pk-34
सित॰ 2000 को शामिल हुए
नई प्रोफ़ाइल में आपका स्वागत है
हमारे अपडेट अभी भी डेवलप हो रहे हैं. हालांकि प्रोफ़ाइलका पिछला संस्करण अब उपलब्ध नहीं है, हम सक्रिय रूप से सुधारों पर काम कर रहे हैं, और कुछ अनुपलब्ध सुविधाएं जल्द ही वापस आ जाएंगी! उनकी वापसी के लिए हमारे साथ बने रहें। इस बीच, रेटिंग विश्लेषण अभी भी हमारे iOS और Android ऐप्स पर उपलब्ध है, जो प्रोफ़ाइल पेज पर पाया जाता है. वर्ष और शैली के अनुसार अपने रेटिंग वितरण (ओं) को देखने के लिए, कृपया हमारा नया हेल्प गाइड देखें.
बैज2
बैज कमाने का तरीका जानने के लिए, यहां बैज सहायता पेज जाएं.
समीक्षाएं2
pk-34की रेटिंग
To make a good movie about bull fighting one should first contract a great matador: and Miguel Mateo Miguelin could hardly be braver or more graceful. I saw the movie despite my modern distaste for that ahem sport: and was at least semi-converted. In ancient northern religions, with their male animal gods, the animal god presents himself to the people to be ritually slaughtered. The ritual must be beautiful. The ritual must be risky: potentially fatal for the killing-man-priest as well as for the animal-god. Migueline shows how it's done when it's done right.
Bandits on the Wind, Inagaki. This movie is beautiful, funny, heroic. It's a shame it's not better known. At one point the most immature and pathological bandit (in a bad bunch) is forced to pretend to be a prince. The timing that shows this Japanese's inability to sit cross legged is hysterical. There's a wonderful joke where a bandit weeps to recall how peasants were forced to build a defensive wall, and then slaughtered to keep it secret. "How did you escape?" another bandit wants to know. "Escape nothing: I was one of the guys doing the killing!" The martial arts triangle defense--two katana and a spear--is stellar. The bandits blend cooperation and chaos as it suits them; in the end their Bushido is heroic.