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I'm a Huge Ashton Sanders fan so I really wanted to like this movie but the writing just didn't do it for me. Great cinematography with beautiful colors and textures in the film but the script and storyline was very dry. I feel like this movie was a waste of the actors talents.

The movie had no soul... maybe the writers should do some more research on "the hood"

Teachers of fiction sometimes talk about setting as a character in a story. That's exactly what we have here. Those who say it's boring or a "typical hood movie" don't know much about Oakland -- or similar environments -- from the inside out.

The movie argues that people don't have many real choices. Some IMDB reviewers say the characters lack the will to overcome hardships. It's some of both, but if you've done more than drive through the city, you'll know there's a constant grimness to what you see and hear, even on sunny days, even when the Warriors held their parades. People live shortchanged, mocked by the Bay Area's natural beauty, by the once-majestic houses that stand throughout the town, even in "the hood."

People on both sides of the law are hard. Simply turning a corner onto a street where other drivers have chosen to stop and talk (and eff your hurry to get somewhere) can lead to violent conflict. Going into a 7-11, an auto parts store, whatever, can mean navigating strangers who put you on the spot with "fighting words."

The motor homes and tents of the homeless are everywhere. If you ask why the cops don't move them along, the answer is "they've got way too much else more important to do."

When you wake up every morning in that environment -- with routine everyday decisions carrying the potential to turn meaningful -- life becomes constant edgy irritation. The characters in "All Day..." face interactions with place as much as with the other characters. Like another recent movie set in the town, "Blindspotting," this movie captures the grind. And yeah, perhaps at the expense of more violence than needed and a slowish plot, but it tells the story in set out to tell.

I had a good time watching 'All Day and a Night'. You can see it's well made, has a strong cast and features an engaging story. It isn't perfect of course, but it's a more than decent film.

Ashton Sanders impresses the most in my opinion, he plays Jah excellently - I could appreciate what they were telling about his role, which is thanks to Sanders as much as it is to Joe Robert Cole & Co. Jeffrey Wright, who I like a lot as an actor, is up to scratch as J.D., even if his character comes across, at least to me, a little stereotypical at moments.

It's a story very nicely told, I like how it portrays it mostly via flashbacks. I guess you could argue a few parts are overly entwined, but overall I think they did a very solid job. Well worth a watch.

I watched the entire film and came away with nothing. What was the point? It's a stereotypical hood drama with an unoriginal plot and explicit violence. It's culturally regressive. I can't help but wonder why someone would finance this film. So cringey and played out. Jeffrey Wright, as usual, stands out and gives you a glimpse of his immense range an actor. Ashton Sanders pretty much plays the same character he played in the wu-tang series on Hulu. He's not good but not bad either. Overall Re-watch value: 0

"All Day and a Night" is an unflinching portrait of cycles of violence and systemic problems that plague urban communities, with the calling card of a very strong central performance from Ashton Sanders. Gritty realism and heartfelt exploration of a single man in his quest to fight through the baggage that fate would have him carry make both poignant and thought-provoking moments. However, this often straddled narrative device between past and present makes it feel disjointed, which bodes well neither for the flow nor the emotional impact. Though well-acted, the supporting characters feel underdeveloped, and some of the story arcs feel underbaked. "All Day and a Night" is still an emotionally moving drama and covers urgent social issues, even if its execution is far from perfect.

Honestly I gotta ask what the point of this movie was, cause I got to the end still trying to figure if the motive was worth the time I sat to watch the movie. It just shows the life in the hood and the things that come with it, but nah aiint nothing special.

Extremely powerful picture. What some may view as your stereotypical black film goes beyond that. The film is nuanced in such a way that those who can't begin to understand the life of a large number of minorities in America, and what they go through, may not appreciate. The film is not meant to be a gangster film, but a film that depicts multigenerational struggles, complex father-son relationships and the fight to break the cycle bred by systemic poverty and the pipeline to prison. A film that simply isn't meant for the ignorant minds of those who wish to stay ignorant, but those who understand the challenges in America.

Jeffrey Wright, per usual, is excellent in his character development and Ashton Sanders continues to flourish and grow as actor.

Story starts out strong and intriguing, but ends up moving too slow. It'a sad to see how poverty affects kids lives and I like how it hops around from past to present, but the main character is pretty boring. I like his character as a kid and watching him process and deal with the messes that come his way, but him as an adult is nothing special. His best scene was in the bath with his girl cuz we got to see him actually show feelings, other than that he's stone cold. I hardly empathized with him even though I wanted to. Overall good story, but could have been a much better movie.

Pretty good movie; glad to see Ashton and others. Instead of the same faces.

Jeffrey wright and ashton sanders carry the film very well. It was thought provoking and well acted.

It wasn't that big of a deal like they said but the overall ratting for this movie us more than correct

The acting didn't completely suck, but I just couldn't get past the terrible accents and unoriginal plot. This movie is supposed to take place in Oakland California, but the main characters sound nothing close. It really feels culturally regressive Overall. Hood drama done very predictably, reminds me why I prefer documentaries over underwhelming story telling.

Actions have to make sense right? Now if someone you know was to be hurt by another person (I'm putting it mildly and it also happens right at the start of the movie), you'd be excused for wanting - actually make that needing answers to why. To have an understanding. It doesn't mean the pain would go away, but it might ease your mind a bit ... then again who is to say it would? It depends on the answer you'd be getting and your state of mind.

Now the movie deals with what happened to and what made our pulprit the way he ended up being .. it is not poetic justice, some may not even feel like it is any sort of justice ... it seems inevitable, no matter how good the intentions of those involved are or were. What doesn't kill you, makes you stronger? There are merits to that, there are also merits to tough love ... but there also downfalls to both those ... it all depends on the individual and how it will be perceived and received ... and taken into (account). A drama that might rub you the wrong way, with timeline jumps that warrant your full attention. There is a reason why they compare this to Moonlight and highlight the fact that there are people involved from that movie ... this probably would be a good double bill

Ashton Sanders is mysterious, brooding and complex, similar to his role in Moonlight.

Very disappointing to see reviewers reduce this beautifully done film down to a "hood movie".

If you simply appreciate good art, you'll savor every minute. Not for the squeamish. Not for those who do not like thinking while watching movies. Not for those who embrace prejudices.

Jahkor Abraham Lincoln (Ashton Sanders) breaks into a family home and brutally shots the parents dead. He remains silent and refuses to give a reason. He goes into prison and is reunited with his father JD (Jeffrey Wright). JD is a drug addict who brutalized him as a way to teach him about life. Flashbacks reveal his childhood turning into a young thug and aspiring rapper with his best friend TQ.

This is a cold, brutal recitation of a thug life. It has an inevitability quality about it. That may be due to the early reveal of the murders or more likely, this is a tale often-told from the 90's onwards. I do like the reserved explosive Ashton Sanders and Jeffrey Wright is never wrong. I wouldn't mind something more shocking with Malcolm's reveal. Maybe this is nothing new, but it still resonates.

Looked like good cinematography, acting appeared fine. Sound mix is absolutely horrible. If there is a story be prepared to get much less than have if it delivered to you. Low whispers, music pumped in places. Looks like whatever this is trying to expose will remain hidden until the sound techs bring the important messages to the front!

Product of my Own Environment POME

Decent flick about a broken family. Cycle repeats to the next Gen. Stereotypes & Bad Decisions all up in here. Seen this formula b4.

Jeffrey Wright had some strong scenes. But Yakya Abdul Mateen was the my main man here. Cannot wait to see him get larger lead roles. Ashton was nice.

So confusing it sad! Replayed a few scenes just still confused me