dawnrain

If this film meets such a great success, it's just because people recognize themselves in those characters. Well, they are not politically correct (alcoolism) but in these days when life is so difficult for the middle and low class French people, this movie is refreshing and helps you forget everything else. It's also a great lesson of tolerance. Nobody should never have pre-built ideas about a country or an area and his people. Dany Boon describes the world he knows. It's the same world that a lot of French people know, maybe not in Paris, but in the villages, in the country. For once, we have a movie with real people, real life stories of simple people. And maybe people wants to see this from time to time, instead of crimes and violence. Personnaly, I think this movie approaches the Marcel Pagnol movies. Two days ago, 12,592,762 seats where sold. 12,592,762 people cannot be wrong.

I just bought this series on DVD. It was one of my best memories of the late sixties television series. Even after all these years, this film is still great. From a Paul Feval's novel who wrote "Le bossu" that is best known than "Les habits noirs". The basic story is identical, a man falsly accused comes back to get his revenge 16 years later. Not of the actors were very known but they were all very good. I am surprised that Jean Pierre Bernard who was handsome and sensitive haven't had a greater carrier on movies or TV.

I regret that TV currently never release all these nice series we had at the time: Arpad le Tzigane, Maurin des Maures, Les Mohicans de Paris...

To answer to the previous comment: finding a person knowing where he lives is quiet easy. A name on the mail box, any letter or paper in his home will give his identity. Belmondo is in the villain's house alone. OK, they could show us, but we can imagine.

What I think is worse in the story is that the "Epervier" would NEVER have let live the young man who helps him in the jewelry robbery. He kills everyone, except this young man, leaving him only injured. It's nonsense, this particular villain could not do that. He was not in such a hurry, he takes time to kill the two cops and doesn't take the time to shoot the kid! And also it's using a very bad facility in the scenario than to just make this young man, the only one the "Epervier" let live knew exactly who he was and where he lived...

I think the scenario would have been better if either the story was only between the Alpagueur and the Epervier OR between the Alpagueur and the Prison story. Two stories in the same movie makes one of them writtent quickly. I would have loved to see the Epervier character a little more explained, this was an interesting character that was underused in the movie and lost for another scenario.