FilmFlaneur
सित॰ 2000 को शामिल हुए
नई प्रोफ़ाइल में आपका स्वागत है
हमारे अपडेट अभी भी डेवलप हो रहे हैं. हालांकि प्रोफ़ाइलका पिछला संस्करण अब उपलब्ध नहीं है, हम सक्रिय रूप से सुधारों पर काम कर रहे हैं, और कुछ अनुपलब्ध सुविधाएं जल्द ही वापस आ जाएंगी! उनकी वापसी के लिए हमारे साथ बने रहें। इस बीच, रेटिंग विश्लेषण अभी भी हमारे iOS और Android ऐप्स पर उपलब्ध है, जो प्रोफ़ाइल पेज पर पाया जाता है. वर्ष और शैली के अनुसार अपने रेटिंग वितरण (ओं) को देखने के लिए, कृपया हमारा नया हेल्प गाइड देखें.
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रेटिंग163
FilmFlaneurकी रेटिंग
समीक्षाएं324
FilmFlaneurकी रेटिंग
An Indian Malayalam-language independent 'action thriller survival film', In it a bull escapes from slaughter in a remote hilly village and the villagers set out to hunt it down. The hunt reveals greed in an escalating situation of violence, and hysteria. Ultimately it is not the cow which is out of control, but the absurdity of human nature shown in the pursuing and competing mob. If you enjoyed the jaw dropping crescendo of irrationality of Aronofsky's Mother! (2017) say, then this is the film for you. After seeing this I was compelled to see other of Pellissery's films that I could find. None of the two of three I have seen are as audacious as this, but the gangsterish Angamaly Diaries is very good (featuring as its conclusion a remarkable Steadycam extended single shot sequence, involving dozens of actors) although his latest Malaikottai Vaaliban Melton was a bit disappointing. But the director is one to watch - and Malayam cinema something to explore if, unheralded, it can throw up a tour-de-force like this,
A wartime film about the UK's Women's Institute and the visit of Mrs Roosevelt may seem likely a dated subject and worth passing over these days, but you'd be wrong. I would say this is possibly director Lance Comfort's greatest film and an overlooked gem of British 40's cinema. Comfort was a director who did well in melodrama but whose star faded with changing tastes and ended up in B movies and television.
Other reviewers have covered the plot here, but more generally despite some speechifying, suffice to say that even with plenty to say, the film moves briskly along with no dull scenes, As others have also said, in its response to the English landscape, an almost mystical sense of place, and sometimes noir-ish cinematography, GREAT DAY recalls the contemporaneous Powell and Pressburger cult film A CANTERBURY TALE (reinforced by its use of two of the same actors Portman and Sim) and would make a great half of a double bill.
Portman is outstanding as a down-at-heel ex-soldier and the large cast includes a number of women, all excellent in their roles. Part wartime propaganda piece, part feminist women's picture, and part portrait of a (it must be said) mostly middle class community GREAT DAY is one of those films I return to often, If you love the less well-trodden byways of British Cinema and want to discover one of its brightest examples look no further. There is a good copy to be seen on YouTube.
Other reviewers have covered the plot here, but more generally despite some speechifying, suffice to say that even with plenty to say, the film moves briskly along with no dull scenes, As others have also said, in its response to the English landscape, an almost mystical sense of place, and sometimes noir-ish cinematography, GREAT DAY recalls the contemporaneous Powell and Pressburger cult film A CANTERBURY TALE (reinforced by its use of two of the same actors Portman and Sim) and would make a great half of a double bill.
Portman is outstanding as a down-at-heel ex-soldier and the large cast includes a number of women, all excellent in their roles. Part wartime propaganda piece, part feminist women's picture, and part portrait of a (it must be said) mostly middle class community GREAT DAY is one of those films I return to often, If you love the less well-trodden byways of British Cinema and want to discover one of its brightest examples look no further. There is a good copy to be seen on YouTube.
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