One and Two

There really is nothing worth investing this movies length to endure for what you get. It was a happy enough ending but the journey there was pointless. It's basically Jumper only they truly do nothing with said abilities. Movie is composed well enough but again there's no real point for any of it. The only positive is it ending with Outro by M83, but even then I wouldn't give this a +1 even (or 6/10). It isn't good it isn't bad, it's just a neutral 5, flat and entirely nothing. If my only purpose in life is to leave some sometimes helpful reviews and sway others from wasting more valuable time then I can live with that.

I am so confused, what did I just watch? It feels like a movie that is arty and philosophical but it isn't. The only reason to watch this movie is if you have an hour and a half to kill and you really like Timotheé Chalamet. It is a beautiful film at times, aesthetically pleasing. The story goes nowhere and if there is a meaning to it, it is lost on me. Maybe I am not deep or arty enough to understand it. It seems to have some religious undertones. Sometimes it is meditative though to watch something that has a beautiful boy in it and some nice nature shots.

This is a slow but very beautiful movie. If you only are in to action then this is nothing for you. But if you like movies that will challenge and dare your mind and if you not are afraid of something more deep than a couple of men punching each other, then this is a film for you.

The film will get you in a state of mind that will begin to think, to wonder. Will this be possible? Can a father be like that? Loving and still so demanding and ... cruel.

And then you realize that it's the way people, mostly men, dictates their women and children to live exactly as they want them to do. It also shows how hard it is to break free from a family bond. Hard even if you don't want to be a part of it, if you do want to go. You can't go, there is too much holding you back. Fear, love, obedience even respect holds you back from leaving although you don't want to be there.

You know what you have but you don't know what you will get.

For me the film was not about their ability to "jump". It was about the fear of something new, something you don't understand, the will to have everything as it always have been. Their ability was just the unknown in the world. The film for me was also about breaking free and leaving old habits behind, leaving (killing) the tyranny, the dictatorship and seeking the freedom.

I liked the film and I will remember it a long time - maybe see it again in a month or two.

So it's okay. It's fine. It's a movie that was made, but not made well. There's no passion, no story, no style, nothing. It's a movie that proves this director can put a movie together, outside of Rich Hill. Autumn Durald does a great job with the cinematography, despite there clearly being more budgetary constraints than Palo Alto, most notably the oval bokeh and the obvious digital grain, from the upped-ISO.

The movie is bearable, it's watchable, but not interesting. The dialogue, however, is laughable, and the Tree of Life internal monologues are baffling. This movie is practically a series of events, albeit beautiful to look at and competently put together, with no real satisfying conclusion nor moral.

This movie doesn't deserve the critical panning it has from RottenTomatoes, it's one of the better movies of the year, which I guess isn't saying much.

Kiernan Shipka, and everyone really, look bored and brooding. They have nothing to work with, and when they do, it's executed laughably and obnoxiously. I have no doubt Shipka has acting chops, but this doesn't prove it, she mopes around with a vaguely confused face the whole movie.

Timothee Chalamet is the best actor in the movie, and he barely has anything to show, possibly because no one has any characterization besides "quiet, distant, scared." I hope he stops being type-casted as Tom Cooper, because even when he's given the opportunity to act in these movies, it's quickly cut short (in this, his screaming and clawing are drowned out by a glaring score, muting any actual skill required to show emotion or character struggle).

Hopefully Jeff Nichols' Midnight Special shows this movie up, I'm pretty disappointed. (If at any point you think I'm blindly "hating" on this movie, the very fact that I was even looking forward to a movie that wasn't advertised or talked about shows my initial interest.)

a photo album more than a film. because it reminds old themes, in right mix, well known characters, gestures and facts expected after the the first moments. the special children, the isolated space, the pressure of past, the father who does the right things in the wrong manner are pieces of a film who not surprise but it is far to be a disappointment. the only problem is the status of reminder. the director not propose a story, his story. only replace the same ingredients in a neutral manner. result - a beautiful film, first for its fragility, for images, for the references to Gothic, Scandinavian art, Sci. Fi. and a trend about special young people. the problem - the story has a fine potential and the silence, so generous used, could be better made.after its end remains only the flavor of a special form of poetry. like old pictures from an album.