swilson-1
दिस॰ 2001 को शामिल हुए
नई प्रोफ़ाइल में आपका स्वागत है
हमारे अपडेट अभी भी डेवलप हो रहे हैं. हालांकि प्रोफ़ाइलका पिछला संस्करण अब उपलब्ध नहीं है, हम सक्रिय रूप से सुधारों पर काम कर रहे हैं, और कुछ अनुपलब्ध सुविधाएं जल्द ही वापस आ जाएंगी! उनकी वापसी के लिए हमारे साथ बने रहें। इस बीच, रेटिंग विश्लेषण अभी भी हमारे iOS और Android ऐप्स पर उपलब्ध है, जो प्रोफ़ाइल पेज पर पाया जाता है. वर्ष और शैली के अनुसार अपने रेटिंग वितरण (ओं) को देखने के लिए, कृपया हमारा नया हेल्प गाइड देखें.
बैज2
बैज कमाने का तरीका जानने के लिए, यहां बैज सहायता पेज जाएं.
समीक्षाएं2
swilson-1की रेटिंग
There will always be comparisons between this film and John Wayne's bloated 1960 epic of the same name. The 2004 version is a much better film for a number of reasons. The acting in Hancock's Alamo is of a personal nature; Billy Bob Thornton's David Crockett is a man haunted by his own fame, Jason Patric's Jim Bowie wrestles with demons unleashed by his wife's death, and Patrick Wilson seeks desperately to find a new life amid the chaos of revolution. Dennis Quiad as the hard-drinking, self-destructive Sam Houston may be the one weak spot in the cast. Even the defenders of the Alamo look as if they belong in that crumbling mission on the edge of San Antonio de Bexar. A friend of mine noted that "it looks like a made-for-TV movie," but he wasn't be especially critical of the film. What he meant, I believe, is that the normal scope and sweep of historical dramas was not present in this film. But the film did not suffer. Again, to pick on the Duke (and I'm a John Wayne fan), his Alamo certainly had vista galore; but the direction and story sat on its chest like a concrete block. Keep this in mind; the 1960 version is about a group of heroes valiantly defending their makeshift fort--the film seldom lets you forget that. Hancock's is about ordinary men in extra-ordinary circumstances where death is not some abstract thought. They are going to die and they are frightened.
Like many movies based on historical subjects, Gods and Generals had a chance to be exciting. It wasn't. Despite the best efforts of the actors the movies seemed like a warmed-over mismash of stereotypes and awkward moments. Even the music by the normally superb Randy Edelman lacked cohesion and consistency. Stonewall Jackson was complex, a condition that was only hinted at on-screen. It is as if every effort was made to cram everything in the book into the movie. That's a shame because the impact would have been so much more had the viewer been allowed an opportunity to linger over the characters or situations. I saw and enjoyed Gettysburg. Watching Gods and Generals, I am very sorry to say, became a burden.