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Watching Budi Pekerti felt incredibly personal. I know exactly how difficult it already is to be a teacher in Indonesia - underpaid, overworked, and expected to be perfect at all times. That's why Bu Prani's story cut so deep. She was never trying to be a hero. She was just tired. Human.

When that one moment at the market was caught on video, I knew what was coming. The internet doesn't wait. People don't ask questions. And just like that, everything she built - her job, her identity, her dignity - was put on trial by strangers.

Ine Febriyanti's performance was devastating in the best way. So subtle, but so powerful. I could feel her crumbling quietly, the way many real people do - without drama, without screaming, just... trying to survive.

And the ending? Honestly, I loved it. It doesn't force a "happy" resolution, and that's exactly why it works. Sometimes, life doesn't wrap up neatly. Sometimes, we just carry on, even if we're broken. And that final scene says more in silence than any dialogue could.

Budi Pekerti is the kind of film that lingers. It's not just a social commentary. It's a reflection of how cruel we've become, and how little space we give people to just be human. I cried when it ended - not because it was tragic, but because it was honest.

This film matters.

Janji Joni is the definition of early 2000s Indonesian cinema magic. It's quirky, chaotic, and full of soul. Joko Anwar captures a Jakarta that feels alive-messy, random, but full of stories waiting to be told. Joni, a film reel delivery guy, goes on a wild ride across the city to keep a simple promise. But what makes it special isn't just the plot-it's the energy.

And the soundtrack? Unreal. The Adams, Zeke and the Popo, SORE-it's a time capsule of indie brilliance. The music doesn't just support the film, it defines it.

There's something raw and honest about Janji Joni. It's light, fast, idealistic-just like the era it came from. It doesn't try too hard, and that's why it works so well.

A classic that still hits hard today.

Joko Anwar's Nightmares and Daydreams is a seven-episode anthology blending supernatural and sci-fi elements with pressing social issues in Indonesia. Each episode explores different societal struggles:

Episode 1: Old House - The rising number of elderly being placed in nursing homes.

Episode 2: The Orphan - The exploitation of orphans and the dark side of adoption.

Episode 3: Poems and Pain - The struggles of artists and creative professionals.

Episode 4: The Encounter - Spiritual devotion reimagined through a sci-fi lens.

Episode 5: The Other Side - Homelessness

Episode 6: Hypnotized - Mass manipulation and loss of free will.

Episode 7: P. O. BOX 8 - "Missing" person in Indonesia

One of the most striking episodes for me is, The Encounter, symbolizes a noble desire for Hajj, reimagined through a sci-fi narrative. Wahyu, a humble shellfish fisherman, is chosen by an angel-like entity not for his power or intelligence, but for his pure devotion to God. His life revolves around worship, and this unwavering faith makes him "The Chosen One." Wahyu's story mirrors the dream of many Indonesians who long to fulfill the spiritual journey of Hajj, though faced with financial and societal barriers. The episode beautifully intertwines spirituality with cosmic mystery, making it one of the most profound in the series.

Beyond the individual stories, Nightmares and Daydreams is also incredibly revolutionary for the Indonesian film industry. It's a completely fresh and new experience for viewers. The combination of sci-fi, horror, and deeply-rooted social commentary in Indonesian context is something we haven't really seen before. Joko Anwar has managed to break new ground in storytelling, pushing the boundaries of what we expect from local cinema. It's a daring move that challenges the norms of how stories are told in Indonesia, and it's incredibly exciting to see such innovation in filmmaking. This series proves that Indonesian filmmakers are ready to experiment, tell deeper stories, and truly explore new creative territories.

Nightmares and Daydreams is more than just sci-fi horror; it's a commentary on Indonesia's social issues, disguised in supernatural storytelling. Joko Anwar masterfully uses genre fiction to reflect reality, making this series both engaging and thought-provoking.