy Schumer is not talented and making these kind of films and jokes just tell us how shallow she is! All Her characters she played over the years just portray one white chick trying harder by telling xxx jokes and then laugh about it. Absurd!

What else can be done to have her stop making these films. She should either retire or take a long vacation. Bad bad bad bad and bad movie!

Whoever is giving 10 stars are a part of her smear campaign to make it look like the film is doing well!

Please Amy give everyone a favor and stop acting or writing. You are not talented!

This film was fine, but I'm struggling to understand what sets it apart. While it's artistic, the film lacks a compelling narrative. It seems to tick the right boxes-a woman of color from Europe directing-but beyond that, what makes it stand out? I'm baffled by the critical acclaim. The acting was solid, the score was minimal, and the direction was decent. It feels like the inclusion of nudity and explicit scenes is what ultimately sold the film. Is this really what filmmakers must resort to in order to cater to Western audiences? The pacing is incredibly slow, which likely appealed to the French audience and contributed to its selection at Cannes.

Cannes loves films like these!

All the Men I Met but Never Dated isn't just a film-it's an intimate journey of self-discovery that feels like it's unfolding right in front of you. It pulls you into a world where internal conflict and love quietly simmer beneath the surface, in a way that feels both deeply personal and universally relatable.

This film tells the story of a man who navigates love, identity, and family while remaining in the closet. What sets All the Men I Met but Never Dated apart is how it portrays this journey without sensationalism or melodrama. It's about the small, silent moments of longing, connection, and regret-the ones that can only be understood by someone who lives with the choice of staying closeted.

The relationships in this film are subtle yet profound. The connection between the main character and the men who enter his life is handled with a tenderness that rarely makes it to the screen. The way the story unfolds feels natural, almost like we are eavesdropping on someone's private life. It doesn't feel scripted or forced, and that's where the film truly shines.

What stands out most is how the protagonist grapples with his love for his family while trying to reconcile it with who he really is. It's an experience that people of color and those from conservative backgrounds, especially in the Middle East and South Asia, will deeply understand. The film beautifully illustrates that for some, staying in the closet isn't about fear or shame, but about love-about not wanting to lose the ones who matter most.

The performances are quietly powerful. The main actor delivers such a raw, understated portrayal of a man torn between his desires and his responsibilities that you forget you're watching a performance. The emotion he conveys through silence, through the smallest gestures, will resonate long after the credits roll.

The film isn't your typical LGBTQ love story filled with grand obstacles or conflicts. Instead, it's a meditation on love-both romantic and familial-and the sacrifices we make to hold on to both. It's a film that celebrates the complexity of love, and by the end, you'll be left with a heavy heart, reflecting on the struggles many face in silence. It's quietly heartbreaking, yet also undeniably beautiful.